What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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foxandpeng

Edmund Rubbra
Symphonies 2 and 7
New Philharmonic Orchestra
London Philharmonic Orchestra
Vernon Handley
Adrian Boult
Lyrita


Fine symphonies from an underrated English composer. Warms my heart in these strange times.
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

Mirror Image

First-Listen Wednesday

Saint-Saëns
Suite algérienne, Op. 60
Basque National Orchestra
Jun Märkl




Wow! This piece is lyrical, rhythmically taut but with much color. I might just have to repeat it once it's over. The performance itself is fantastic as is the audio quality. Naxos have certainly come a long way.

André



8 minutes of early, avant-garde Penderecki, 60 minutes of his late works (Sextet, Clarinet Quartet and Divertimento for solo cello). These late pieces are powerfully expressive and deserve to be heard often - which I'll do. This disc is a winner.

SonicMan46

Quote from: Mirror Image on March 02, 2022, 02:31:41 PM
I like Koechlin's music a lot, but I wouldn't say his solo piano works are where he shines the brightest. I prefer his orchestral and chamber works by a country mile. And a good evening to you, Rafael.

Well, have to agree w/ John - own over a dozen of Koechin's CDs and enjoy, but most are the orchestral and chamber recordings - Dave :)

Mirror Image

Quote from: André on March 02, 2022, 04:38:56 PM


8 minutes of early, avant-garde Penderecki, 60 minutes of his late works (Sextet, Clarinet Quartet and Divertimento for solo cello). These late pieces are powerfully expressive and deserve to be heard often - which I'll do. This disc is a winner.

Absolutely agreed, André. The Sextet, in particular, was quite the discovery for me whenever I received that recording.

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya


JBS

Quote from: André on March 02, 2022, 04:38:56 PM


8 minutes of early, avant-garde Penderecki, 60 minutes of his late works (Sextet, Clarinet Quartet and Divertimento for solo cello). These late pieces are powerfully expressive and deserve to be heard often - which I'll do. This disc is a winner.

Agree with all of that. This CD contains the only 68 minutes of Penderecki's music that I like (out of what I have heard) and it's almost all high quality music.

TD
CD 61 of the Barbirolli box

For those keeping score this is the 1967 recording.
Filled out with the Metamorphosen performance originally (and usually) coupled with M6


The M6 appears on the box's next two CDs, but coupled (rather logically) with Schoenberg's Pelleas and Melisande.

Hollywood Beach Broadwalk

Mandryka

#63348
Quote from: Florestan on February 24, 2022, 06:15:02 AM


KV 515

Uncompromisingly stern and grim reading, almost Shostakovich-like cold, harsh and gloomy. I have never ever heard Mozart's music in general and this quintet in particular played like that. I'm not sure it should be played like that. I'm sure I didn't like it. If that's the general tone of this set, then I'll pass.

The recording of violin sonatas which Ryo Terakado made with Boris Vodenitchkarov is like that - it's clearly how they read the music, a deliberate approach to Mozart.  It's a while since I heard it, but I think that Sigiswald Kuijken's recording of Mozart with Gustav Leonhardt is very similar.
Wovon man nicht sprechen kann, darüber muss man schweigen

Mirror Image

Last work of the night:

Janáček
On the Overgrown Path, Series I, JW 8/17
Josef Páleníček



Karl Henning

Silvestrov
To Boris Lyatoshinsky (Piano Quintet)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Ah hell, I have time to squeeze in one more work:

Kodály
Concerto for Orchestra
Hungarian State Orchestra
János Ferencsik



vandermolen

Howard Hanson 'Mosaics'(1958)
Characteristically heart-felt and memorable.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Que

On Spotify:



This time some "sonatinas" on fortepiano.
I must say, for me this adds to the attractiveness of the set and gives me the last push to put it on the shopping list.  :)


Harry

Quote from: Que on March 03, 2022, 12:29:48 AM
On Spotify:



This time some "sonatinas" on fortepiano.
I must say, for me this adds to the attractiveness of the set and gives me the last push to put it on the shopping list.  :)

Good to know!
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Tsaraslondon

#63355


There's no doubting this is a superb recording of Prokoviev's score and I'm very happy with it, though my recollection of the Ashkenazy recording is that it had a warmer acoustic and slightly more affectionate response to the music.

\"A beautiful voice is not enough.\" Maria Callas

Florestan

Quote from: Mandryka on March 02, 2022, 07:51:24 PM
The recording of violin sonatas which Ryo Terakado made with Boris Vodenitchkarov is like that - it's clearly how they read the music, a deliberate approach to Mozart.  It's a while since I heard it, but I think that Sigiswald Kuijken's recording of Mozart with Gustav Leonhardt is very similar.

Thanks for the tip. I'll avoid.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Harry

#63357
Johann Ludwig Krebs.

Complete Organ Music.
CD 10.

Felix Friedrichs plays on a Hildebrandt Organ in the church St. Wenzel in Naumburg.
Pitch: A=464 Hz at 15 degrees.
Temperament: Neidhardt I (1724)


Nearly at the end of this set, just one CD to go, and I found the weakest link in the set. Querstand is not in the habit to make bad recordings, but...this one is. The Hildebrandt organ no doubt will sound fine, but the recording makes it a shamble. Swimming is the best term for it, the notes are everywhere except in the right place. A pity and lost chance. Why the experienced engineer Wolfgang Muller made such a mess of it is beyond me. I have heard excellent recordings from this organ, but this one is definitely not so. And furthermore some of the compositions on this disc are not of the quality I am used too listening to Krebs. It starts with a Fantasia and Fugue in F major which kicks the quality into the cellar, badly played and a sub par composition. the same with the Trio sonata in E minor makes it even worse, after this trio sonate I turn it off, could not take more. Ughhh.
Avoid!



Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Harry

Hugo Alfven.

The Mountain King-Suite.
Symphony No. 5 in A minor.
Elegy from Gustav II Adolf.

Royal Stockholm PO, Neeme Jarvi.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Papy Oli

Olivier