Out of Sight
I've seen it once before, a couple of years ago, and loved it then. It was even better today, the second time round! (And this despite the fact that I still
really don't like Lopez. She irritates me so!)
I also feel the need to step in on the Bergman subject once more:
Well I think that some of his really philosophical films (Persona) are quite pretentious. Not that that's a bad thing! We need a bit of pretentiousness every so often. 
Persona pretentious? I vehemently disagree! Why, it must be the last Bergman film you could call pretentious!
Maybe The Seventh Seal, or
The Virgin Spring, or parts of
Autumn Sonata (great movie that it is). But, seriously, where do you see the pretentiousness in
Persona?? It's overall very cool, emotionally removed filmmaking, no? I think Fellini has a much stronger proclivity towards pretentiousness, moments when he loses that wonderful irony and becomes a bit pompous (
Dolce vita,
La Strada,
City of Women) - though not in his best films (among which I'd count
Roma,
8 and a Half,
Amarcord, and
Orchestra Rehearsal of course
).
And BTW, many of Bergman's best films were shot in
color (
Fanny and Alexander,
Autumn Sonata,
Cries and Whispers,
Scenes from a Marriage).
