What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Judith

This mornings repertoire
Sibelius Symphony no 3
Sir John Barbirolli
Halle Orchestra
From box set

Brahms Piano Concerto no 2
Stephen Hough
Mozarteuorchester Saltzburg
Mark Wrigglesworth

Saint Saens Violin Concerto no 3
Joshua Bell
Montreal Symphony Orchestra
Charles Dutoit

Florestan

More Kozeluch:



His star is steadily rising over my musical horizon.  :)
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Christo

... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Madiel

Quote from: North Star on June 05, 2018, 08:27:06 AM
Fresh from the mail for Test-drive Tuesday
Holmboe
Chamber Concerto No. 1, Op. 17 (1939) for piano, strings & timpani
Anne Øland (pf)
Staffan Borseman (solo violin)
Danish National Chamber Orchestra
Hannu Koivula

[asin]B07B6FP2QN[/asin]

Nice to see someone who has unwrapped the box.  ;)

Have you heard any of the BIS recordings (they don't do every concerto), or is this your first exposure to this music?
Nobody has to apologise for using their brain.

North Star

Quote from: Madiel on June 06, 2018, 02:54:07 AM
Nice to see someone who has unwrapped the box.  ;)

Have you heard any of the BIS recordings (they don't do every concerto), or is this your first exposure to this music?
No, first time hearing these works.

Thread-duty - first listen

Lully
Airs
Café Zimmermann
Pablo Valetti
d'Anglebert
Piéces de clavecin & Airs d'aprés M. de Lully
5 fugues sur le mesme sujet*
Céline Frisch
(clavecin français d'Émille Jobin d'après Vincent Tibaut) / (orgue de la Chapelle de l'hôpital Charles Nicolle de Rouen)*
[asin]B01M0QREWR[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr


Traverso

François Couperin

Premier livre de pièces de clavecin

CD 1


Harry

Erkki Melartin. Symphonies No. 5&6. Tampere PO, Leonard Grin.

Highly original works, scored in such a way that surprise after surprise meets you in beautiful melodies. Truly magical at times. The sound world of Melartin is very much akin of Scandinavian composers of his time and before. Late romantic and very well thought out.

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"


Florestan

Earlier:



Absolutely magnificent.

And now this, on repeat:

Quote from: Florestan on June 06, 2018, 01:01:11 AM


KV 285 and KV 298 are among Mozart's best kept secrets.

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Harry

#116251
New arrival.
Francisco Correa de Arauxo. (1584-1654)
Organ music. Francesco Cera plays on one of the oldest Renaissance organs in Spain, built around 1550 by an unknown Spanish organ maker, with almost all its original pipes. The organ has an original pitch ( a tone and a half above 440 Hz), which it was in Arauxo's time, and is very high!
Recorded at the Church of Santa Maria, Garrovillas de Alconetar, Extremadura, Spain. (April 2017)

Your ears have to adjust to the brightness, but once adapted to it and having the right volume, you get a marvelous account of his music.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

cilgwyn

Quote from: Christo on June 05, 2018, 11:40:08 AM
Courtesy vandermolen:

Vandermolen,I'm just relieved that you are enjoying something I recommended to you!! Something you can rave about at last............and your wife,will have the good fortune to hear,as well!! ;D

vandermolen

Quote from: cilgwyn on June 06, 2018, 05:14:29 AM
Vandermolen,I'm just relieved that you are enjoying something I recommended to you!! Something you can rave about at last............and your wife,will have the good fortune to hear,as well!! ;D
Thanks!
Yes, its a great work cilgwyn. I like the enthusiastic member of the audience's shout out at the end.

I don't think I'll play it when my wife is around the house. The cat enjoys it though.
8)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Karl Henning

"Papa"
Sonata in Eb, H.XVI/50
Tom Beghin


[asin]B0000502AH[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

vandermolen

Symphony 3 - a very fine work in the Chavez/Copland tradition but original too and 'catchy' in part:
[asin]B0000665A9[/asin]
I may have got this wrong but I think that Christo likes this work as well.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Christo

Quote from: vandermolen on June 06, 2018, 05:48:24 AM
Symphony 3 - a very fine work in the Chavez/Copland tradition but original too and 'catchy' in part:
[asin]B0000665A9[/asin]
I may have got this wrong but I think that Christo likes this work as well.
You're absolutely right again: I love Guarnieri's symphonies, far better than those by Villa-Lobos. Spicy neoclassism, yummy.  ;D
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Mahlerian

Messiaen: Quatuor pour la fin du temps
Yvonne Loriod, Christoph Poppen, Manuel Fischer-Dieskau, Wolfgang Meyer
[asin]B0018OAP5C[/asin]
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

SonicMan46

Quote from: Florestan on June 06, 2018, 01:01:11 AM

Now playing:



Wow! No, really: wow! Kozeluch gives Mozart and Haydn a hard run for their money. Mind-blowing stuff.

Kemp English in the Lozeluch keyboard sonatas has been on my radar for a while, but he's recorded about a dozen discs and at premium prices (at least on Amazon) - as an alternate, I've purchased the 4 CDs below (2-CD sets) w/ Jenny Kim on a fortepiano (built by Michael Walker in Germany, 1987 after an 1795 Anton Walter, Vienna) - have not played these discs in a while, so coming up next - ALSO, the English recordings are available on Spotify, so will plug my iPad into my den stereo and do some listening.  Dave :)

 

Karl Henning

Coasting, not running  8)

"Papa"
Mass in Bb « Harmoniemesse » (Hob.XXII/14)
La Petite Bande
Kuijken


[asin]B007AR7QZI[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot