What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Ken B

Quote from: aligreto on August 28, 2016, 01:24:21 PM
Victoria: Missa Gaudeamus [Carwood]....




We don't pound tables for religious music, but consider the pew battered a bit.

Mirror Image

Now:



Emerson Concerto
Symphony No. 1 in D minor


Finishing up this recording. Great stuff.

Next:



Suite concertante for violin and orchestra, H 276
Suite concertante for violin and orchestra, H 276a
Rhapsody-Concerto for viola and orchestra, H 337

Monsieur Croche

Prokofiev ~ Lieutenant Kijé, Symphonic Suite, Op.60
...the two movements which were originally songs!; for me, once heard, I can not go back to the wholly orchestral version :-)

Andreas Schmidt, Baritone; Berlin Philharmonic, Seiji Ozawa
2. Romance
https://www.youtube.com/v/RahGNckCmkQ

4. Troïka
https://www.youtube.com/v/-Wvrv7vRmlo
~ I'm all for personal expression; it just has to express something to me. ~

Monsieur Croche

#71983
William Schuman ~ Song of Orpheus ('concerto'/concertante for 'cello and orchestra.)

Imo, one of Schuman's very finest.  It is very interior, quiet, and contemplative -- quite the opposite of temperament contrasting with so much of his other music.

Michael Grebanier; San Francisco Symphony, Alasdair Neale
https://www.youtube.com/v/E3FdppWLMJQ

The premiere recording of the work (along with the premiere recording of Barber's piano concerto, John Browning, piano) is with The Cleveland Orchestra, George Szell, Leonard Rose - 'Cello. -- may only now be available in vinyl.
~ I'm all for personal expression; it just has to express something to me. ~

Karl Henning

Quote from: Monsieur Croche on August 28, 2016, 04:30:16 PM
Prokofiev ~ Lieutenant Kijé, Symphonic Suite, Op.60
...the two movements which were originally songs!; for me, once heard, I can not go back to the wholly orchestral version :-)

Hear, hear!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Monsieur Croche on August 28, 2016, 04:49:16 PM
William Schuman ~ Song of Orpheus ('concerto'/concertante for 'cello and orchestra.)

Imo, one of Schuman's very finest.  It is very interior, quiet, and contemplative -- quite the opposite of so much of his other music.

Aye. And, by curious chance, I listened to two of the symphonies earlier today.

Thread Duty:

Hovhaness
Concerto for Two Pianos
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Now:



Listening to Symphony No. 3. Man...this is so good. Thanks to Jeffrey and his Hanson poll/thread for reminding me how awesome Hanson is.


Kontrapunctus

Symphony No.7.



Passacaglia on a theme by Schubert.


Mirror Image

Now:



Listening to the Violin Sonata in E minor, Op. 82. Absolutely exquisite work and performance.

kishnevi

Quote from: HIPster on August 28, 2016, 11:42:33 AM
Thanks for comments above regarding Veracini.

Hard to go wrong with MAK.   ;)


Trio Settecento (Rachel Barton Pine and co.) have a three CD set of Veracini's Op.2 Violin Sonatas.  It is  in the Pile at the moment.  I will report on it in due course.

HIPster

Quote from: Jeffrey Smith on August 28, 2016, 07:46:03 PM

Trio Settecento (Rachel Barton Pine and co.) have a three CD set of Veracini's Op.2 Violin Sonatas.  It is  in the Pile at the moment.  I will report on it in due course.

Thanks Jeffrey;)

This is it, right?

[asin]B00V872H0K[/asin]

Review
10 Artistic Quality/10 Sound Quality
"You might think that three very full discs of violin sonatas by one composer is a bit too much-and perhaps it is for one sitting; but unlike the work of some other composers of the period, Veracini's sonatas don't stick to a formula, nor do they always do what you think they are going to do. So you're always in for a surprise, not to mention, as realized by Pine, an often dazzling display of violin wizardry. Of course Pine benefits from the long collegial relationship with her trio partners and from the excellent sonics from Cedille's recording team. Incidentally, Pine plays an unaltered 1770 Nicola Gagliano violin, John Mark Rozendaal plays a David Tecchler cello from 1705, and David Schrader's single-manual harpsichord (an ideal ensemble partner with the two strings) is tuned in unequal temperament-all of which will appeal to period enthusiasts, but more importantly, lends an indefinable richness and extraordinary vibrant quality to the sound. Highly recommended." --David Vernier, Classicstoday.com, 2015


Wise words from Que:

Never waste a good reason for a purchase....  ;)

Madiel

#71992
The "Nikolaimesse" turns out to be a thoroughly bright and cheery affair. And yes, as the notes say, a bit pastoral, in the frolicking-in-the-fields sense of the word.

[asin]B002IVRBBU[/asin]

EDIT: Though the Agnus Dei turned out to be unexpectedly sombre.
Nobody has to apologise for using their brain.

Que

Harry listened to this recently from the SEON box (now 50% off at jpc), I have the original CD issue:



Getting a modern recording has been something that comes up sometimes, plenty of choice....
But.... I rather like this one with its pioneering charm. And this is not music I listen to that often.
So that's still not on the top of the piority list. Unless someone has a suggestion for an amazing recording? 8)

Q

Christo

The John Veale Violin Concerto (1984):
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Madiel

Daring to tackle Dvorak's Saint Ludmila. I'm not sure I'll manage the entire thing tonight.

[asin]B00ZE5M946[/asin]

The start is wonderfully atmospheric, though I'm only 5 minutes into a recording that runs 137 minutes...
Nobody has to apologise for using their brain.

Harry

A bit more Bach from the SEON box, which showed me the wear of time, and how one can change one's opinion and impressions over the years.

http://walboi.blogspot.nl/2016/08/bach-js-1685-1750-brandenburg-concertos.html?spref=tw
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

The new erato

Quote from: HIPster on August 28, 2016, 08:11:33 PM
Thanks Jeffrey;)

This is it, right?

[asin]B00V872H0K[/asin]


I can attest to its superbness.

Karl Henning

Since our Greg objected to too little love shown for this:

Langgaard
Symphony № 14 « Morgenen » (The Morning) BVN 336 (1947-48/1951)
Danish National Choir
Danish National Radio Symphony
Dausgaard


[asin]B001MUJSF0[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Madiel

Quote from: orfeo on August 29, 2016, 02:50:10 AM
Daring to tackle Dvorak's Saint Ludmila. I'm not sure I'll manage the entire thing tonight.

[asin]B00ZE5M946[/asin]

The start is wonderfully atmospheric, though I'm only 5 minutes into a recording that runs 137 minutes...

A couple of hours later: the music is consistently excellent, even though the theology is pretty darn worrying at times.
Nobody has to apologise for using their brain.