What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Iota



Schumann: Piano Sonata No. 2 in G minor, Op. 22
Niklas Sivelöv (piano)


A very enjoyable salt-of-the-earth kind of performance, from a Swedish pianist new to me. Looking forward to the Kreisleriana and Arabeske on the same disc.

Lisztianwagner

Quote from: Mirror Image on June 27, 2022, 10:58:05 AM
Pounds the table!

Ditto for your choice about RVW's Pastoral Symphony:D
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Mirror Image


vandermolen

#72323
Quote from: VonStupp on June 27, 2022, 09:00:23 AM
Ralph Vaughan Williams
A Song of Thanksgiving
The Shepherds of the Delectable Mountains


Sir John Gielgud, narrator
Bryn Terfel, baritone, et al.
Corydon Singers
City of London Sinfonia - Matthew Best

Bringing this one back out again. Enjoying it thoroughly.

VS

Yes, that's a fabulous disc. I have the boxed set in which it features,

NP
Sibelius: Lemminkainen Suite - a GMG recommendation and very good it is too. A warm-hearted and beautifully recorded account featuring the best performance of 'Lemminkainen in Tuonela' since Thomas Jensen's classic account.:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: Mirror Image on June 27, 2022, 10:57:15 AM
And now I begin my Vaughan Williams Elder journey, but I'll start with a familiar disc and a personal favorite:


A great place to start John!
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: Biffo on June 27, 2022, 06:24:08 AM
Vaughan Williams: Symphony No 6 in E minor - Hallé Orchestra conducted by Sir Mark Elder
What's your verdict Biffo?
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Mirror Image

Quote from: vandermolen on June 27, 2022, 12:30:08 PM
A great place to start John!

Yes, indeed. 8)

Now playing this entire Janáček Ančerl recording:



For me, this is one of the greatest recordings of Janáček ever recorded. Ančerl is in his element and I don't think I've ever heard as terrifying of a performance of Taras Bulba as this one. Holy smokes!

Linz

Ralph Vaughan Williams, Sir Adrian Boult

André



Two distinguished pianists pair up in this unusual venture, Engelbert Humperdinck's arrangement of scenes from Parsifal for piano-4 hands. Humperdinck was responsible for the piano rehearsals of Wagner's last work at Bayreuth in 1881 and these arrangements were made as a kind of 'souvenir de Bayreuth' memento. Curiously, what works best in piano garb is also what Wagner did best in full orchestral form: the Prelude, the Liebesmahl music, the Entry in the Graal burg of Montserrat and Parsifal's redemption scene. The parts that always have me yawning are no better in piano reduction: the Flower Maidens music and the rest of the scene in Kilngsor's realm are on a much lower level of inspiration. Some of Parsifal's music is set to a bell-like swaying gait that transfers really well to the piano. Similarly the otherworldly harmonies of the failed hero's redemption music work splendidly on the ivories. Not a replacement for the real thing obviously, but a fascinating peek into a very special soundworld.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

prémont

Reality trumps our fantasy far beyond imagination.

ritter

Quote from: Traverso on June 27, 2022, 06:20:29 AM
Boulez


CD 7






A succession of marvellous pieces on that disc, culminating in the hauntingly beautifully Mémoriale (a perennial favourite of mine). Good evening to you, Jan.

Quote from: André on June 27, 2022, 01:24:56 PM


Two distinguished pianists pair up in this unusual venture, Engelbert Humperdinck's arrangement of scenes from Parsifal for piano-4 hands. Humperdinck was responsible for the piano rehearsals of Wagner's last work at Bayreuth in 1881 and these arrangements were made as a kind of 'souvenir de Bayreuth' memento. Curiously, what works best in piano garb is also what Wagner did best in full orchestral form: the Prelude, the Liebesmahl music, the Entry in the Graal burg of Montserrat and Parsifal's redemption scene. The parts that always have me yawning are no better in piano reduction: the Flower Maidens music and the rest of the scene in Kilngsor's realm are on a much lower level of inspiration. Some of Parsifal's music is set to a bell-like swaying gait that transfers really well to the piano. Similarly the otherworldly harmonies of the failed hero's redemption music work splendidly on the ivories. Not a replacement for the real thing obviously, but a fascinating peek into a very special soundworld.
I was very disappointed by that arrangement of Parsifal by Humperdinck when I purchased the disc (soon after it was first released  several years ago). Your comments certainly have made me think about giving it another chance. Bonsoir to you as well, André.

Linz

Sibelius Symphony No. 4 in A major and Symphony 7 in C major and Tapiola with Lorin Maazel

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Maiden-Listen Monday!

Gil Shaham playing the Korngold Concerto, Op, 35
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot


Symphonic Addict

Quote from: kyjo on June 26, 2022, 02:33:47 PM
Indeed, I find much fascination and satisfaction in his first two quartets, above all the masterful No. 2. But No. 3, damn, that's a tough nut to crack! It's too introverted and even "cryptic" for my tastes.

You and I have similar feelings regarding that quartet. It's not my favorite by any means.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Quote from: kyjo on June 26, 2022, 05:14:52 PM
Cool, Cesar. I remember listening to this symphony a few years ago and thinking it was enjoyable but not particularly special. I should revisit it, I guess!

It's not a lost masterpiece, but on that day I really did find it memorable and utterly charming.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Quote from: kyjo on June 26, 2022, 05:50:00 PM
What a pity, Cesar, as I greatly enjoy his 3nd and 5th symphonies. I guess L. Glass is one of those lesser-known composers who lacks consistency of quality across his output.

It seems that Glass is not a last name that features great composers.  ;)
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.