What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Mapman

Quote from: Symphonic Addict on September 11, 2022, 07:48:46 PM
Nos. 3, 5 and this one contain the best material among his symphonies. The others are rather pedestrian in comparison.

That makes sense given what I've heard. The first Stanford symphony I heard was #3, which I also liked. I think I like 6 better, as the themes are more original. I've also heard 1 and 7, but not been so impressed. I'll try to remember to listen to 5 next!

Lisztianwagner

Quote from: vers la flamme on September 11, 2022, 04:32:24 PM
Just occurred to me that I was actually thinking of the Lohengrin prelude.  :P
Quote from: k a rl h e nn i ng on September 11, 2022, 04:38:59 PM
Were you? Because both the Mendelssohn and the Parsifal Prelude incorporate the "Dresden Amen."
Exactly; about Wagner, not only in the Prelude, but in the whole opera. He used it in Tannhäuser too.

Your first impression was right, that's the Grail motif in Parsifal.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

vers la flamme

#77802
Quote from: Lisztianwagner on September 12, 2022, 12:52:27 AM
Exactly; about Wagner, not only in the Prelude, but in the whole opera. He used it in Tannhäuser too.

Your first impression was right, that's the Grail motif in Parsifal.

Fine, I'll go back and listen to all three of these works in question later ;D I do find the Lohengrin and Parsifal preludes to be similar to each other, though.



Pyotr Tchaikovsky: Symphony No.6 in E minor, op.74, the "Pathétique". Herbert von Karajan, Berlin Philharmonic

The first movement climax is massive.

vers la flamme

^So was the finale. Wow... Ilaria was right, more than just "nice".



Pyotr Tchaikovsky: Swan Lake Suite, op.20a. Mstislav Rostropovich, Berlin Philharmonic


Harry

Finally after a stressful week, some leisure for listening.

J.S. Bach.
Cantatas.
Volume 12.
No. 147, "Herz und Mund und Tat und Leben", Part1 & 2.
No. 21, "Ich Hatte viel Bekümmernis", Part 1 & 2.
Bach Collegium Japan, Masaaki Suzuki.
Concerto Palatino, (Cantata No. 21.)
Yukari Nonoshita, Soprano.
Robin Blazer, Counter.
Gerd Türk, Tenor.
Peter Kooij, Bass.


An ongoing journey. These performances fill me with joy.
"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

Irons

Quote from: Symphonic Addict on September 11, 2022, 07:15:51 PM
Mozart: Symphony No. 41

Masterful!



Szell with his orchestra are top drawer in Mozart. His recording with Serkin of the PC No.20 is my all time favourite recording of the composer.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.


vandermolen

Symphonies 4 and 5 (new arrival today)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Lisztianwagner

Quote from: vers la flamme on September 12, 2022, 02:12:32 AM
Fine, I'll go back and listen to all three of these works in question later ;D I do find the Lohengrin and Parsifal preludes to be similar to each other, though.

Pyotr Tchaikovsky: Symphony No.6 in E minor, op.74, the "Pathétique". Herbert von Karajan, Berlin Philharmonic

The first movement climax is massive.
Great! As a matter of fact, there are similarities, especially in the low orchestral registers and, at some points, in the brass; besides, both of them share the same mystical, introspective atmosphere, thought the Lohengrin is more ethereal, with those sweeping violins thrills, while the Parsifal is more solemn and deeper.

Quote from: vers la flamme on September 12, 2022, 03:06:35 AM
^So was the finale. Wow... Ilaria was right, more than just "nice".
;D


Now:
Gustav Mahler
Symphony No.1


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

vandermolen

Nystroem: 'Sinfonia del Mare' - my favourite recording of this great work:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Operafreak








Schoenberg: Kol Nidre & Shostakovich: Suite on Verses of Michelangelo Buonarroti/ Chicago Symphony Orchestra, Chicago Symphony Chorus, Riccardo Muti

The true adversary will inspire you with boundless courage.

Traverso

Sweelinck

Just purchased a recording with this choir and organ,  this live registration  is a preparation (CD) and also a commemoration of the Sweelinck year



https://www.youtube.com/v/oO-Xo65QVhg

Harry

Emilie Mayer.
Symphony No. 3 in C major & No. 7 in F minor.
NDR Radiophilharmonie, Jan Willem de Vriend.

One of my favourite recordings.
"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

Linz

Rachel Podger with some Bach, Matteis. Tartini, Pisendle, Biber and Montaneri

Florestan

"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

Traverso

Messiaen

Huit Préludes

Stravinsky

Pétrouchka




Karl Henning

Quote from: Operafreak on September 12, 2022, 04:52:10 AM






Schoenberg: Kol Nidre & Shostakovich: Suite on Verses of Michelangelo Buonarroti/ Chicago Symphony Orchestra, Chicago Symphony Chorus, Riccardo Muti



Nice program!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Harry

Johann Pachelbel.
Complete Organ works.
Volume II.
CD I from II.
Kirchenjahr, "Weihnachten".
Jurgen Essl, Organ.
Instrument: Stumm Organ (1782) Stephanskirche, Simmern.
Pitch: Cornetton A1= 455 Hz.
Temperament: after Bach/Kellner.


"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

MusicTurner

#77818
Quote from: Traverso on September 12, 2022, 06:32:37 AM
Messiaen

Huit Préludes

Stravinsky

Pétrouchka





Have you heard the Mozart there? It's the only stuff from the box I know (good if one isn't only interested in HIP Mozart), together with the Berg 'Piano Sonata' (interesting, but at only 8:27 very fast), plus the '20 Regards', that are good as well, but where a better sound is important, IMHO.

I'd suppose that for example the Messiaen '8 Preludes' are fine as well...? How about Petrouchka? She can be exciting in lively pieces, such as the later 'Des Canyons ...' ...

Mandryka

Bram Beekman, Leipzig Chorales.


Very good to have these well performance properly tagged - it makes listening more inviting. Thanks Jan. These chorales sound full of life.
Wovon man nicht sprechen kann, darüber muss man schweigen