Last Movie You Watched

Started by Drasko, April 06, 2007, 07:51:03 AM

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Cato

Quote from: Todd on November 29, 2025, 07:40:22 AMDeadpool & Wolverine.  This is the first Marvel movie I've watched since Deadpool 2.  I've burned out on superhero movies in general, but this series benefits from self-awareness, fourth wall breaking, profanity, and gory violence.  The story is hot garbage, but the sarcastic and other jokes, the sheer vulgarity, and the violence is sufficient to make it a decent enough time waster. 

Evidently, the movie cost over $500 million to make, and garnered north of $100 million in UK tax rebates.  (How anyone can justify that type of tax rebate is beyond me.)  I sure didn't see that money in the basically all CGI output.  If I didn't know better, I'd be tempted to think that costs were artificially inflated for tax rebate purposes.


Yes, agreed! Endless booming battle scenes between characters who cannot really be hurt...what is the point?


Quote from: VonStupp on November 30, 2025, 09:20:32 AMWicked (2024)
Ariana Grande, Cynthia Arivo
Michelle Yeoh, Jeff Goldblum


Can I say I am tired of taking classic characters and fleshing out their backstory? Can't Margaret Hamilton's Wicked Witch of The West just be an evil character? Does she need a moral quandry to guide her actions? Does Glinda the Good Witch of the North need to have been a prissy, air-headed Elle Woods-type character in her youth? Do I need moments of discovery finding pieces of Elphaba's iconic witch costume (nor do I need to know her first name)?

Sorry for the rant; it must have been building up. I know some enjoy characters being fleshed out in deeper dimensions and given motivations, but for me it takes away from what the mind's imagination is capable of all on its own. I wonder if I would have been more kindly to the stage production?

VS



Can I say that I am tired of supposed "singers," who do not really sing, but yell with vibrato?

I mentioned recently somewhere that yelling with vibrato is not singing: it is yelling with vibrato!

No, let us watch the original and marvel at it....without sequels, prequels, or (Shudder!) remakes!


Anyway...

In my opinion, the best of the Peter Sellers/Herbert Lom Pink Panther movies:

The Return of The Pink Panther from 1975.

(Catherine Schell could not keep it together, so director Blake Edwards gave up and kept her laughter in the scene.)




Later: "If you are the real Inspector Dreyfus, what is your code name?;D  ;D  ;D


Also recently...From 1949, The Secret Garden with Margaret O'Brien (c. age 12 at the time) and a host great actors e.g. Herbert Marshall, Elsa Lanchester, George Zucco, et al.

Directed by Fred Wilcox, who later directed Forbidden Planet!

e.g.


This held up very well!
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

AnotherSpin



Bugonia (2025), the latest from Yorgos Lanthimos.

I went in with quite high hopes, probably because Poor Things and The Favourite had blown me away. Well, it's certainly not an ordinary film, but it didn't quite live up to what I was expecting.

The acting is strong, the cinematography is inventive and up to his usual standard, yet somehow something was missing. It just didn't completely land for me.

Karl Henning

Curiosity has got the better of me: Branagh's Mary Shelley's Frankenstein. The first surprise: Ian Holm & Jn Cleese?!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Karl Henning on December 01, 2025, 02:08:56 PMCuriosity has got the better of me: Branagh's Mary Shelley's Frankenstein. The first surprise: Ian Holm & Jn Cleese?!
Decades ago, when I researched Branagh's work, I allowed critical dismissal of this to dissuade me from watching. Whatever else, I find it impressive and I enjoy it much better than I might expect. Loved Pat Doyle's score, especially. 
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

VonStupp

Quote from: Karl Henning on November 30, 2025, 06:06:53 PMWait till you read my novella fleshing out Sauron's backstory! In other words, a bleeping hearty "Yes!"

I am guessing Sauron's anger could have been quelled with a large dose of Visine?
VS
All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Karl Henning

Quote from: VonStupp on December 01, 2025, 04:50:34 PMI am guessing Sauron's anger could have been quelled with a large dose of Visine?
VS
And probably an updated lens script.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

#39466
Quote from: Karl Henning on December 01, 2025, 03:43:50 PMDecades ago, when I researched Branagh's work, I allowed critical dismissal of this to dissuade me from watching. Whatever else, I find it impressive and I enjoy it much better than I might expect. Loved Pat Doyle's score, especially.
a Hallowe'en or two ago, I finally saw the classic Frankenstein. As I digest my first viewing of the Branagh, I feel that he greatly elevated the material. I read Frank Darabont's reaction (in the Wikipedia article) and while I have great respect for Darabont's work, I get the impression that his ego was bruised; that his dissatisfaction stems logistically from the fact that he was brought on board to modify the script, not as a directorial advisor. Okay, so you think your script ought to have been shot, and the film edited, otherwise. Fact is (and as a director, you would feel similarly) the script is an article which a director will treat as he sees fit.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Madiel

I remember thinking Branagh's Frankenstein was good. I also remember it made me ill - which is not a criticism. The fact that it made me queasy showed that it was working.
Nobody has to apologise for using their brain.

Karl Henning

Quote from: Madiel on December 02, 2025, 03:10:57 PMI remember thinking Branagh's Frankenstein was good. I also remember it made me ill - which is not a criticism. The fact that it made me queasy showed that it was working.
Truly, very affecting.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

#39469
Quote from: Karl Henning on December 02, 2025, 03:14:22 PMTruly, very affecting.
Also, how Branagh managed to play those scenes with Jn Cleese without "corpsing," I'll never know. "This is an ex-parrot!"
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Karl Henning on November 30, 2025, 03:27:28 PMI could have predicted this: after seeing EOM Reacts show: revisiting Jas Cameron's Terminator.
I don't even know how long I've owned the DVD. Somehow I haven't remembered how peculiar the "extras" access is: "Pur this DVD-ROM in your computer's optical drive. Well, this was the impetus for upgrading to blu-ray, which I had not previously considered because there is a grainy quality to the look, and I wasn't expecting blu-ray to "improve" that. (I'm watching the feature again, so I may have more comment on that head. And heck, the blu-ray was just $7, so....
Oh! And I hadn't realized that Bill Paxton is one of punks Ahnold tussles with when he first returns to our time.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Karl Henning on November 30, 2025, 03:27:28 PMI could have predicted this: after seeing EOM Reacts show: revisiting Jas Cameron's Terminator.
Well, so I've watched the reaction show, and the feature itself twice. Dang, this movie is so good. I have not wearied of't.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Karl Henning on Today at 03:42:28 PMWell, so I've watched the reaction show, and the feature itself twice. Dang, this movie is so good. I have not wearied of't.
"Terminated scenes." Hah!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Ultimately unsurprisingly: Terminator 2: Judgement Day.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

brewski

#39474
Quote from: Karl Henning on Today at 04:31:32 PMUltimately unsurprisingly: Terminator 2: Judgement Day.

One of the greatest action movies ever made. I'm no fan of The Arnold, particularly, but he's fine. Cameron's direction is white-hot.
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)