What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Mandryka (+ 1 Hidden) and 57 Guests are viewing this topic.

DavidW

DSCH SQs 8-10 from the new live recordings of Danel Q



Beautifully played.  I did hear some Barbirolli-esque groaning at one point. ;D

ritter

André Jolivet conducts the Orchestre National de l'ORTF in his Cinq Danses rituelles.

On CD4 of this set:
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Linz

Bruckner Symphony no. 9 in D Minor, 1894 Original Version. Ed. Alfred Orel, Columbia Symphony Orchestra; Bruno Walter

Traverso

#113283
Messiaen

Ugorski and Kodama are at least to my taste the most appealing recordings.
Strange that in the complete Messiaen box (DG) the Ugorski recording has been replaced by Muraro's recording, which is certainly very good, but Ugorski and Kodama bring it more to life. It is good to have several versions, especially of a complex work such as
Catalogue d'Oiseau.

Now Livre 1-2 & 3











There are certainly critics who do not appreciate a work and look for arguments to support their prejudice. This also happens with Messiaen, luckily I walk through the spider web that they throw up.

Spotted Horses

Quote from: DavidW on July 09, 2024, 09:50:36 AMDSCH SQs 8-10 from the new live recordings of Danel Q



Beautifully played.  I did hear some Barbirolli-esque groaning at one point. ;D

From the audience or performers?

DavidW


ritter

Time for some Messiaen chez ritter as well...

Olivier Messiaen accompanies soprano Marcelle Bunlet in Debussy's Cinq poèmes de Charles Baudelaire and his own Harawi. Live in Vichy in 1954.



Bunlet was the first performer of all three of Messiaen's song cycles, and prior to that (in 1931), she had sung Kundry in Parsifal in Bayreuth under Toscanini, no less!

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Daverz


Started to seem like a real chore around the 50 minute mark.  But the remainder was a bit better.  Not sure I'll come back to this one for a while, though, as it doesn't seem to do much that No. 8 doesn't do better.

Bachtoven

Superb playing matched with very good sound. Two pieces are for solo guitar, and they each play one.


Linz

Johann Sebastian Bach Organ Works Vol. 11, Gerhard Weinberger (Silbermann Organ Ponitz)

Dry Brett Kavanaugh

RANJBARAN, B.: Persian Trilogy (London Symphony, Falletta).



Linz

Bruckner Symphony No. 4 in E Flat Major, 1878/80 Version (1880 with Bruckner's 1886 revisions) - Ed. Leopold Nowak, Gewandhausorchester, Herbert Blomstedt

lordlance

#113292
Quote from: DavidW on July 09, 2024, 05:17:56 AMMaazel or Immerseel?
The Maazel intro. It's worse than Karajan's. Karajan's heavy, industrial steel approach isn't exactly prime Schubert material (in early, light works). Granted, his Schubert 2 I did quit in first movement. One size does not fit all even if that is how Karajan did it. Anyway, I am aware of the Immerseel and Maazel BRSO performances.
If you are interested in listening to orchestrations of solo/chamber music, you might be interested in this thread.
Also looking for recommendations on neglected conductors thread.

Karl Henning

Quote from: Dry Brett Kavanaugh on July 09, 2024, 12:47:33 PMRANJBARAN, B.: Persian Trilogy (London Symphony, Falletta).



Interesting! And nice that maestra Falletta has established a relationship with the LSO.

TD:
The Venezia String Quartet playing Boccherini's Opus 8 quartets.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

JBS


Hollywood Beach Broadwalk

Karl Henning

Quote from: JBS on July 07, 2024, 03:42:04 PM
Thanks for the reminder! This is the work I most notably neglected in my survey of the box. I must listen. Soon. 
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

JBS

Quote from: Karl Henning on July 09, 2024, 02:56:04 PMThanks for the reminder! This is the work I most notably neglected in my survey of the box. I must listen. Soon.

Have you listened to the CD featuring Miles Davis?

Hollywood Beach Broadwalk

Karl Henning

Quote from: JBS on July 09, 2024, 02:57:53 PMHave you listened to the CD featuring Miles Davis?
Yes!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

foxandpeng

#113298
Harald Saeverud
Symphony 8 'Minnesota'
Please Kristian Ruud
Stavanger SO
BIS


Nice place to start with Saeverud. I seem to remember enjoying this very much, despite others feeling that isn't one of the better works.
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

DavidW

Quote from: lordlance on July 09, 2024, 02:32:16 PMThe Maazel intro. It's worse than Karajan's. Karajan's heavy, industrial steel approach isn't exactly prime Schubert material (in early, light works). Granted, his Schubert 2 I did quit in first movement. One size does not fit all even if that is how Karajan did it. Anyway, I am aware of the Immerseel and Maazel BRSO performances.

I have to hear this Maazel recording now, it sounds terrible! :laugh: