What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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steve ridgway and 8 Guests are viewing this topic.

Traverso

Quote from: Pohjolas Daughter on April 23, 2021, 08:17:13 AM
That might have been the one that my friend own.  How many times did he record them?

PD

To my knowledge,complete, I think these two but I'm not sure. :)

Ah..the answer was already there  :)

Traverso


Florestan

Quote from: Traverso on April 23, 2021, 02:27:07 AM
Hi Fergus, I am waiting for a recording this afternoon with a pianist I had never heard of. His musical career has ended for many years because of his conversion to Catholicism and the priesthood.
It is a recording made in the small hall of the Concertgebouw in Amsterdam.
From what I have read, the recording is very good even if it is a live recording from 1976.
It will be delivered later this afternoon.





How interesting! There was another very good pianist who gave up performing and became a monk: Thierry de Brunhoff. His Chopin's Nocturnes are something else.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Mandryka

#38563
Quote from: Traverso on April 23, 2021, 02:27:07 AM
Hi Fergus, I am waiting for a recording this afternoon with a pianist I had never heard of. His musical career has ended for many years because of his conversion to Catholicism and the priesthood.
It is a recording made in the small hall of the Concertgebouw in Amsterdam.
From what I have read, the recording is very good even if it is a live recording from 1976.
It will be delivered later this afternoon.





While you're waiting you may enjoy his Debussy, I only discovered myself a couple of weeks ago.

https://www.youtube.com/playlist?list=PLNTGOd4GZGep8CTba8DHZqaO_NfaS_d3r

Speaking of Debussy, this morning I listened to Preludes 2 here



I just think it is am amazing recording, Bach and Debussy. a real successful document of a magical concert, a desert island recording for me. And I don't even like piano!
Wovon man nicht sprechen kann, darüber muss man schweigen

Sergeant Rock

Shostakovich Piano Trio No. 2 in E minor op.67 played by Trio Wanderer




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Traverso

Quote from: Mandryka on April 23, 2021, 08:53:16 AM
While you're waiting you may enjoy his Debussy, I only discovered myself a couple of weeks ago.

https://www.youtube.com/playlist?list=PLNTGOd4GZGep8CTba8DHZqaO_NfaS_d3r

Speaking of Debussy, this morning I listened to Preludes 2 here



I just think it is am amazing recording, Bach and Debussy. a real successful document of a magical concert, a desert island recording for me. And I don't even like piano!

Thank you for posting ,I had read that there were also recordings of the Debussy preludes.

vandermolen

Shchedrin: Symphony No.1
Fine performance of this great work:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Karl Henning

Quote from: Sergeant Rock on April 23, 2021, 09:47:12 AM
Shostakovich Piano Trio No. 2 in E minor op.67 played by Trio Wanderer




Sarge

Very nice, Sarge!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

like falling in love with this piece all over again:

Nielsen
Symphony № 5, Op. 50
NY Phil
Lenny
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Artem

SQ No.4. Good description from the liner notes: The piece oscillates episodically between moving forward and stopping still, between stasis and dynamic change, between mechanistic, empty operations and rude outbreaks, treating time as a broken continuum, until towards the end any sense of coordination is given up and a conclusion is offered in which each flageolet sounds on in spheric aloofness.


Symphonic Addict

Yet another formidable example of an astonishing first symphony. The performance and recording are top-notch.

On the other hand, Capriccio's rather kitsch cover arts don't match the music at all. I wonder what they have in mind when designing them.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL.


Roasted Swan

Quote from: Symphonic Addict on April 23, 2021, 12:26:16 PM
Yet another formidable example of an astonishing first symphony. The performance and recording are top-notch.

On the other hand, Capriccio's rather kitsch cover arts don't match the music at all. I wonder what they have in mind when designing them.



+1 regarding the quality of the symphony.  How does this performance copmpare to the Chandos or Telarc versions?

Symphonic Addict

Quote from: Roasted Swan on April 23, 2021, 12:34:23 PM
+1 regarding the quality of the symphony.  How does this performance copmpare to the Chandos or Telarc versions?

Both the Telarc recording and this one do full justice to the work in terms of interpretation and sound quality. The tempi are rather similar too. I don't own the Chandos one.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL.

Symphonic Addict

Quote from: k a rl h e nn i ng on April 23, 2021, 10:40:29 AM
like falling in love with this piece all over again:

Nielsen
Symphony № 5, Op. 50
NY Phil
Lenny


It's inevitable not to do it. A categorical masterpiece in a coruscating performance.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL.

aligreto

Miaskovsky: Symphony No. 7 [Svetlanov]





I really like this one with its turbulent, swirling strings of the first movement. A sense of peace and calm pervades the second movement with wonderful woodwinds featuring even with the inevitable turbulence that inevitably raises its head.

aligreto

Quote from: Papy Oli on April 23, 2021, 07:45:51 AM
Walton - Façade



That is a wonderful, quirky work. Did you like it Olivier?

aligreto

Quote from: Traverso on April 23, 2021, 08:38:47 AM
Schubert

Symphony No. 8



I honestly do not remember the details but I definitely do remember liking that one. I am a fan Of Kertesz. His was a tragic loss.

Mandryka



This has been discussed here before and people didn't feel positive - including myself. The thought was that it was unpoetic.

However I now think that that judgement was unfair. Tonight I'm listening to them play Babbitt 3 and to me, it sounds like the most beautiful quartet I've ever heard in all my life. I mean, while I'm listening to it, it totally effaces the memory of all other quartets.

Part of the fascination comes from a contradiction. On the one hand, the music is completely unpredictable - as unpredictable as something by Cage constructed by chance processes, even though it's probably diametrically opposed to chance processes, the logic is not something I can hear at all. And on the other, it is so poised, classical and elegant, like a jewel, a diamond.

So I guess they're doing something right.
Wovon man nicht sprechen kann, darüber muss man schweigen