What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Traverso

Mozart

piano concerto No.24

John Gibbons,Fortepiano

Orchestra of the 18th Century


Karl Henning

Quote from: k a rl h e nn i ng on August 26, 2022, 07:31:25 AM
First-Listen Friday!

CD 9

Vissarion Shebalin
Symphony № 3 in C, Op. 17

Yuri Shaporin
The Flea—Suite

Nikolai Rakov
Sinfonietta for string orchestra
Symphony № 3 in C for string orchestra


The Shebalin is from 1932-34 (the freewheeling pre-crackdown days in Soviet Music) and often sounds it, in good ways. Good piece, eminently likeable. For sampling, let me suggest the Andante. I can kind of think of the symphony as a whole, as a musical sampler in "small" in a way that the Shostakovich Fourth is a monumental example.
The Shaporin (from 1928) is based on a folk story by the 19th-century writer Nikolai Leskov. In the scoring, Shaporin includes folk instruments, the domra and bayan, and the quirky flexatone. Charming music.
The Rakov pieces are from 1958 & 1962, respectively. The Sinfonietta, especially, if I had chanced on it, listening to the radio, I might have taken for Britten. Overall, an excellent disc, really.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Dry Brett Kavanaugh on August 27, 2022, 07:39:13 AM
I am a chocolate man, that sounds irresistible. I would like it with chocolate shavings!

Can't go wrong!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Traverso


vandermolen

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Todd



The Liszt portion.  Monumentally fantastic.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Karl Henning

And, finishing off this lovely box:
Apart from the Mosolov, all first listens.

CD 10

Aman Agadzhikov
Concerto-Poem (1969)
for violin and orchestra
Aleksandr Souptel, vn

Andrei Volkonsky
Immobile (1977-78)
for piano and orchestra
Aleksei Lubimov, pf

Sergei Bulimov
Concerning Water, Dead and Alive (1987)
Concerto for oboe and strings
Juozas Rimas, ob

Leonid Polovinkin
Telescope II (1928)
Suite for orchestra

Aleksandr Mosolov
Iron Foundry, Op. 19 (1926-27)

True to its title (we might say) Agadzhikov's Concerto-Poem is largely a throwback to 19th-century concertante violin sensibilities. Good work in its way.
The Volkonsky is a brilliant contrast, a kind of anti-concerto, somewhat Webernian (to the degree that an eleven-minute piece can be.
The Bulimov is a very nice oboe vehicle, from a composer "dedicated to East/West synthesis."
Overall, the disc has a "today and yesterday" vibe, or then-today, anyway. Thus we go back in time for the Polovinkin and Mosolov (the latter piece having found something of a latter-day celebrity (which could not much have recompensed the composer for his time in the Gulag.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

vers la flamme

 

Anton Bruckner: Symphony No.3 in D minor, WAB 103. Günter Wand, Symphonieorchester des Norddeutschen Rundfunks

Probably my favorite recording of decidedly not my favorite Bruckner symphony (I think I prefer 0, 1 and 2, to say nothing of the others), though it's been quite some time since I've heard it.

Lisztianwagner

Johannes Brahms
Clarinet Quintet

Béla Bartók
String Quartet No.6


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Karl Henning

CD 12

Olivier Messiaen
Les offrandes oubliées (1930)
Geo. Benjamin

Rob Zuidam
Adam-Interludes (2007-08)
Ingo Metzmacher

Claude Debussy
La mer (1903-05)
Bernard Haitink

Geert van Keulen
Fünf tragische Lieder (2007)
auf Gedichte van Anna Enquist
Detlef Roth, bar
Lothar Zagrosek
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Symphonic Addict

Delius: Over the Hills and Far Away
Glazunov: From Darkness to Light, op. 53


The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Que

#76733
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Sonatas nos. 4 (Der Verliebte), 5 and 6 by Malcolm Bilson, Bart van Oort and Ursula Dütschler on reproductions after Schantz and Walter.

Symphonic Addict

Hans Koessler: String Sextet in F minor

If you enjoy Raff, this could be of your liking. A rather entertaining and memorable work.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Jo498

Mozart K 414 and 450 with Casadesus/Szell. Very good, the earlier piece is in mono but very acceptable sound.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

vers la flamme



Anton Bruckner: Symphony No.4 in E-flat major, WAB 104, the "Romantic". Daniel Barenboim, Berliner Philharmoniker

Coming up on the finale coda, which might be my favorite part.  :)

Lisztianwagner

I'll join you in listening to Bruckner:

Anton Bruckner
Symphony No.4


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Karl Henning

Stravinsky
Three Movements from Petrushka

Prokofiev
Sonata № 7, Op. 83
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

vers la flamme

Quote from: Lisztianwagner on August 27, 2022, 01:54:08 PM
I'll join you in listening to Bruckner:

Anton Bruckner
Symphony No.4




Very nice, I haven't heard much of Karajan's Bruckner, but I do like his "zen" approach to the music.