What are you currently reading?

Started by facehugger, April 07, 2007, 12:36:10 AM

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SimonNZ

#14220


and have this ready to start for something lighter:



(the Hagia Sophia seems to be missing a couple of minarets in that cover illustration)

AnotherSpin

Quote from: SimonNZ on May 01, 2025, 04:41:17 PM[..]

(the Hagia Sophia seems to be missing a couple of minarets in that cover illustration)

From the Golden Horn and the Bosphorus, you can see many different mosques. The illustration on the book cover reminded me of the Süleymaniye Mosque.

Christo

Quote from: Florestan on April 29, 2025, 01:31:50 PMReminds me of the Holy Roman Empire...  ;D
No. It reminds you of Voltaire, who in 1756 in his Essais sur les mœurs et l'ésprit des nations famously described the Roman Empire as "Ce corps qui s'appelait, & qui s'appelle encore, le Saint-Empire Romain, n'était en aucune manière, ni saint, ni romain, ni empire."  :)
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

AnotherSpin

A charming little book by a Belgian author who, beneath a fair bit of cynicism, seems to hide a rather sensitive soul. Or so it struck me, at any rate. Haven't the faintest idea where or how I stumbled across a mention of this author and his delightful book — though there's a fair chance it was here on the forum. In any case, my thanks for the recommendation!


Christo

Quote from: AnotherSpin on May 02, 2025, 04:42:22 AMA charming little book by a Belgian author who, beneath a fair bit of cynicism, seems to hide a rather sensitive soul. Or so it struck me, at any rate. Haven't the faintest idea where or how I stumbled across a mention of this author and his delightful book — though there's a fair chance it was here on the forum. In any case, my thanks for the recommendation!

At least the title, for those who do not recognize it, is a reference to James Ensor's famous 1888 painting: The Entry of Christ into Brussels in 1889.
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

AnotherSpin

Quote from: Christo on May 02, 2025, 05:01:32 AMAt least the title, for those who do not recognize it, is a reference to James Ensor's famous 1888 painting: The Entry of Christ into Brussels in 1889.


Actually, that was pretty much the first thing I came across when I started looking up information online about the book and its author. I haven't finished reading it yet, so I can't say for certain whether the author was inspired by Ensor's painting — but the connection seems quite possible.

ritter

George D. Painter's biography of Marcel Proust:

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Karl Henning

Quote from: Number Six on April 17, 2025, 07:09:02 AM

Penman of the Founding: A Biography of John Dickinson

I was listening to a podcast last night, and this book's author was the guest. I don't know anything about him apart from his appearances in the musical 1776, and he's basically the villain of the piece. So I decided to give him a fair shot and picked this one up on kindle and audible. Don't know when I will get to it, to be honest.  ;)
Looks toothsome!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

AnotherSpin

"To him who has had the experience no explanation is necessary, to him who has not, none is possible."

- From Be Here Now by Ram Dass

It seems even those who aren't particularly interested in spiritual journeys to India have at least heard of Ram Dass (Richard Alpert). He was one of the pioneers, and despite a certain old-fashioned feel, his book has retained its freshness and its ability to make a direct, lasting impact.


SimonNZ

I really enjoyed that Eric Ambler upthread and will be exploring more of his whenever I feel like a thriller for a change.

But starting now:


Papy Oli

Ian Rankin - Knots & Crosses
(Rebus series #1)

Murky, gritty, gripping. Loved it. I bought volumes 1-4 in a Kobo sale so I'll carry on in due course.
Olivier

Papy Oli

Olivier

Dry Brett Kavanaugh



AnotherSpin



What can I say... A powerful impression. I can recommend it to anyone with even a passing interest in the war in Ukraine. This is a work of fiction, not an academic study. Nevertheless, the accuracy and truthfulness of the depiction are deeply striking.

AnotherSpin

I'm not quite sure how far I'll get with this book, nor how much of it I'll truly take in — but I'm setting off with a certain quiet curiosity, all the same.


Karl Henning

The odd Poe short story. It's been decades since I read most of them, and I'm starting with obscurities of which I remember next to nothing. "Thou Art the Man" and "The Sphinx."
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

SimonNZ

Followed the first book in the Slough House series immediately with the second. Will probably get through much of them in the near future:




And now finally getting around to Tocqueville, which is so far proving a much easier read than I expected:


ritter

#14238
Leafing this beautifully produced anthology of screenplays (some of which never made it to production) by the "Queen of Cinecittà ", Suso Cecchi d'Amico.



Cecchi d'Amico wrote over one hundred screenplays for the greatest Italian directors of the post-WW2 golden age of Italian cinema —de Sica, Visconti, Blasetti, Antonioni—. She also wrote the libretto for Nino Rota's opera I due timidi, and her husband was the eminent music critic Fedele d'Amico.

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

AnotherSpin

Just started reading. I don't know yet if I'll read it to the end though. Right now I'm adjusting myself to the text.