What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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ritter

More opera today:

[asin]B00B2M7DHS[/asin]

Delicious.... :)

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Sadko

Rameau

Harpsichord works

Jory Vinikour

[asin]B007WB5CU8[/asin]

TheGSMoeller

Quote from: Sadko on September 19, 2014, 05:35:41 AM
Rameau

Harpsichord works

Jory Vinikour

[asin]B007WB5CU8[/asin]

Very nice, Sadko. That is my favorite collection of Rameau keyboard works on disc. How are you liking it?


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sadko

#30306
Quote from: TheGSMoeller on September 19, 2014, 05:50:41 AM
Very nice, Sadko. That is my favorite collection of Rameau keyboard works on disc. How are you liking it?

[Rameau/Vinikour]

I must say I am a bit disappointed. The first impression was: He has a pleasant, gentle "voice", not a hammerer. But soon I began to find it all a bit samy, unaccentuated and the steadiness of rhythm too prominent. Not really mechanical, but a bit unimaginative, undifferentiated, unsubtle. No competition for Marcelle Meyer (on the piano). I compared a few pieces to Celine Frisch's interpretations on harpsichord, and I found my impression confirmed: There I hear more of what is going on in the pieces, while (overstating it) with Vinikour I hear more a sound carpet.

EDIT: Yes, I think I like him best when he is playing sweet, lullaby like "songs".

TheGSMoeller

Quote from: Sadko on September 19, 2014, 06:32:23 AM
[Rameau/Vinikour]

I must say I am a bit disappointed. The first impression was: He has a pleasant, gentle "voice", not a hammerer. But soon I began to find it all a bit samy, unaccentuated and the steadiness of rhythm too prominent. Not really mechanical, but a bit unimaginative, undifferentiated, unsubtle. No competition for Marcelle Meyer (on the piano). I compared a few pieces to Celine Frisch's interpretations on harpsichord, and I found my impression confirmed: There I hear more of what is going on in the pieces, while (overstating it) with Vinikour I hear more a sound carpet.

Thank you for your reply, Sadko. Different strokes for different folks.  ;)
For me there's a closeness to the instrument, a clarity to the notes that I've always really enjoyed.

Thread duty...a disc I haven't spun in years it feels like...

[asin]B0000006ZD[/asin]

Mookalafalas

Stumbled onto a copy of this and giving it a listen.  Impressed so far.
[asin]B0000C6IW3[/asin]
It's all good...

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

kishnevi

#30310

Solid on all counts but does not dislodge Mullova from the top spot for VC 1.

Ken B


Pat B

Earlier: Beethoven 7, Furtwangler 1943. I tried listening to the 4 from the same year, but the way he handled the first transition made me skip ahead. I'm not wildly enthusiastic about this 7 but at least I was able to listen to the whole thing.

Now: Gershwin Piano Concerto (Grimaud, Zinman). I like this but haven't heard many other recordings of it.

Wakefield

J.S. Bach - French Suites
Masaaki Suzuki, harpsichord

[asin]B0000AF0KA[/asin]

It's a great recording of these suites. To me the most attractive quality of Suzuki's interpretation is a sort of dignity, associated to some almost tangible spiritual pureness, as if were played by a maiden from a Romantic novel.  :)
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

Mandryka

#30314


Andreas Staier plays all sorts of 17th century keyboard music, masterful articulation - possibly the most eloquent performance of D'anglebert's tombeau for Chambonnières that I've ever heard.

Interesting to hear a passacaglia by Muffat on a harpsichord.

Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

Quote from: Gordo on September 19, 2014, 09:30:31 AM
J.S. Bach - French Suites
Masaaki Suzuki, harpsichord

[asin]B0000AF0KA[/asin]

It's a great recording of these suites. To me the most attractive quality of Suzuki's interpretation is a sort of dignity, associated to some almost tangible spiritual pureness, as if were played by a maiden from a Romantic novel.  :)

Well put!
Wovon man nicht sprechen kann, darüber muss man schweigen

SonicMan46

Continuing my listening to the Haydn Keyboard Sonatas w/ Brautigam, but a new arrival:

Bach, JS - Christmas Oratorio w/ Layton & many others - excellent reviews from The Telegraph, Sinfini Music, and Fanfare, the latter prompted my purchase (a used copy from the Amazon MP) - Dave :)

Quote from: SonicMan46 on September 18, 2014, 07:40:25 AM
Haydn, Joseph - Piano Sonatas w/ Ronald Brautigam - have not listened to Papa Joe in a while - so will start the box below - :) Dave

 

Karl Henning

Cheers, Dave!

Thread Duty:

Дмитрий Дмитриевич [ Dmitri Dmitriyevich (Shostakovich) ]
Струнный квартет № 9 ми-бемоль мажор, соч. 117 [ String Quartet № 9 in E b, Opus 117 (1964) ]
Pacifica Quartet


[asin]B00B5UBFPI[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Дмитрий Дмитриевич [ Dmitri Dmitriyevich (Shostakovich) ]
Струнный квартет № 10 Ля-бемоль мажор, соч. 118 [ String Quartet № 10 in Ab, Opus 118 ]
The Emerson String Quartet


[asin]B000F3T7RE[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

EigenUser

Quote from: Ken B on September 19, 2014, 08:52:48 AM
Varese, Ameriques, SF MTT
Great piece!

Quote from: Pat B on September 19, 2014, 09:06:29 AM
Earlier: Beethoven 7, Furtwangler 1943. I tried listening to the 4 from the same year, but the way he handled the first transition made me skip ahead. I'm not wildly enthusiastic about this 7 but at least I was able to listen to the whole thing.

Now: Gershwin Piano Concerto (Grimaud, Zinman). I like this but haven't heard many other recordings of it.
Another two great pieces! The Gershwin PC is a favorite of mine.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".