What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

JBS

Quote from: k a rl h e nn i ng on January 22, 2023, 04:33:45 PMThoughts?


The work itself belongs more in a set of choral works than in a set of symphonies, no matter what name the composer gave it.
As a choral work it's a good one, better in fact than Elijah or Paulus.

Manacorda does a good job with it. The rest of the set is decent, but I'm not ready to say it's among the best. I do plan on revisiting the Nezet-Seguin set before too long.

Hollywood Beach Broadwalk

Symphonic Addict

Beethoven: String Quartet No. 9
Martinu: String Quartet No. 6

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Mapman

Stanford: Symphony #4
Handley: Ulster

A good romantic symphony. The first movement seemed the strongest to me. It has a good first subject that allows for some interesting development (such as canonic entries of the first few notes). It's a well-constructed movement very much in the style of Brahms with a satisfying (and concise) ending. Two slow movements in the middle of the symphony may not have been the best idea. A scherzo would have been nice. The 3rd movement is the more interesting of the inner movements. The opening resembles a fugue, and there is a beautiful theme in the middle. The opening theme of the finale sounds like a Renaissance dance.

It's not as good as Stanford's 6th, but I think this is still worth hearing for people who like Stanford's music.


Symphonic Addict

Two more string quartets today:

Leifs: String Quartet No. 2 'Vita et mors'
Vasks: String Quartet No. 2 'Summer Tunes'

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Karl Henning

Quote from: JBS on January 22, 2023, 04:44:45 PMThe work itself belongs more in a set of choral works than in a set of symphonies, no matter what name the composer gave it. 
As a choral work it's a good one, better in fact than Elijah or Paulus.
Warmly agreed.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Operafreak






Under the Arching Heavens

A Requiem by Alex Freeman

Alex Freeman


The true adversary will inspire you with boundless courage.

Que

#84527

vandermolen

New arrival. Somehow I missed this when it was first released. It features two of my favourite HB symphonies:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Irons

Quote from: k a rl h e nn i ng on January 22, 2023, 09:39:22 AM


Stirring stuff! Opens like 'The Isle of the Dead' after which Lyantoshynsky lets go. Crude recording didn't detract but added authenticity, I thought.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Tsaraslondon



I'm not sure Karajan was ever a great Berlioz conductor. It seems to me that, in his attempts to bring Berlioz more in line with other symphonists of the early nineteenth century, he irons out some of Berlioz's weirdness and originality. This, for me, is the least successful disc in this set.
 
\"A beautiful voice is not enough.\" Maria Callas

Mandryka

#84531
Quote from: k a rl h e nn i ng on January 22, 2023, 04:33:45 PM


Cheers, wasn't aware of that. I now see there's a commercial transfer.
I now see there's a commercial transfer of five sonatas on Spotify, some in a good APR transfer (called "Tobias Matthay and his Pupils.)
Wovon man nicht sprechen kann, darüber muss man schweigen

Madiel

#84532
Quote from: JBS on January 22, 2023, 04:44:45 PMThe work itself belongs more in a set of choral works than in a set of symphonies, no matter what name the composer gave it.

Mendelssohn did not name the so-called Symphony No.2 as a symphony. He called it a symphony-cantata, but it seems his emphasis was on the cantata. He most definitely did not call it "Symphony No.2".

The modern Mendelssohn catalogue lists it in the large sacred choral works (along with the oratorios for example).
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

vandermolen

Back to the Decca Boult box with my favourite recording of (IMO) the greatest Vaughan Williams Symphony (No.6 in E minor) which takes me back to my school days when I first encountered this extraordinary work on (a Decca Eclipse) LP (see below). Furthermore I think that this is the best CD transfer. The Belart CD was disappointing and the recent Pristine transfer is too shrill for my liking. This one is just right (sounds like the Goldilocks and the Three Bears story  :) ). The Decca British Composers Box set was re-mastered and I'd imagine that it is similar to the one in the Boult set but I haven't heard it for a while. I can't listen to this recording without travelling back in time to my first encounter with it 50 years ago - it's an oddly unsettling experience, as reflected in the music itself, with its philosophical speculations (IMO) on life, death and war (especially in the finale):
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

pjme

last Friday on Dutch Radio 4

Radio Filharmonisch Orkest
Groot Omroepkoor
James Gaffigan, dirigent
Benjamin Goodson, koordirigent
Elena Tsallagova, sopraan
Benjamin Bruns, tenor


1. MOZART - Kyrie KV 341
2. SCHUBERT - Symfonie nr. 8 'Unvollendete'
3. VAN GILSE - Cantate Der Kreis des Lebens

I'll try to find out if the concert can be listened to again. Jan van Gilse's opulent, extatic cantata on texts by Rilke (ca 1926-1929) should appeal to those who like Braunfels' Te deum, Schreker, Strauss, even Hindemith.

4 movements:
Das ist die Sehnsucht: Wohnen im Gewoge Herr, es ist Zeit.
Unsere Träume sind Marmorhermen,
Der Sommer war sehr groß.
Der Tod ist groß.
https://webshop.donemus.nl/action/front/sheetmusic/12691/Der+Kreis+des+Lebens
 

vandermolen

Quote from: Irons on January 23, 2023, 12:49:39 AMStirring stuff! Opens like 'The Isle of the Dead' after which Lyantoshynsky lets go. Crude recording didn't detract but added authenticity, I thought.
I like the Isle of the Dead comparison Lol. Who is the conductor (Kuchar perhaps)?
I remember hearing it on the radio in a shop when I was on holiday in Suffolk a few years ago. I hung around in the shop in order to hear what the music was.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Lisztianwagner

First listen to this opera:

Luigi Dallapiccola
Il Prigioniero


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Operafreak




Ma Cantablie: Selected Scarlatti Harpsichord Sonatas- Tatjana Vorobjova (harpsichord)
The true adversary will inspire you with boundless courage.

Harry

#84538
Finally some listening time.

A Secret Labyrinth
A Celebration of Music from the Middle Ages to Renaissance.
CD I from XV.
Music from 13th Century Spain, of the Codex Las Huelgas (Early 14th Century)
Huelgas Ensemble, Paul van Nevel.
"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

vandermolen

A nice selection of Kalevala-themed works:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).