What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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T. D.


Dry Brett Kavanaugh

Quote from: Symphonic Addict on August 07, 2021, 04:55:33 PM
Isa Krejci: Symphony No. 2

This was recommended to me by DBK. Janacek goes to Caucasus? Sounds very cool! On a first hearing, it sounds to me like a cross between Janacek and Khachaturian. A very cool piece. Thank him for bringing it to my attention.



Thank you for listening to the disc. Glad to hear that you like it. I have a predilection for Krejci's compositional style- exoticism and vivaciousness. Have a great weekend!

Symphonic Addict

Quote from: Dry Brett Kavanaugh on August 07, 2021, 05:28:59 PM
Thank you for listening to the disc. Glad to hear that you like it. I have a predilection for Krejci's compositional style- exoticism and vivaciousness. Have a great weekend!

Yes, it struck me like exotic and epic. The rhythmic and thematic material is rather Czech. Likewise, cheers!
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Symphonic Addict

Leo Ornstein: Piano Concerto

A work of an evident imposingness, superb writing, laden with exciting exotic rhythms and melodies. Just epic. 2021 is not finished yet and I don't stop discovering hidden gems. This has been a quite fruitful year so far, and the months for coming!

https://www.youtube.com/v/s9zpBnn8Flk
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Mirror Image

Quote from: Iota on August 07, 2021, 08:02:14 AM
Never heard the Britten Quartet, but will check it out on your recommendation. The recordings I'm most familiar with are the Sorrel, Emperor and Maggini Quartets, all of which I enjoy very much.

8)

Madiel

Mozart, La Betulia liberata



Mozart's only oratorio. Probably only Part 1 right now, I'm not sure I can do over 2 hours, though right now there's a rather nice aria with chorus.
Nobody has to apologise for using their brain.

Symphonic Addict

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Que

#46707
Morning listening:



Perfect!  :) (almost)

Roasted Swan

Quote from: vers la flamme on August 07, 2021, 03:18:08 PM


Claude Debussy: Nocturnes, L 91. Bernard Haitink, Royal Concertgebouw Orchestra

First listen to this recording. Man, I love the Concertgebouw sound.

+1 - a great set all round

vandermolen

Quote from: Symphonic Addict on August 07, 2021, 04:55:33 PM
Isa Krejci: Symphony No. 2

This was recommended to me by DBK. Janacek goes to Caucasus? Sounds very cool! On a first hearing, it sounds to me like a cross between Janacek and Khachaturian. A very cool piece. Thank him for bringing it to my attention.


Oh - looks very interesting.
TD
Rachmaninov 'Spring' - beautifully recorded. My first playthrough of this recent aquisition:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Madiel

Teenage Mozart: La Betulia liberata, Part 2.
Nobody has to apologise for using their brain.

aligreto

Victoria: Sacred Works [Noone]





Laetatus sum - Psalm 122 [1583]: The brass accompaniment is glorious.

Missa Laetatus sum [1600]: The superb brass accompaniment is carried forward into the Missa with great sonic effect. It adds an extra dimension to the presentation and renders it additionally uplifting. A wonderful sonic world.



aligreto

JS Bach: BWV 4 [Gardiner]





Bach's BWV 4 is a setting of Luther's hymn "Christ lag in Todesbanden". Luther's hymn deals with Christ's Passion and Resurrection. Although still a very young man and this Cantata being an early one, Bach was strongly affiliating himself with Luther.

Following a solemn sinfonia Verse I is buoyant - the forward momentum feeds the innate energy of the music. Verse II changes tone completely and contemplates a time when "Death held power over us and held us captive." This is grim stuff; hovering on "Den Tod" and "der Tod" for emphasis. Verse III heralds the arrival of Christ, via the medium of the violins, to defeat Death. Verse IV depicts the battle between Life and Death. Interestingly, this battle is depicted vocally with only minimal instrumental accompaniment provided by the continuo. Verse V is solemn in tone, echoed in the lower register string accompaniment, and reflects the sacrifice made by Christ. Verse VI is filled with joy and celebration sung by the higher register voices, sopranos and tenors. Verse VII is harmonically rich and satisfying.

This is a remarkable work for one so young.

Que


Madiel

Debussy (orch.Caplet), La boîte à joujoux - Martinon



Officially streaming it from the Warner complete works box, but there are so many iterations.

Nobody has to apologise for using their brain.

Traverso

Desprez

A very fine recording,alas hard to find nowadays




vers la flamme



Franz Schubert: Goethe Lieder. Matthias Goerne, Andreas Haefliger

Great voice.

Madiel

Two Songs on Folk Poems, B.142



In Folk Tone, B.146 (op.73)

Nobody has to apologise for using their brain.

vers la flamme



Giacinto Scelsi: Hymnos. Elisabeth Zawadke, Hans Zender, Bavarian Radio Symphony Orchestra

Another GMGer was blown away by this work recently so I've decided to revisit this work, on the only Scelsi disc in my collection. I'm glad I've done so. It's brilliant so far. Sounds like winds over a giant desert.

Papy Oli

JS Bach - Cantata 'Was frag ich nach der Welt' BWV 94

   
Olivier