What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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karlhenning

Quote from: kishnevi on July 24, 2010, 08:56:26 PM
What was the other recording of the [Roussel] Third you listened to?

Cluytens, on an EMI reissue.  Which is very good;  but overall my ears prefer the Denève/RSNO.

bhodges

Walton: Portsmouth Point Overture (David Atherton/BBC SO of Wales, live from 1994 Proms) - Haven't heard this genial piece in awhile--my loss. 
Britten: Four Sea Interludes from Peter Grimes (same) - Like the Walton, very well played and recorded.  These are part of a BBC Magazine disc that includes The Rite of Spring.

--Bruce

SonicMan46

Well, again Sunday morning and some choral music and a new arrival:

Bach, JS - St. Matthew Passion w/ Gustav Leonhardt, Soloists, & La Petite Bande on 3 CDs -  :D


karlhenning

Mompou, mon petit chou-chou!

Mompou
Música callada (1959-1967)
Jordi Masó






Mompou – Música callada &c.


Yet another reason to love this assembled forum. This composer was completely unknown to me.  I haven't posted before, but this disc has been my "winding-down" music at day's end for a week now.  And, yes, I shall listen to the whole with more nearly alert mind;  even in this, erm, specialized audition, I am marveling at the exquisite simplicities.  The sort of ghost-of-Ravel's-Mother-Goose in the initial Angelico number, for instance.

karlhenning

Oh!  And I am apt to think the pungent "tonal dissonances" in the № 7 Lento my favorite musical discovery of the year.

not edward

Sometimes recordings I've had for years just keep sucking me back in: in this case Ancerl's three studio Janacek recordings (all with the CzPO, naturally)--Sinfonietta, Taras Bulba and the Glagolitic Mass.

Even by Ancerl-in-Czech-music standards I find these quite remarkable performances.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

not edward

Quote from: k a rl h e nn i ng on July 25, 2010, 05:04:37 AM

Cluytens, on an EMI reissue.  Which is very good;  but overall my ears prefer the Denève/RSNO.
It is good to see Denève having brought my old hometown orchestra back to its feet after its general decline during the Weller and Lazarev eras. I hope they'll be able to keep the standard up after he leaves for Stuttgart. (It seems like it's been a good few years for orchestral music in Scotland with Volkov's stellar tenure at the BBC SSO and all those Mackerras concerts with the Scottish Chamber Orchestra....why did I move to Canada again? :P)
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

bhodges

#69307
Schumann: Symphony No. 1, "Spring" (Haitink/Concertgebouw, live recording May 1, 1981) - Beautifully paced and played, in a way that (temporarily) makes me think that Haitink is the greatest conductor alive.  Such chemistry with the orchestra!

Ravel: Valses nobles et sentimentales (Haitink/Concertgebouw, live recording Dec. 16, 1982) - Just love this piece, and probably don't listen to it often enough.  This gentle, burnished reading is lovely.

--Bruce


Lethevich

Two logos seperated at birth :)



np: (Vasks/Kremer)

Peanut butter, flour and sugar do not make cookies. They make FIRE.

Drasko


Coopmv

Quote from: Que on July 24, 2010, 11:55:26 PM
This morning I'm revisiting this set again


"Music at the Reformation"



On second thought I think I have been a bit too harsh before about the necessity of a "complete Tallis" - I wouldn't want to be without this excellent set. The fact that I'm drawn back to have another listening is a good sign. :)

Q

Given its modest price and there are few other "Complete Tallis" sets out there if any at all, this is certainly a set to have in most early music collection IMO.

listener

VILLA-LOBOS Piano Music vol. 1  on Naxos    Sonia Rubinsky, piano
A Prolo de Bebé 1,  Cirandas,   Hommage à Chopin
These are pieces that do no not require dissertative analysis, they are in a way like piano equivalents of Canteloube's Songs of the Auvergne.     Miking is a bit close-up, the piano occupies a fairly wide stereo stage, but it's a clear recording with sensitive touch, real pianos that are audible, fortes that aren't distorted.
COPLAND: Piano Sonata,  Fantaisie for Piano
Noël Lee, piano
again, COPLAND:Piano Sonata  ROREM: 3 Barcarolles KIRCHNER: Piano Sonata   SESSIONS: From My Diary
Leon Fleischer, piano
COPLAND: Piano Variations  HARRIS: American Ballads    BERGSMA: Tangents   DELLO JOIO: 2 Nocturnes
Grant Johannesen, piano
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Brahmsian



PaulR


bhodges

Tonight, more from the Anthology of the Royal Concertgebouw Orchestra, 1980-1990:

Kodály: Dances of Galanta (Edo de Waart, from Nov. 14, 1982)
Peter Schat: Thema (Edo de Waart, March 21, 1982)
Debussy: Images (Antal Dorati, April 5, 1987)
Ravel: L'enfant et les sortilèges (Charles Dutoit, Dec. 9, 1989)

--Bruce


CD

Giving them another listen, more closely this time:

Vagn Holmboe - Chamber Concertos 10-14 (DaCapo)

Mirror Image


Sid

#69319
Tonight on radio 2mbs-fm
www.2mbs.com

KEYBOARD CONTRASTS with Tony Immerglück

Bach, J.S. Suite no 1 in D minor, BWV812 (c1722).
Debussy, C. Suite bergamasque (1901).
Brahms, J. Piano trio no 3 in C minor, op 101 (1886); Intermezzo no 3 in C sharp minor, op 117 (1892).
Rameau, J-P. Excerpts from Nouvelles suites de pièces de clavecin (c1728).
Chopin, F. Sonata no 3 in B minor, op 58 (1844).

I'm looking forward to seeing the Brahms piano trio live in coming weeks, so hearing this other performance will be a treat. I also know the Debussy & Chopin, but haven't heard those works by the others...