What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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owlice


Coopmv

Now playing CD2, another set that arrived from MDT a few weeks ago to help bolster my Solti's collection ...



not edward

My favourite Left Hand Concerto and Gaspard helpfully packaged together in a long-oop disc:

"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

SonicMan46

Sammartini, Giovanni (c. 1770-1775) - Complete Early Symphonies for String Orchestra w/ Daniele Ferrari conducting 'I Giovani di Nuova Cameristica' - 3 CD offering on Nuova Era; just on the first disc - these works are claimed in the liner notes to be 'the birth of the classical symphony' - an exaggeration?  Not sure, but these compositions come out of Milan in the first half of the 18th century and evolved from opera overtures into more purely orchestral works - regardless, quite enjoyable!


Britten & Bridge - Cello Works for Orchestra; mainly bought for the Oration w/ Hickox & City of London Sinfonia; Steven Isserlis on cello.  :)

 

George

#47464


Listening to some of the Beethoven sonatas in this set:

Pathetique, Moonlight, Op. 31/3

So far I prefer the interpretations in the Hungaroton set, but these earlier recordings are nice to hear. The set also includes her Op. 78, Waldstein, Op. 109 and Op. 111. 2 discs of Schubert and Schumann are also included. All recordings are from 1958 - 1965.  

Keemun

Music is the mediator between the spiritual and the sensual life. - Ludwig van Beethoven

mahler10th

Track 15:
Nocturne in E. T. A. Hoffman Style, for 2 violins, viola & cello
;D
This is great.  Now I need to look up Hoffman.

Thanks Andrei.

Coopmv


Opus106

#47468
Quote from: John on May 25, 2009, 06:47:09 AM
Track 15:
Nocturne in E. T. A. Hoffman Style, for 2 violins, viola & cello
;D
This is great.  Now I need to look up Hoffman.

The guy changed one of his middle names to reflect his enthusiasm for the music of a certain fraudulent composer. ;)
Regards,
Navneeth

George



Op. 78 - Certainly better than the Hungaroton version. In fact, one of the best that I have heard. Kempff's mono recording still is my favorite for this sonata though.

Coopmv

Now playing CD1 from this set, which arrived from MDT a few weeks ago.
Sir Colin and the RCO together are awesome ...


Brünnhilde forever

Quote from: Valentino on May 25, 2009, 03:22:05 AM
Never stop tryin', that is my mantra. ;D



After you have listened to this one, you can stop trying, you have heard the best!

Story goes, when the recording was finished, Kleiber was asked to stay around for possible corrections and changes. He told them it's perfect, no corrections and changes needed and he went home.  8)

Coopmv

Quote from: Brünnhilde forever on May 25, 2009, 07:12:49 AM
After you have listened to this one, you can stop trying, you have heard the best!

Story goes, when the recording was finished, Kleiber was asked to stay around for possible corrections and changes. He told them it's perfect, no corrections and changes needed and he went home.  8)

Carlos Kleiber remains to be an enigma to me.  I have his Beethoven 5th and Schubert 8th. 

Coopmv

Quote from: opus67 on May 25, 2009, 07:00:14 AM
The guy changed one of his middle names to reflect his enthusiasm for the music of a certain fraudulent composer. ;)

I missed some nice tidbits here.  Who was that fraudulent composer?

Opus106

Quote from: Coopmv on May 25, 2009, 07:30:25 AM
I missed some nice tidbits here.  Who was that fraudulent composer?
The same fraudulent composer who had Salieri by his bedside to copy the Requiem in D minor for him. ;D

Reportedly, Hoffman was so captivated by Mozart's music that he changed (or possibly created) the A in his name to Amadeus.
Regards,
Navneeth

Coopmv

Quote from: opus67 on May 25, 2009, 07:34:46 AM
The same fraudulent composer who had Salieri by his bedside to copy the Requiem in D minor for him. ;D

Reportedly, Hoffman was so captivated by Mozart's music that he changed (or possibly created) the A in his name to Amadeus.

Has there been any definitive evidence that WAM was a fraud?  New historical evidence unearthed recently?

Opus106

Quote from: Coopmv on May 25, 2009, 07:37:46 AM
Has there been any definitive evidence that WAM was a fraud?  New historical evidence unearthed recently?

All tongue-in-cheek, sir. Appended with suggestive emoticons.
Regards,
Navneeth

Coopmv

Quote from: opus67 on May 25, 2009, 07:40:47 AM
All tongue-in-cheek, sir. Appended with suggestive emoticons.

The movie Amadeus has certainly helped ...   ;D

Florestan

Quote from: John on May 25, 2009, 06:47:09 AM
Track 15:
Nocturne in E. T. A. Hoffman Style, for 2 violins, viola & cello
;D
This is great.  Now I need to look up Hoffman.

Thanks Andrei.

You're welcome.  :)
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Valentino

Quote from: Brünnhilde forever on May 25, 2009, 07:12:49 AM
After you have listened to this one, you can stop trying, you have heard the best!
I have no problems with Carlos, I'm a fan. Richard on the other hand!  ;)

To be honest, I managed to play the whole thing for the first time today, and I think I deserve my Ferrari now. Maybe I can get around to appreciate Wagner. That would be fine.
I love music. Sadly, I'm an audiophile too.
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