Must-Have Masses (no Requiems)

Started by gmstudio, December 07, 2007, 06:51:46 AM

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gmstudio

I was on a big Requiem kick not too long ago, so now I'd like to explore some "regular" masses.   Am looking for things primarily from prior to 1900.  Any recommendations?

I already have:

Bach Mass in B-Minor:  Gardiner
Beethoven Missa Solemnis:  Klemperer and Harnoncourt

BachQ

Haydn, final six masses (esp. the Nelson Mass in d minor)
Hummel, Missa Solemnis; Mass in d minor
Bruckner, Mass in f minor
Mozart, Great Mass

karlhenning

As mentioned, the Stravinsky Mass

Janáček, Glagolitic Mass

Wuorinen, Mass for the Restoration of St Luke's

de Victoria, Missa O magnum mysterium

BachQ

Quote from: karlhenning on December 07, 2007, 07:33:36 AM
As mentioned, the Stravinsky Mass of 1948

Janáček, Glagolitic Mass of 1914

Wuorinen, Mass for the Restoration of St Luke's

de Victoria, Missa O magnum mysterium


OP specifies "prior to 1900"



karlhenning

Quote from: D Minor on December 07, 2007, 07:42:07 AM
OP specifies "prior to 1900"

In which case . . . disregard all mine apart from the Renaissance item . . . .

BachQ

Quote from: karlhenning on December 07, 2007, 07:46:09 AM
In which case . . . disregard all mine apart from the Renaissance item . . . .

Not bad, Karl ...... only 75% of your recommendations get tossed ........

Morigan

To add with Mozart's Great C minor mass, the "Coronation" mass really is a "must-have".

Lethevich

#7
I second Haydn and Bruckner (his final three are very major - the last one is more of a concert work, though).

Schubert has some very high quality masses, which are not very well known relative to the rest of his output. A similar era one is Cherubini's Missa Solemnis. Berlioz's Messe Solennelle is very good, despite being only a recent discovery.
Peanut butter, flour and sugar do not make cookies. They make FIRE.

gmstudio

Thanks so far.  This is a great way to get started on what to get, what to save for later, etc.

I know I'm leaving all sorts of stuff out by saying "pre-1900," but I've found as I explore new-to-me styles that I generally come to the 20th Century stuff last.  I do have the Stravinsky pieces (just got the Stravinsky Box a few weeks ago), but, really, I find myself learning the style better when I go chronologically.  :)

karlhenning

Quote from: D Minor on December 07, 2007, 07:12:15 AM
Haydn, final six masses (esp. the Nelson Mass in d minor)

Hmmm . . . that was unexpected  :D

karlhenning

Quote from: James on December 07, 2007, 07:08:12 AM
Palestrina's beautiful christmas mass missa hodie christus natus est

This must be a beauty (wonder if I have it at home . . . ?)

KevinP


Josquin des Prez

Quote from: gmstudio on December 07, 2007, 09:50:19 AM
but, really, I find myself learning the style better when I go chronologically.  :)

Then you may want to start with this:

http://www.amazon.com/Guillaume-Machaut-Ensemble-Organum-Marcel/dp/B0000007AY/ref=sr_1_1?ie=UTF8&s=music&qid=1197086933&sr=1-1

It's the first unified mass cycle ever written and the one that started the trend in the first place.


Bogey

Some have been mentioned, but just consider the repeated ones a priority. 8)

Haydn Mass in Time of War (Paukenmesse or Kettledrum Mass)
Haydn Nelson Mass (Missa in Augustiis)
Haydn Missa Sancti Bernardi von Offida

Mozart Mass in C major "Coronation" K. 317
Mozart Mass in Major K. 167

There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

Great Gable

I have yet to hear a Schubert Mass that doesn't hit the spot

gmstudio

Quote from: Josquin des Prez on December 07, 2007, 07:10:14 PM
Then you may want to start with this:

http://www.amazon.com/Guillaume-Machaut-Ensemble-Organum-Marcel/dp/B0000007AY/ref=sr_1_1?ie=UTF8&s=music&qid=1197086933&sr=1-1

It's the first unified mass cycle ever written and the one that started the trend in the first place.



Happened across it at the library today, just by chance.

Lilas Pastia

#16
My take:

Bach b minor: for the contrapuntal genius and extraordinary structure.

Haydn Missa cellensis (St-Cecilia Mass): for a unique 'bridge' between the old style and the classical. The Kyrie is made-in-Heaven stuff. And or fourse the late 'big 6' masses, esp. Nelson, Pauken, Schöpfung, Harmonie and Theresien masses.

Mozart: the Great c minor Mass, for its extraordinarily beautiful melodies, esp. those of the soprano arias and duets. The beginning of the Credo is uniquely springy and infectious.

Beethoven: the Missa solemnis, for its unique Benedictus. The Agnus is extraordinary, too, but here the Haydn influence is obvious (Nelson Mass).

Schubert: the seraphically serene D. 950. A look back at the Old Masters (Bach and Haydn more than Mozart).

Bruckner: the f minor Mass (no. 3). Gloriously scented music. Very inward looking, as different from Beethoven's 'public' Mass as could be.

Janacek (he said primarily pre-1900 :D). Easily the wackiest, most colourful, zany and utterly exhilarating religious music ever penned.

prémont

Quote from: Josquin des Prez on December 07, 2007, 07:10:14 PM
Then you may want to start with this:

http://www.amazon.com/Guillaume-Machaut-Ensemble-Organum-Marcel/dp/B0000007AY/ref=sr_1_1?ie=UTF8&s=music&qid=1197086933&sr=1-1


Even if the provocative shouting Peres interpretation is captivating on its own terms, I find it too special for a newcomer to this work, and I would suggest some other recordings like Clemencic (Arte Nova) or Parrott (EMI).
Reality trumps our fantasy far beyond imagination.

FideLeo

Quote from: premont on December 09, 2007, 07:43:34 AM
Even if the provocative shouting Peres interpretation is captivating on its own terms, I find it too special for a newcomer to this work, and I would suggest some other recordings like Clemencic (Arte Nova) or Parrott (EMI).

Agreed.  Machaut doesn't have to sound like a Corsican fisherman.   ;)
HIP for all and all for HIP! Harpsichord for Bach, fortepiano for Beethoven and pianoforte for Brahms!

karlhenning

There are some Corsican fishermen here want a word with you . . . .