What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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vandermolen

Quote from: aligreto on April 06, 2022, 02:09:00 AM
Jeffrey, could you kindly recommend a version with the choir please so that I can further educate myself.
The Jarvi, as recommended by absolutelybaching, is a fine modern performance but can be difficult to track down. Every version, other than Svetlanov's includes the choir Fergus. The greatest performance was Kondrashin's on Russian Disc and recently remastered on Alto - I'm biased as I wrote the booklet notes but it is the best ever (there is a good later Kondrashin recording on Melodiya but the earlier one is better). I liked Stankovsky's Marco Polo CD but it wasn't generally well received. Polyansky's is fine. My favourite modern recording is Liss with the Ural Philharmonic:

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Mandryka

https://www.youtube.com/watch?v=XFPM3MZHQzw

Scarlatti Sonatas by Lars-Ulrik Mortensen | Le Corum - Salle Pasteur Montpellier
Wovon man nicht sprechen kann, darüber muss man schweigen

vandermolen

Quote from: absolutelybaching on April 06, 2022, 03:12:09 AM
Merely picking nits at this point (and probably off to buy the Alto Kondrashin myself! -thanks for the suggestion), but the Järvi is actually readily available from Presto, in physical or digital form equally well as best as I can tell. It's also available readily from Amazon, but at ridiculous prices.

Meanwhile...

William Walton's Sonata for String Orchestra - 1993)
    Jan Latham-Koenig, London Philharmonic Orchestra
Good to know about Presto - there was a time when I could only see it absurdly priced online. It's a fine recording and good for DGG for issuing it.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Traverso

Rameau

Quality time with Skip Sempé   

La Pantomime


The new erato

Enjoying this now:



Obviously folk-inspired, taking over from some of Grieg's works in the same vein.

aligreto

Beethoven: Piano Sonata No. 29 Op. 106 [Brautigam]



aligreto

Quote from: absolutelybaching on April 06, 2022, 02:41:01 AM
No problems  ;D

Turns out, according to Wiki, that practically everybody that has ever recorded No. 6 has always included the chorus (which only makes a brief appearance at the end of the fourth movement, by the way) and that Svetlanov is actually the only one who leaves it out! So, on that basis, you can basically just pick up anyone's 6th, apart from Svetlanov! I'd still recommend the Järvi, though :)

As per my earlier comments, the revision was done in 1947 and it was to take the chorus out (or, at least, to make it optional).


Quote from: absolutelybaching on April 06, 2022, 03:12:09 AM
Merely picking nits at this point (and probably off to buy the Alto Kondrashin myself! -thanks for the suggestion), but the Järvi is actually readily available from Presto, in physical or digital form equally well as best as I can tell. It's also available readily from Amazon, but at ridiculous prices.



Thank you again for your help and information.

aligreto

Quote from: vandermolen on April 06, 2022, 02:50:26 AM
The Jarvi, as recommended by absolutelybaching, is a fine modern performance but can be difficult to track down. Every version, other than Svetlanov's includes the choir Fergus. The greatest performance was Kondrashin's on Russian Disc and recently remastered on Alto - I'm biased as I wrote the booklet notes but it is the best ever (there is a good later Kondrashin recording on Melodiya but the earlier one is better). I liked Stankovsky's Marco Polo CD but it wasn't generally well received. Polyansky's is fine. My favourite modern recording is Liss with the Ural Philharmonic:

Thank you for the help and information, Jeffrey.

Mirror Image

Quote from: vandermolen on April 06, 2022, 02:04:59 AM
That's a great CD!  :)

It is, indeed, Jeffrey. The Waterfall Scene from the As You Like It Suite brought to mind a curious mixture of Delius and Respighi. Great stuff.

Karl Henning

CD 52

Joh. Strauss II
An der schönen blauen Donau, Op. 314
Unter Donner und Blitz, Op. 324
Der Zigenuerbaron—Overture
Perpetuum mobile, Op. 257

Joh. Strauss I (orch. Gordon Jacob)
Radetzky March, Op. 228

Franz Lehár
Gold und Silber, Op. 79

R. Strauss (arr. Barbirolli)
Der Rosenkavalier—Waltz Sequence

Joh. Strauss II
Champagner-Polka, Op. 211

Berlioz
Le Carnaval romain, Op. 9

Verdi
La forza del destino—Overture
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

vandermolen

#65750
Quote from: aligreto on April 06, 2022, 04:32:42 AM
Thank you for the help and information, Jeffrey.
My pleasure Fergus. If you want modern sound I'd go for Jarvi or Liss but the best performance is Kondrashin's Russian Disc/Alto release. Let us know what you decide.

PS
I wouldn't recommend Dudarova's worthy but rather drawn out performance on Olympia (I think that all the others have been mentioned). I wish that Naxos would reissue Stankovsky's Marco Polo recording, which was the first CD release.

Favourite cover art! I especially like the sepia image of a peasant lighting a cigarette, from 1924 (the same year that Miaskovsky's 6th Symphony was first performed) which adorns the cover of Kondrashin's later recording on Melodiya.

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Todd




Unsurprisingly, a Chopin Competition winner does well in Chopin.  Ohlsson plays with immense beauty and delicacy at times, but as always, one knows the pianist holds much in reserve, and every once in a while, the power and speed come to the fore.  A worthwhile Chopin disc.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Mirror Image

NP:

Yoshimatsu
Piano Concerto, Op. 67 "Memo Flora"
Kyoko Tabe, piano
Manchester Camerata
Sachio Fujioka



Papy Oli

Beethoven
Symphony No.7

Norrington & London Classical Players
Olivier

Harry

#65754
John Wilbye.

"Draw on Sweet Night"

I Fagiolini, Robert Hollingworth.


This is really good, well sung and certainly well composed. the recording is pristine, and if you like Monteverdi you will certainly enjoy this. Recommended. At JPC for a very low price, 10,99€

Connoisseurs regard John Wilbye (1574-1638) as one of the most important English composers of the late Elizabethan age. The British ensemble I Fagiolini honors his compatriot here with a representative cross-section of his madrigal oeuvre, which provides the listener with 75 minutes of unclouded 'madrigal pleasure', sometimes with sonorous dissonances, sometimes with bittersweet English melancholy.


Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Dry Brett Kavanaugh

Quote from: Roasted Swan on April 05, 2022, 11:37:31 PM
Ooops - hadn't scrolled back through the thread before posting about the Ogden recording.  Its NOT true to say the orchestration is NOT Walton - it is - see my reference below to the Varii Capricci - the Walton orchestration was adapted to accomodate the hybrid guitar and orchestra version of the bagatelles

I agree. The guitar concerto is more of a hybrid of Bagatelles and Varii Capricci, rather than an entirely unique concerto. I love the work.

aligreto

Quote from: vandermolen on April 06, 2022, 05:25:19 AM
My pleasure Fergus. If you want modern sound I'd go for Jarvi or Liss but the best performance is Kondrashin's Russian Disc/Alto release. Let us know what you decide.

PS
I wouldn't recommend Dudarova's worthy but rather drawn out performance on Olympia (I think that all the others have been mentioned). I wish that Naxos would reissue Stankovsky's Marco Polo recording, which was the first CD release.

Favourite cover art! I especially like the sepia image of a peasant lighting a cigarette, from 1924 (the same year that Miaskovsky's 6th Symphony was first performed) which adorns the cover of Kondrashin's later recording on Melodiya.


Thank you again, Jeffrey. Very much appreciated. I would naturally gravitate towards Kondrashin. I am not overly fussy about state of the art recordings.
I appreciate the recommendations from both contributors. 

Papy Oli

#65757
Beethoven
Symphony No.7

Frans Brüggen
Orchestra of the 18th century.

Live 2001, Glossa
Olivier

Traverso

Bach

Christ lag in Todes Banden

A very moving performance and one of my favorite cantatas.


aligreto

Quote from: Papy Oli on April 06, 2022, 06:52:25 AM
Beethoven
Symphony No.7

Frans Brüggen
Orchestra of the 18th century.

Live 2001, Glossa


Quote from: Papy Oli on April 06, 2022, 06:18:22 AM
Beethoven
Symphony No.7

Norrington & London Classical Players


Is the Seventh a particular favourite, Olivier?