Your Favorite 50-Year-Period in Music History

Started by Florestan, May 18, 2017, 01:23:26 AM

Previous topic - Next topic

0 Members and 1 Guest are viewing this topic.

Florestan

Tough, I know, but you don't get one year more, nor less, just fifty.

Mine has to be 1801 -1850, much as I regret leaving aside Haydn and Mozart.

What's yours, if you have any?
"Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory." — Thomas Beecham

Marc


prémont

Quote from: Marc on May 18, 2017, 01:25:52 AM
1701-1750, for obvious reasons. ;D

Same here, even if some earlier periods offer strong competition.
Reality trumps our fantasy far beyond imagination.


Marc


Marc


Jo498

If pressed, I'd probably also go with ca. 1780-1830 as it has the highest number of favorite works and composer. With 1830 one even gets early Berlioz, Chopin and Mendelssohn.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

Turner

Having a very difficult time choosing between 1778-1828, 1890-1940, 1945-1995.

71 dB

In my opinion the period from late 18th century to early 19th century is overemphasized in music history.

My favorite 50 years period in classical music must be about 1680-1730.
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW Jan. 2024 "Harpeggiator"

Gurn Blanston

1775-1824. If the world has to end, Beethoven's 9th symphony is as good a place for it as any, and better than most. :)

8)
Visit my Haydn blog: HaydnSeek

Haydn: that genius of vulgar music who induces an inordinate thirst for beer - Mily Balakirev (1860)

Karl Henning

Quote from: Gurn Blanston on May 18, 2017, 04:17:36 AM
1775-1824. If the world has to end, Beethoven's 9th symphony is as good a place for it as any, and better than most. :)

8)

Nice!  Not at all a surprise;  nevertheless, simply nice!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

#11
Late Romantic, early modern period for me: 1878-2027 1927

That covers Parsifal, Bruckner 1-9 (at least the later versions of the early symphonies), Brahms 3 & 4, Mahler, Dvorak 6-9, Sibelius,Fauré, Magnard, Elgar, Debussy, much of my favorite R.Strauss and Stravinsky, early Second Viennese School, and, of course, Havergal Brian's Gothic.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

mc ukrneal

Hmmmm. Tough one. I'd either go 1824 to 1874 (Just getting Verdi's Requiem in) or something like 1851-1901 (which would fit in Tchaikovsky, Brahms, Dvorak and later Bruckner). I am leaning with the first, but as I think about it, I'd also get Saint-Saens, Faure and other wonderful composers from that later transition period. I'd also get later Verdi, but I'd miss out on Donizetti and Bellini.

So maybe I'd go with the second period after all. Tough call. If forced to play fair, I guess I'd go with 1852-1901 (but I'd have to look more exactly to see which way is better).

Props to Gurn, Marc and Florestan for not cheating like the rest of us! :)

And Maybe Sarge, who seems to be quite on the edge with his choice (does he have a time machine or what?)! :)
Be kind to your fellow posters!!

Sergeant Rock

Quote from: mc ukrneal on May 18, 2017, 04:57:43 AM

And Maybe Sarge, who seems to be quite on the edge with his choice (does he have a time machine or what?)! :)

;D :D ;D  ...didn't notice that brain fart, obviously.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

Quote from: Sergeant Rock on May 18, 2017, 05:08:14 AM
;D :D ;D  ...didn't notice that brain fart, obviously.

Sarge


And here, I took that as an effort to encompass Henningmusick!  0:)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

Quote from: k a rl h e nn i ng on May 18, 2017, 05:12:34 AM
And here, I took that as an effort to encompass Henningmusick!  0:)

I'm sure that was my subliminal intention  8)

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

ComposerOfAvantGarde

#16
I haven't even lived for fifty years. Not even half that. I wouldn't know what fifty years feels like so it would be hard to make an informed choice anyway. I do like music being created now, and if I am also allowed to say that I like music composed today as well as whatever year was 50 years ago then I'd be glad to update my 50 year choice each year, bumping off one from the past as I add a new one to the present. Also, this period allows me to listen to music however I'd like. And in the age of international travel I could also relatively easily go see some famous orchestras and musicians in their home towns.

Jaakko Keskinen

"Javert, though frightful, had nothing ignoble about him. Probity, sincerity, candor, conviction, the sense of duty, are things which may become hideous when wrongly directed; but which, even when hideous, remain grand."

- Victor Hugo


nathanb

(Present Minus 50) - (Present)

They didn't even have audio recording in half of y'alls answers!