What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Quote from: k a rl h e nn i ng on February 12, 2020, 03:20:27 PM
Berg
Violin Concerto To the Memory of an angel (1935)
Szeryng
Bavarian Radio Symphony
Kubelik


Quote from: k a rl h e nn i ng on February 12, 2020, 04:29:28 PM
Schoenberg
Pf Concerto, Op. 42 (1942)
Brendel
Bavarian Radio Symphony
Kubelik

Schoenberg
Vn Concerto,Op. 36 (1934-36)
Zeitlin
Bavarian Radio Symphony
Kubelik


8)

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Karl Henning

Quote from: Mirror Image on February 12, 2020, 04:44:07 PM
8)

While these are not necessarily my first choice for the concerti, the performances are all fine, and this is a sweet little CD
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

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Quote from: k a rl h e nn i ng on February 12, 2020, 05:15:03 PM
While these are not necessarily my first choice for the concerti, the performances are all fine, and this is a sweet little CD

What would be your first choice in each of these concerti, Karl?

Here's my list:

Berg: Violin Concerto - Mutter/Levine on DG (I've really come around to the Faust/Abbado recording as well on Harmonia Mundi)
Schoenberg: Violin Concerto - Blacher/Stenz on Oehms Classics
Schoenberg: Piano Concerto - Uchida/Boulez on Philips

Traverso

Quote from: Mirror Image on February 12, 2020, 04:55:21 PM
Now playing:



This is a very fine recording,Troyanos is great and I prefer this one and not the recording Boulez made for DG

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Quote from: Traverso on February 12, 2020, 05:44:37 PM
This is a very fine recording,Troyanos is great and I prefer this one and not the recording Boulez made for DG

It's my favorite recording of this opera. Yes, I think the one on DG is low voltage and the magic simply isn't there, IMHO.

Karl Henning

Quote from: Mirror Image on February 12, 2020, 05:22:53 PM
What would be your first choice in each of these concerti, Karl?

Here's my list:

Berg: Violin Concerto - Mutter/Levine on DG (I've really come around to the Faust/Abbado recording as well on Harmonia Mundi)
Schoenberg: Violin Concerto - Blacher/Stenz on Oehms Classics
Schoenberg: Piano Concerto - Uchida/Boulez on Philips

I've not formed any first-choice opinions on these, actually. I'll bet Faust is good: she was the violinist when they did the Chamber Concerto for vn, pf & winds at Symphony.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

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Quote from: k a rl h e nn i ng on February 12, 2020, 05:53:39 PM
I've not formed any first-choice opinions on these, actually. I'll bet Faust is good: she was the violinist when they did the Chamber Concerto for vn, pf & winds at Symphony.

Very nice, Karl. I bet that was a nice concert.

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Continuing tonight's listening session with Szymanowski's Krol Roger:


amw



Death & The Maiden from this new recording (on period instruments).

It's very good. A bit slower than usual, which is nice, and the instruments sound lovely and historically accurate etc. Recommended

San Antone

Some fantastic new music by Liz Johnson



Intricate Web: Music By Liz Johnson
Artists: Fitzwilliam String Quartet, Heather Tuach, Loré Lixenberg, Ronald Woodley
Composers: Liz Johnson
Release Date: May 2017

QuoteLiz Johnson is a British composer with a very special gift and distinctive style, definitely in the avant-garde mold yet not totally alien to 'traditional-music' lovers. 'Intricate Web' is not only the title of one of the quartets here (there are four numbered String Quartets and two other works for the quartet) but also accurately describes her compositional technique which is complex and detailed, requiring top class performers. It may also describe the way in which the pieces here have been assembled, splitting cello solos and vocal pieces between the quartets to create a web of fascinating sounds and textures.

Karl Henning

LvB
Sinfonia eroica
Staatskapelle Dresden
Blomstedt
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Carlo Gesualdo

#10212
Lasso Lamentation of Jeremiah & Requiem by Stephen Cleobury and his ensemble Collegium Regale, one of the best Lamentation & requiem album so far I heard of our time 21 century that is, the voice are fluid & quite harmonic I might had.

And also from same composer  perform by Weser renaissance Bremen ensemble and conduct by Manfred Cordes, very nice, a must, good listen.

Have a good night folks and dear Gurn Blanston.

HIPster

Quote from: aligreto on February 12, 2020, 08:16:20 AM
Henning: Pour la petite Joséphine





I have been fortunate to hear this work a number of times recently. I really like this music and its tone. It is suitably and appropriately simple; a parent talking softly and tenderly to a newborn child and filling their future world full of promise. I also particularly like the very interesting accompaniment which I think is wonderful.

Hi Fergus and Karl!

Is there a way to purchase this?  I would love to hear this and play it for my two year old daughter (whose name is Josephine :)).

Thanks!  ;)
Wise words from Que:

Never waste a good reason for a purchase....  ;)

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Quote from: HIPster on February 12, 2020, 07:13:35 PM
Hi Fergus and Karl!

Is there a way to purchase this?  I would love to hear this and play it for my two year old daughter (whose name is Josephine :)).

Thanks!  ;)

I'd like to hear this work as well. Karl. Do you have a direct link? Thank you.

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One last work for the night:

Stravinsky
Duo concertant
Gringolts, Laul




The best performance I've ever heard of Duo concertant. I love this piece and I feel that Gringolts and Laul perform this work with a particular emotional undercurrent that I haven't quite heard in the other recordings I own.

Harry

Francois Couperin.

La Sultane.
Suites for Viola da Gamba and ensemble.


Jay Bernfeld, Viola da Gamba.
Capriccio Stravagante, Skip Sempe.


Really delightful performances and apart from the first suite well recorded. Screeching violins, but soon corrected.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

vandermolen

Ernest Bloch: Deux Psaumes, Trois Poèmes Juifs etc:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Irons

Quote from: aligreto on February 12, 2020, 07:36:05 AM
Strauss: Four Last Songs [Schwarzkopf/Szell]





From the first time that I heard this recording a long time ago it was, still is and probably always will be top of the pile for me in the Four Last Songs. Beim Schlafengehen, for me, is outstanding as an interpretation and a performance. Im Abendrot is also not very far behind in terms of interpretation and performance. Sublime! I know that sentiment is not universally shared.

Is by me.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Irons

Quote from: k a rl h e nn i ng on February 12, 2020, 04:29:28 PM
Schoenberg
Pf Concerto, Op. 42 (1942)
Brendel
Bavarian Radio Symphony
Kubelik

Schoenberg
Vn Concerto,Op. 36 (1934-36)
Zeitlin
Bavarian Radio Symphony
Kubelik


A fabulous disc. One that has the power to take the unconvinced over to the other side. >:D
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.