What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Madiel

Quote from: SonicMan46 on July 22, 2015, 09:07:00 AM
Haydn, Joseph - Keyboard Sonatas w/ Ronald Brautigam - BOY, I cannot believe that there are now 5 sets of these works in my collection (Buchbinder, Schornsheim, Beghin, and the newest, Derzhavina) - Dave  :o  8)



So, which set do you recommend for a person who is a little fortepianophobic?
Nobody has to apologise for using their brain.

Madiel

By the way, I'm currently listening to Haydn's Symphony No.85, and as I haven't read this thread for several days I had absolutely no idea I'd tapped into the zeitgeist.

[asin]B000031WJC[/asin]
Nobody has to apologise for using their brain.

EigenUser

Quote from: NikF on July 22, 2015, 06:22:40 AM
Schoenberg: Chamber Symphony No.1 -  Berliner Philharmoniker/Rattle.

[asin]B00369K1GA[/asin]
Did I recommend this? I vaguely remember, but I'm not sure. I strongly prefer the 9b as opposed to the original for 15 instruments (for balance reasons).

I've been going through a huge Schoenberg/Berg/Webern phase. I listened to four different recordings (in a row) of Berg's Chamber Concerto this morning while I was working on stuff.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Brian

Quote from: Gordo on July 23, 2015, 07:03:14 AM
I'm listening to these superb performances of the violin concertos:

[asin]B00HCUB4SS[/asin]

:)
I only know Hadelich with Cologne Chamber Orchestra, which is very good. Should I try this one too?

Karl Henning

Nielsen
Chaconne, Op.32 FS79
Herman Koppel


[asin]B007N0SVDS[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Nielsen
Den Luciferiske, Op.45 FS91
Herman Koppel


[asin]B007N0SVDS[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

SonicMan46

Quote from: orfeo on July 23, 2015, 07:08:39 AM
So, which set do you recommend for a person who is a little fortepianophobic? RE: Haydn KB Sonatas - box sets on PI?

Hi Orfeo - of the 3 sets that I own on PI, i.e. Brautigam, Schornsheim, & Beghin, each is different - Brautigam's performances are all on fortepiano, while the others include discs were a clavichord or harpsichord are used, so that might impact on your choice - don't know?  Beghin is also unique in that multiple 'historical' instruments were used and nine 'virtual rooms' created to simulate how these works might have sounded not only on period instruments but also in the rooms the performances might have taken place (the Naxos notes are HERE, if interested).

Now, if you want just the fortepiano, the Brautigam set is highly recommended; however, since you seem to not enjoy the fortepiano, then I would suggest trying to hear some examples online or via another streaming service.  Plus, you might want to tell us which Haydn KB sonata sets you already own and which ones you prefer - might help.  Dave :)

Camphy



Nielsen, String Quartets Opp. 13 & 44, String Quintet, performed by the Danish String Quartet & Tim Frederiksen, viola

TheGSMoeller

Quote from: karlhenning on July 23, 2015, 09:08:43 AM
Nielsen
Den Luciferiske, Op.45 FS91
Herman Koppel


[asin]B007N0SVDS[/asin]

Ok, I had a laugh out loud moment when I read the Gramophone sticker on the front. What if it's not a review but a legitimate question?  :laugh:

Karl Henning

Quote from: TheGSMoeller on July 23, 2015, 09:55:00 AM
Ok, I had a laugh out loud moment when I read the Gramophone sticker on the front. What if it's not a review but a legitimate question?  :laugh:

Hah!  Very nicely played!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

SonicMan46

Glazunov, Alexander (1865-1936) - String Works w/ the Utrecht String Quartet - my JPC order just arrived w/ a lot of MDG discounted CDs - first ones up below - these works are new to me (have a lot of his orchestral compositions) - other volumes are available from this label & group, so comments appreciated.  Dave :)

   

Sergeant Rock

Quote from: Brian on July 23, 2015, 07:41:46 AM
I only know Hadelich with Cologne Chamber Orchestra, which is very good. Should I try this one too?

Yes, you should.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Brian

Quote from: Sergeant Rock on July 23, 2015, 10:20:34 AM
Yes, you should.

Sarge
Will do.

For now, after 24 hours of all Haydn, I am feeling a little Haydned out. Time to hear the magnificent Vadim Gluzman play Bernstein's Serenade, Bloch's Baal Shem, and Barber's concerto.


Sergeant Rock

Nielsen Festive Prelude, The Dream of Silent Night, Chaconne op.32, Theme and Variations op.40, played by Anne Øland




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

shell

About 2/3 of the way through the Great Performances at the Met broadcast of MacBeth with Netrebko, Lucic, Calleja and Pape. I'd never really listened much to Netrebko beyond a few snippets here and there, but she is pretty fantastic here. A rich velvety voice, very expressive both vocally and in her stage acting.  Not the most beautiful instrument of all time but a very good one.  I'm not sure I understand why she gets all the brickbats she does--is it just suspicions over her hotness?  She was particularly good in her duet with Macbeth at the end of A1 and her second brindisi after MacBeth starts cracking up.

Lucic is quite good and Pape is just ridiculously great as always.  Calleja hasn't had much to do so far yet. Good production although the 1930s-ish era costuming just seems sort of randomly selected.  MacBeth has never been my favorite Verdi opera, but you know, Met in HD piped straight into your home for free is always a good deal.

Karl Henning

Nielsen
Three Piano Pieces, Op.59 FS131
Herman Koppel


[asin]B007N0SVDS[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

San Antone

Quote from: howlingfantods on July 23, 2015, 10:48:04 AM
About 2/3 of the way through the Great Performances at the Met broadcast of MacBeth with Netrebko, Lucic, Calleja and Pape. I'd never really listened much to Netrebko beyond a few snippets here and there, but she is pretty fantastic here. A rich velvety voice, very expressive both vocally and in her stage acting.  Not the most beautiful instrument of all time but a very good one.  I'm not sure I understand why she gets all the brickbats she does--is it just suspicions over her hotness?  She was particularly good in her duet with Macbeth at the end of A1 and her second brindisi after MacBeth starts cracking up.

Lucic is quite good and Pape is just ridiculously great as always.  Calleja hasn't had much to do so far yet. Good production although the 1930s-ish era costuming just seems sort of randomly selected.  MacBeth has never been my favorite Verdi opera, but you know, Met in HD piped straight into your home for free is always a good deal.

Agree 100% about Netrebko's Lady Macbeth.  I thought this production was very well done overall.  How are you watching it for free?

Wakefield

Quote from: Sergeant Rock on July 23, 2015, 10:20:34 AM
Yes, you should.

Sarge

+1

Better even than Carmignola and the Orchestre des Champs-Élysées (a quite recent version, too).
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

shell

Quote from: sanantonio on July 23, 2015, 10:55:42 AM
Agree 100% about Netrebko's Lady Macbeth.  I thought this production was very well done overall.  How are you watching it for free?
It was on PBS last night! Just catching up on Tivo.

She just finished the loonybin scene with the doctor and nurse listening to her rantings.  Just terrific. I might have to rewatch that whole scene.

Brian

Alright: the people have spoken! Let it be so!