What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

Previous topic - Next topic

0 Members and 5 Guests are viewing this topic.

Symphonic Addict

Quote from: Traverso on February 04, 2020, 06:48:06 AM
Richard Strauss

Sometimes it's like coming home when you listen to Richard Strauss,for me anyway

Don Quixote
Till Eulenspiegel
Salome - Dance of the Seven Veils



Quite true! I feel the same. Listening to Strauss is to be in safe field, more so when the performers are the appropriate, like in this case.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Symphonic Addict



Making my way through these works.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Mirror Image

Stravinsky
The Star-Spangled Banner
Circus Polka
Ode
Scherzo à la russe
Scènes de ballet
Concertino for twelve instruments
Agon
Greeting Prelude
Canon on a Popular Russian Tune
Variations 'Aldous Huxley in memoriam'

MTT
LSO



Karl Henning

Quote from: Mirror Image on February 04, 2020, 07:18:52 AM
Nice! Jeux is my favorite purely orchestral work from Debussy. I believe there are an array of tempo changes in this work and yet Debussy found a way to make it completely seamless and not jarring to the listener.

Jeux is marvellous, and I can listen to it anytime;  some days, the Images are my favorite orchestral Debussy.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: k a rl h e nn i ng on February 04, 2020, 02:30:02 PM
Jeux is marvellous, and I can listen to it anytime;  some days, the Images are my favorite orchestral Debussy.

Both are certainly fine works without a doubt.


San Antone

Boulez : Eclat



This is a very good performance of these works, IMO.

Que


Karl Henning

Joseph Gabriel Rheinberger Organ Sonata no. 8 in e minor, Op.132: Introduktion und Passacaglia

Jens Korndörfer playing the Sanctuary Organ of First Presbyterian, Atlanta
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

vandermolen

In the car earlier. Symphony No.12 'The Year 1917'. I enjoy this work more than many here I think:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

San Antone

Lajtha : String Quartets
Auer String Quartet





Lajtha is a somewhat new composer for me, but I am very interested.  These string quartets are right up there with Weinberg and Shostakovich, IMO.

Karl Henning

Quote from: vandermolen on February 04, 2020, 03:38:18 PM
In the car earlier. Symphony No.12 'The Year 1917'. I enjoy this work more than many here I think:


The first I heard it was the Haitink/London Phil disc with the same programming. I'll break it out again later.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: San Antone on February 04, 2020, 03:56:05 PM
Lajtha : String Quartets
Auer String Quartet





Lajtha is a somewhat new composer for me, but I am very interested.  These string quartets are right up there with Weinberg and Shostakovich, IMO.

I think that's fair, the Lajtha quartets I've heard are excellent.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

André



The contents and musical presentation belie the cover portrait's pensive, ruminating mien. Ensemble leader Benoit Haller has chosen psalm settings expressing joy, energy and jubilation and their realization is dynamic and colourful - including percussion, a rare occurence in that kind of music. A musical shot in the arm.

Mirror Image

#9574
Boulez
Piano Sonata No. 2
Pollini




Its as if Boulez is giving the finger to the music's past by completely deconstructing all notions of what we normally associate with piano sonatas. This music must be fiendishly difficult to perform, but Pollini seems to have the full measure of it. I quite like this work for its' courage and wildness, but it's not something I would listen to all of the time.

Daverz

#9575
Quote from: Traverso on February 04, 2020, 06:48:06 AM
Richard Strauss

Sometimes it's like coming home when you listen to Richard Strauss,for me anyway

Don Quixote

I really like Karajan's Don Quixote (if that's the one with Founier).  Very colorful.

Now playing:  Dvorak Symphony No. 2

[asin] B01LZ4MK72[/asin]

Enescu: Impressions From Childhood



This seems to be a violin concerto in all but name.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

#9577
Quote from: Daverz on February 04, 2020, 06:12:49 PMEnescu: Impressions From Childhood



This seems to be a violin concerto in all but name.

Of course, this is an orchestration of the chamber work for volin/piano (that wasn't done by the composer) and I feel that the orchestration doesn't do the work justice and like many works that were arranged from a chamber work, should simply be left alone, IMHO. Check out the original arrangement whenever you get a chance. It has a more gypsy feel to it that I find more enthralling.

Mirror Image

Last work for the night:

Enescu
Impressions d'enfance, Op. 28
Remus Azoitei (violin), Eduard Stan (piano)



Ratliff

Quote from: vandermolen on February 04, 2020, 02:49:39 AM
I've only just spotted this posting. This thread is probably the most active on the forum and if you blink you can miss several pages (maybe a slight exaggeration but basically true). Anyway, that is a fabulous disc which has given me great pleasure. The PC is one of those works which, through over-familiarity, has lost its magic for me but the Legend is very poetic. Mai-Dun, The Forgotten Rite and These Things Shall Be are works that I still greatly admire - also some of the piano music like 'April'. The CD features my favourite work by Delius as well, in its original version.

Thanks for your comments. I listened to the Piano Concerto and found it not as striking as the Legend. It will take me some more time to really form my opinion of the Piano Concerto, but on first listen the lyrical central movement had the most direct appeal. Amazing to me that audiences could be expected to absorb music of this level of sophistication and subtlety at first encounter, when recordings of new pieces were rarely available and audiences were unlikely to ever hear the piece again.