What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Madiel, Karl Henning (+ 1 Hidden) and 45 Guests are viewing this topic.

AnotherSpin

Quote from: steve ridgway on August 15, 2025, 09:46:54 PMYes, I try to keep my check of the BBC News website short to minimise mental pollution.

Now playing Strauss - Macbeth



More from the same source: "There is no such thing as peace of mind. Mind means disturbance; restlessness itself is mind."

Que



Of available recordings this is my favourite, hands down.

vandermolen

Quote from: Linz on August 15, 2025, 12:23:24 PMWilliam Alwyn Symphony No. 3
Violin Concerto, Lydia Mordkovitch, violin 
London Symphony Orchestra, Richard Hickox
That's a great Alwyn CD as it features two of his finest works. John Ireland thought that Alwyn's 3rd Symphony was the greatest British symphony since Elgar.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

hopefullytrusting

Bruckner's Symphony No. 9 conducted by Honeck with the Pittsburgh Symphony Orchestra:
https://www.youtube.com/watch?v=RfFnLwDHBqQ

AnotherSpin



Antonio de Cabezón

Juan de la Rubia

Que

#134165


I love Boccherini's string trios, and his quintets. His string quartets are quite different in character: more Haydnesque, I'd say. And perhaps more pedestrian ...? Not that the two are connected!

Irons

Quote from: ritter on August 15, 2025, 09:17:45 AMGreat. But avoid Seville and Cordoba in the summer months!

Wise advice. Seville is a great place to visit, but the crowds! Swept through Jewish quarter with my feet barely touching the ground. 
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Irons

Liszt: Sonata in B Minor.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Que

#134168
Quote from: Irons on August 16, 2025, 02:32:52 AMWise advice. Seville is a great place to visit, but the crowds! Swept through Jewish quarter with my feet barely touching the ground.

My wife and I visited in March last year - surprisingly warm weather and lively busy but but doable.

AnotherSpin



Jürg Frey: Voices

Exaudi Vocal Ensemble|

Traverso

Mompou

Musica Callada



 

Dry Brett Kavanaugh


Dry Brett Kavanaugh


Madiel

Currently listening to the one track that ensured the Naive Vivaldi Edition could never quite leave my mind. Because I fell in love with it and bought it on iTunes some years ago. You are duly warned.

Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Florestan

"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

hopefullytrusting

Quote from: hopefullytrusting on August 16, 2025, 12:36:35 AMBruckner's Symphony No. 9 conducted by Honeck with the Pittsburgh Symphony Orchestra:
https://www.youtube.com/watch?v=RfFnLwDHBqQ

Okay, this is easily my favorite Bruckner 9.

Now, Honeck's conducting Beethoven's 9 with the Sveriges Radios Symfoniorkester:
https://www.youtube.com/watch?v=IZs02Nls7HI&list=RDIZs02Nls7HI

(Spoiler alert: I am already loving the opening.)

Karl Henning

Aleksandr Melnikov and [members of] the Jerusalem Quartet playing Schumann's Piano Quintet, Op. 44 and [Piano Quartet, Op. 47]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Spotted Horses

Haven't had as much time to listen lately, and haven't kept up with my thread duty. I've been listening to some Respighi, mostly the Roman Trilogy.

I started with Dorati's Pines of Rome, Minneapolis, Mercury



This is an extraordinary recording. My favorite is the finale, I pini della Via Appia. I learned the piece in Karajan's BPO recording, which is heavy on poetry. We are overlooking the Via Appia and our mind wanders to ancient times, the pounding of feet on the pavement as the Roman Legions return from a campaign, exotic woodwind passages evoking foreign lands conquered, martial horns sounding from the mists of history. Dorati's performance and Mercury engineering bring a remarkable clarity to the music, where you can hear every horn call and reply. Brilliant, although perhaps not exactly what Respighi intended.

I then visited the other elements of Respighi's Roman Trilogy, plus Vetrate di chiesa, in different recordings. Maazel/Cleveland, Neschling, Francesco La Vecchia. I think over time I will listen through the complete Respighi orchestral music sets from La Vecchia and Neschling, maybe including the Downes set, which I have found to be excellent, although I don't think it includes the more famous pieces such as the Roman Trilogy.





Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

Karl Henning

#134178
Quote from: Spotted Horses on August 16, 2025, 08:00:00 AMHaven't had as much time to listen lately, and haven't kept up with my thread duty. I've been listening to some Respighi, mostly the Roman Trilogy.

I started with Dorati's Pines of Rome, Minneapolis, Mercury



This is an extraordinary recording. My favorite is the finale, I pini della Via Appia. I learned the piece in Karajan's BPO recording, which is heavy on poetry. We are overlooking the Via Appia and our mind wanders to ancient times, the pounding of feet on the pavement as the Roman Legions return from a campaign, exotic woodwind passages evoking foreign lands conquered, martial horns sounding from the mists of history. Dorati's performance and Mercury engineering bring a remarkable clarity to the music, where you can hear every horn call and reply. Brilliant, although perhaps not exactly what Respighi intended.

I then visited the other elements of Respighi's Roman Trilogy, plus Vetrate di chiesa, in different recordings. Maazel/Cleveland, Neschling, Francesco La Vecchia. I think over time I will listen through the complete Respighi orchestral music sets from La Vecchia and Neschling, maybe including the Downes set, which I have found to be excellent, although I don't think it includes the more famous pieces such as the Roman Trilogy.






Curiously, I've been listening to Respighi of late, as well (rather more than is my wont) mostly the Antiche danze ed arie Suites.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

hopefullytrusting

Quote from: hopefullytrusting on August 16, 2025, 06:53:08 AMOkay, this is easily my favorite Bruckner 9.

Now, Honeck's conducting Beethoven's 9 with the Sveriges Radios Symfoniorkester:
https://www.youtube.com/watch?v=IZs02Nls7HI&list=RDIZs02Nls7HI

(Spoiler alert: I am already loving the opening.)

Unsurprisingly, it blew me away - easily my favorite 9th now.

Boulez's Notations with the Frankfurt Radio Symhphony Orchestra led by Honeck:
https://www.youtube.com/watch?v=uIlfuf2wUok