Anne-sophie Mutter

Started by samtrb, April 16, 2008, 07:21:08 PM

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samtrb

Her recordings with Karajan are on sale. I am familiar with all violin concertos he played. Is there any of her recordings that is a must-have?

BorisG

Quote from: samtrb on April 16, 2008, 07:21:08 PM
Her recordings with Karajan are on sale. I am familiar with all violin concertos he played. Is there any of her recordings that is a must-have?




Zhiliang

Quote from: samtrb on April 16, 2008, 07:21:08 PM
Her recordings with Karajan are on sale. I am familiar with all violin concertos he played. Is there any of her recordings that is a must-have?

Is this on MDT? The box set?

hornteacher

Her DVD of the five Mozart Violin Concertos is marvellous.  The sound is fantastic and the "mermaid" dress is pretty striking.

http://www.arkivmusic.com/classical/album.jsp?album_id=148087&album_group=2

samtrb

Quote from: Zhiliang on April 17, 2008, 03:34:04 AM
Is this on MDT? The box set?
no, to be precise, it's Karajan albums that are on sale at that store, and online too www.archambault.ca

Bulldog

Quote from: Two-Tone on November 11, 2008, 06:54:35 PM
Wondrous stuff!




I found her performances of the Bach rather hideous.  After a couple of minutes, I had a strong desire to toss the disc in the trash bin.

Tsaraslondon

I love Mutter and have heard her live on many occasions. Along with many of the other recommendations here, I love her recording of the Sibelius Violin Concerto, the first theme played eerily and without vibrato.



And for a stunning display of virtuosity, this takes some beating.



\"A beautiful voice is not enough.\" Maria Callas

not edward

Quote from: Bulldog on November 12, 2008, 05:44:48 AM
I found her performances of the Bach rather hideous.  After a couple of minutes, I had a strong desire to toss the disc in the trash bin.
I got a pre-release copy of this. The Gubaidulina I find interesting but I felt the Bach was very mannered and entirely superfluous.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

mn dave

Based on what I've heard, I've developed a negative impression and no longer seek out her recordings.

Kuhlau

Quote from: Tsaraslondon on November 12, 2008, 06:49:18 AM
I love Mutter and have heard her live on many occasions. Along with many of the other recommendations here, I love her recording of the Sibelius Violin Concerto, the first theme played eerily and without vibrato.




If you like this, you'll love Ida Haendel's recording with Paavo Berglund on EMI. It's quite close to the Mutter, but with something special added. In no way idiomatic, it's an intense, exciting and at times, heartbreaking performance.

FK

Bulldog

Quote from: edward on November 12, 2008, 07:07:52 AM
I got a pre-release copy of this. The Gubaidulina I find interesting but I felt the Bach was very mannered and entirely superfluous.

Yes, I think it would be a good idea for Mutter to avoid playing Bach.  In Mozart she does offer some value, although that fierce vibrato of hers is hard to take.  What I don't understand about her is why she insists on playing classical and baroque pieces as if they were written in the 1800's.  This "one style suits all" attitude is beneath her.

Todd

I love her in more modern works (ie, 20th Century) but don't really like her recordings of 18th and 19th Century music.  I'd like to hear the Gubaidulina, but I don't really want her Bach.  Perhaps this will be my first download purchase.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Sergeant Rock

Quote from: Two-Tone on November 11, 2008, 06:54:35 PM
Wondrous stuff!



For anyone interested in this CD, jpc has a video "trailer" of Mutter discussing and playing both Gubaidulina and Bach.

http://www.jpc.de/jpcng/classic/detail/-/hnum/4544123?rk=classic&rsk=hitlist&page=2


Quote from: Bulldog on November 12, 2008, 07:51:54 AM
What I don't understand about her is why she insists on playing classical and baroque pieces as if they were written in the 1800's.

This new recording is far less romanticized Bach than her first outing in 1983. But to me it doesn't matter: I love that she plays Bach her way. I feel Bach is one of the few composers who transcend time and place, and performing style. That she digs deep into the emotional core of the composer is something I find very satisfying. The first CD I ever bought was her Bach with the ECO and Accardo. It remains one of my most treasured.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

PerfectWagnerite

Quote from: mn dave on November 12, 2008, 07:15:05 AM
Based on what I've heard, I've developed a negative impression and no longer seek out her recordings.
Agreed. I have heard most of her recordings and can't think of anything memorable about any one of them, the exception being the Mozart Concerti which are surprisingly direct and fresh.

Bulldog

Quote from: Sergeant Rock on November 12, 2008, 08:40:51 AM
This new recording is far less romanticized Bach than her first outing in 1983. But to me it doesn't matter: I love that she plays Bach her way. I feel Bach is one of the few composers who transcend time and place, and performing style. That she digs deep into the emotional core of the composer is something I find very satisfying.
Sarge

But it's more Tchaikovsky's emotional core.

Kuhlau

Quote from: James on November 12, 2008, 09:32:15 AM
Check out her recording of Berg's VC, if that doesn't move you then check the obituaries because you may be one of them ...

;D

FK

Bunny


Dancing Divertimentian

Just got this one in the mail today. Got it for Bartok's second violin sonata - which isn't even listed on the cover! ::)

Can't wait to get to know the entire disc. Any thoughts?




Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

zauberflöte

It's not Karajan but it's great


ragman1970

Quote from: zauberflote on November 13, 2008, 03:45:23 PM
It's not Karajan but it's great

The best chance to hear a great recoring with her is without Karajan!

Karaja does not give her the degree of freedom which was necessary.