What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Christo

Quote from: aligreto on September 06, 2016, 07:57:14 AMAlfvén: Symphony No. 1 [Jarvi]....

A first listen to this work for me and it did not engage me at all. I hope that this is not a forerunner of things to come with this composer.
Perhaps better jump to No. 4 Från havsbandet at once; that should be your test case.
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Ken B

#72341
Dohnanyi
Piano Quintet #1

Cleveland Qt/Snyder

Now
Arensky, Quartet 2 in A-
Santa Fe Chamber Music Festival Qt

aligreto

Undaunted, I went back and listened to the other two works on CD 1....





Uppsala-rapsodi [Swedish Rhapsody No. 2] - I felt that this was a more interesting work than the Symphony No. 1, perhaps because of more freedom in the musical form of the Rhapsody.
 
Drapa - I liked this work, particularly the use of the harp.

aligreto

Quote from: Christo on September 06, 2016, 10:01:59 AM
Perhaps better jump to No. 4 Från havsbandet at once; that should be your test case.

Thank you Christo. As you can see above all is not lost. However, I will take your advice and listen to Symphony No. 4 tomorrow.

Kontrapunctus

If one listens to this trio version on its own merits, then it's a perfectly fine piece of chamber music, but it certainly loses a lot of the richness and polyphony of either the sextet or full string orchestra versions. Very good playing and sound.


listener

WIDOR:  Organ Symphony no.5 in f op. 42/1 (the one with the Toccata)
MESSIAEN: L'Ascension
Leo Krämer, organ of Speyer Cathedral
Karl WEIGL: Violin Concerto, Piano (left hand) Concerto
Florian Krumpöck, piano and conductor of the violin concerto
David Frühwirth,violin
Norddeutsche Philharmonie Rostock
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

SonicMan46

Haydn, Joseph - Early Divertimenti & Music Esterhazy/King Naples w/ Huss and the Haydn Sinfonietta Wien - will spend the next several days on these sets (11 total discs) - :)  Dave

 

ritter

First listen to this recent acquisition:

[asin]B01FUDRCZC[/asin]
This is turning out to be a superb performance of this charming opera. Maderna conducts with great attention to detail and real theatrical verve, and the soloists are excellent (particularly Suzanne Danco--the rôle of Concepción fits her like a glove--and Jean Giraudeau).  :)

ritter

And now, fast-forward some 50 years to Sylvano Bussotti's monumental Pour clavier, from this CD:

[asin]B000007N32[/asin]


Kontrapunctus

The Etudes are fine, but the Trio is a little too abrasive for my taste. Sound is superb.


SimonNZ



Giovanni Rovetta's Vespro Solenne - Cantus Cölln, Konrad Junghänel

Kontrapunctus

Guy's recording of the last 3 Sonatas made an interesting contrast to Michael Korstick's recording that I listened to yesterday. Guy is just as powerful in the forte passages, but he doesn't seem to bang as hard as Korstick, and the quiet passages sound more ethereal than with Korstick. Guy also has far better sound, which just goes to show that SACD audio is not a guarantee of good sound, as there are so many other variables, such as mics, the room, the instrument, the player...


Mister Sharpe

More and never enough Martinů :

[asin]B002I9SVP2[/asin]
"Don't adhere pedantically to metronomic time...," one of 20 conducting rules posted at L'École Monteux summer school.

NikF

Brahms: Piano Concerto No. 2 - Pollini/Abbado/Vienna Philharmonic.

Courtesy of my Tablet.
"You overestimate my power of attraction," he told her. "No, I don't," she replied sharply, "and neither do you".

Dee Sharp

Berwald: Symphony No. 3. Dausgaard/Danish National Radio Symphony. Berwald is one of those composers I like well enough when I listen, but never say"I'm in the mood for a little Berwald tonight!" This is a lively performance though, and well recorded.


San Antone

Quote from: Draško on July 23, 2016, 02:00:27 PM
Haven't heard the whole recording, just Agnus Dei from Glossa site. From that it seems they took Marcel Peres' ideas as starting point and went bit wild with them. In accompanying blurb on site Schmelzer says his intent was 'conjuring up the voices of the past' but from those samples (Agnus Dei and a motet) they don't sound to me as archaic and arcane as Organum does in their full quasi Byzantine, Corsican mode. Maybe that's down to voices where Graindelavoix sound clearer, bit less nasal and throaty, more contemporary. Their ornamentation also sounds less convincing, again maybe just to me and just from those samples.

I agree that there is a stylistic similarity with Peres' Messe.  I need to read the notes to get a better understanding on his approach, but since I very much liked Peres's recording, this one is also one I enjoy.

Hat tip to Mandykra, I was not aware of this recording until I saw his post and purchased it immediately.

Que

Morning listening:



This came in yesterday. Slight dissapointment: this disc has some wonderful music, but is a reissue rehash of previous albums...
I should have paid more attention, fortunately I bought it dirt cheap used.

Q

Que

Quote from: SonicMan46 on September 06, 2016, 12:06:02 PM
Haydn, Joseph - Early Divertimenti & Music Esterhazy/King Naples w/ Huss and the Haydn Sinfonietta Wien - will spend the next several days on these sets (11 total discs) - :)  Dave

 

Haven't seen that BIS Haydn series here for quite some time now!  And it used to be all the rage..... :)

It's a good reminder - I never got to them..... Perhaps BIS could to a timely, cheap reissue ?  8)

Q

Wanderer


Autumn Leaves

#72359
Today's listening:



Symphonies #1, 2 & 5



Symphony #9



Listening to another Symphony #9 with BPO - John Barbirolli leading.