Eduard Tubin (1905-82)

Started by vandermolen, March 02, 2008, 01:52:04 AM

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vandermolen

Quote from: Mirror Image on May 11, 2017, 06:22:07 AM
Wunderbar! 8)
The opening of the Fourth Symphony, especially in the Jarvi/BIS recording, is one of my favourite moments in Tubin's music.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Mirror Image

Quote from: vandermolen on May 11, 2017, 07:55:13 AM
The opening of the Fourth Symphony, especially in the Jarvi/BIS recording, is one of my favourite moments in Tubin's music.

It's quite gorgeous indeed.

kyjo

Prior to tonight, I had listened to Tubin's Symphonies 1, 4, 5, and 9 - enjoying but not being particularly thrilled by them (though I love the inspiriting finale of the 4th and the defiant ending of the 5th). But tonight, I listened to his Symphony no. 2 The Legendary, an absolutely extraordinary work which is causing me to radically rethink my opinion of Tubin's music. This work has some of the most captivating orchestration I've ever heard - there's prominent use of orchestral piano (I'm always a sucker for that) and significant violin and viola solos. The opening is deeply atmospheric - legendary indeed. The slow movement is an inexorable funeral march which paves the way for the epic finale, which contains some absolutely gripping music. In short, this work was a great discovery for me :)
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

Madiel

No.2 is definitely one of the ones that is able to make a big, immediate impression. From my one listen to the cycle I think I was also quite taken with some of the later ones, but the 2nd seems to be one that consistently gets good reactions.
Nobody has to apologise for using their brain.

kyjo

I think part of the reason I liked the Tubin 2nd so well is that some passages reminded me of my beloved Atterberg at his darkest and most tempestuous (e.g. the Storm movement of his 3rd Symphony and the outer movements of his 5th). Also, the prominent use of orchestral piano is a distinctive commonality between the two composers.
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

vandermolen

Quote from: kyjo on October 20, 2017, 07:37:19 AM
I think part of the reason I liked the Tubin 2nd so well is that some passages reminded me of my beloved Atterberg at his darkest and most tempestuous (e.g. the Storm movement of his 3rd Symphony and the outer movements of his 5th). Also, the prominent use of orchestral piano is a distinctive commonality between the two composers.

Yes, I can see this Kyle. The very first CD I bought (even before I owned a CD player!) was of Tubin's Second Symphony 'The Legendary' and Symphony 6 on BIS. I think that I'd heard No.2 on LP. It is possibly my favourite of the cycle - very exciting, powerful and moving although I greatly admire No.3 (I don't agree with Robert Layton that the final movement is 'bombastic') and also nos. 1,4 and especially the slow movement of 5 as well as No.10. Apparently No.6 is the most often played - I enjoy it but not as much as the others I have mentioned. Layton reckons that No.8 is Tubin's 'masterpiece' but I rate the ones I have mentioned higher.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

kyjo

Was just listening to Tubin's 6th and enjoying it greatly. It's a thunderous, percussive score that is given a sleazy, jazzy edge by the prominent use of a solo saxophone (Tubin seemed to pick up some tips from RVW's Symphonies 6 and 9 and Job in this regard). Rather unexpectedly, the symphony ends quietly and movingly with a magical string chord.
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

vandermolen

Quote from: kyjo on November 03, 2017, 08:26:09 PM
Was just listening to Tubin's 6th and enjoying it greatly. It's a thunderous, percussive score that is given a sleazy, jazzy edge by the prominent use of a solo saxophone (Tubin seemed to pick up some tips from RVW's Symphonies 6 and 9 and Job in this regard). Rather unexpectedly, the symphony ends quietly and movingly with a magical string chord.
Must listen to it again as it isn't currently one of my favourites. Interesting point about the saxophones and VW connection Kyle.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

cilgwyn

Quote from: kyjo on November 03, 2017, 08:26:09 PM
Was just listening to Tubin's 6th and enjoying it greatly. It's a thunderous, percussive score that is given a sleazy, jazzy edge by the prominent use of a solo saxophone (Tubin seemed to pick up some tips from RVW's Symphonies 6 and 9 and Job in this regard). Rather unexpectedly, the symphony ends quietly and movingly with a magical string chord.
Yes,let's hear it for Tubin's Sixth. It has always been one of my favourite Tubin symphonies. Indeed,only second to Tubin's Second,ever since I heard it,and recorded it (and the Second) off air on my portable radio cassette recorder,back in the  mid 1980's (the Second,anyway). I even kept the,still playable,cassette tapes. The recording of the Second being my oldest,extant,cassette recording! They make a wonderful pairing,on that Bis cd.

SymphonicAddict

Yesterday I was playing the Symphony 3. Simply, I can't remove from my mind that great melody that characterizes the 1st movement! I think it does honor the subtitle of this work 'Heroic'. It's really inspiring and blissful!

vandermolen

Quote from: SymphonicAddict on November 05, 2017, 11:24:17 AM
Yesterday I was playing the Symphony 3. Simply, I can't remove from my mind that great melody that characterizes the 1st movement! I think it does honor the subtitle of this work 'Heroic'. It's really inspiring and blissful!
One of my favourites too Caesar.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

SymphonicAddict

Quote from: vandermolen on November 05, 2017, 11:53:47 AM
One of my favourites too Caesar.

Very nice! I consider the symphonies 2 to 6 the real meat of his symphonic output.

springrite

Quote from: SymphonicAddict on November 05, 2017, 01:13:38 PM
Very nice! I consider the symphonies 2 to 6 the real meat of his symphonic output.

Absolutely!

But as us rib lovers know, some of the most delicious meat are to be found between the bones...
Do what I must do, and let what must happen happen.

SymphonicAddict

Was Tubin a lost brother of Bowen? I realize that both are very similar  :P

vandermolen

Quote from: SymphonicAddict on July 05, 2018, 04:41:03 PM
Was Tubin a lost brother of Bowen? I realize that both are very similar  :P
Interesting, although Tubin is an incomparably greater composer I think. I'm yet to find a work by Bowen which I like.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

cilgwyn

Quote from: SymphonicAddict on July 05, 2018, 04:41:03 PM
Was Tubin a lost brother of Bowen? I realize that both are very similar  :P
As someone who reads Private Eye,courtesy of my father,I couldn't help smiling at your post! :) I am of course referring to the (very) long running feature in the Letters pages,where someone sends in lookalike photos (and presumably,you were?) with the names swapped around ("Are they by any chance related?") This would make a fitting entry;although,unfortunately,not everyone would know who the h*** they were?!!   i.e.

       

York Bowen                                                          Eduard Tubin

Karl Henning

The pastime known in the US as Separated at Birth? . . .
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

vandermolen

#257
Quote from: cilgwyn on July 06, 2018, 04:45:27 AM
As someone who reads Private Eye,courtesy of my father,I couldn't help smiling at your post! :) I am of course referring to the (very) long running feature in the Letters pages,where someone sends in lookalike photos (and presumably,you were?) with the names swapped around ("Are they by any chance related?") This would make a fitting entry;although,unfortunately,not everyone would know who the h*** they were?!!   i.e.

       

York Bowen                                                          Eduard Tubin

Yes, I like that feature of Private Eye. George Lloyd and Margaret Rutherford could also have been 'separated at birth'.

Margaret Rutherford at the top and George Lloyd below of course.   8)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

SymphonicAddict

Quote from: vandermolen on July 06, 2018, 01:34:13 AM
Interesting, although Tubin is an incomparably greater composer I think. I'm yet to find a work by Bowen which I like.

In terms of artistic quality, Tubin is by far the greater composer for sure.

SymphonicAddict

Quote from: cilgwyn on July 06, 2018, 04:45:27 AM
As someone who reads Private Eye,courtesy of my father,I couldn't help smiling at your post! :) I am of course referring to the (very) long running feature in the Letters pages,where someone sends in lookalike photos (and presumably,you were?) with the names swapped around ("Are they by any chance related?") This would make a fitting entry;although,unfortunately,not everyone would know who the h*** they were?!!   i.e.

       

York Bowen                                                          Eduard Tubin

Yes, it's undeniable their similarity

Quote from: vandermolen on July 06, 2018, 05:00:36 AM
Yes, I like that feature of Private Eye. George Lloyd and Margaret Rutherford could also have been 'separated at birth'.

Margaret Rutherford at the top and George Lloyd below of course.   8)


Maybe his mother/grandmother? ;D