What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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Sergeant Rock

Quote from: mc ukrneal on March 07, 2012, 03:06:49 AM
Now listening to Vaughan Williams box Symphonies (Haitink). Nearly finished with symphony no. 2. First time I've ever liked it and I hear so many details this time. I am happy with this purchase after spending so much time deciding (thanks Sarge and all you Haitink supporters)! Though, I am going very slowly through it..
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Glad you're enjoying the Dutchman's Vaughan Williams so far. Haitink's "London" is the one I play the least though...and I don't know why. When I want to hear it, I tend to go for Thomson or Hickox or Barbirolli. In fact, I have no memory of Haitink's performance. I'll have to play it soon.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

Hmm, I've yet to listen to the Thomson, Sarge. Heck, I still have to get organized enough to revisit Job . . . busy times, though really, that's the good thing.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

Quote from: karlhenning on March 07, 2012, 03:38:38 AM
Hmm, I've yet to listen to the Thomson, Sarge.

I can empathize. I have nothing to do 24 hours a day, 7 days a week, and yet I still can't find enough time to listen to all the music I want to hear.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sadko

Just landed:

Debussy

La Mer, Nocturnes, Prélude à l'après-midi d'un faune

The Cleveland Orchestra
Vladimir Ashkenazy



Recently I heard "Dialogue du vent et de la mer" from this recording played on the radio, and I liked how it evoked clear visual images, let's see how it is with full concentration and within the whole work.

Ataraxia

Quote from: Sergeant Rock on March 07, 2012, 03:44:40 AM
I have nothing to do 24 hours a day, 7 days a week...

That's the life for me!!!  ;D

Karl Henning

 Quote from: Sadko on Today at 09:52:22 AM
Just landed:

Debussy

La Mer, Nocturnes, Prélude à l'après-midi d'un faune

The Cleveland Orchestra
Vladimir Ashkenazy

>

Recently I heard "Dialogue du vent et de la mer" from this recording played on the radio, and I liked how it evoked clear visual images, let's see how it is with full concentration and within the whole work.
 
Please report, when you may!  As a rule, I'm not crazy about Ashkenazy as a conductor; but when I've enjoyed his conducting best, it was the Clevelanders playing.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

TheGSMoeller

What a coincidence, Claude helped me relax last night before bedtime, I do have the Ashkenazy disc and it's very good, but last night it was...


mc ukrneal

Be kind to your fellow posters!!

Karl Henning

Oh, one of mine, as well . . . I've got it with a reissue cover.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

“Papa”

Disc 6

Sonata in C, Hob.XVI:21
Sonata in E, Hob.XVI:22
Sonata in F, Hob.XVI:23
Sonata in D, Hob.XVI:24
Tom Beghin


[asin]B0000502AH[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sadko

Quote from: karlhenning on March 07, 2012, 05:01:49 AM
Quote from: Sadko on Today at 09:52:22 AM
Just landed:

Debussy

La Mer, Nocturnes, Prélude à l'après-midi d'un faune

The Cleveland Orchestra
Vladimir Ashkenazy

>

Recently I heard "Dialogue du vent et de la mer" from this recording played on the radio, and I liked how it evoked clear visual images, let's see how it is with full concentration and within the whole work.
 
Please report, when you may!  As a rule, I'm not crazy about Ashkenazy as a conductor; but when I've enjoyed his conducting best, it was the Clevelanders playing.


"I'm not crazy about Ashkenazy as a conductor" - Yes, I agree, and I found it confirmed again here. Not bad, but also not great for me, I'll stick to Martinon and Boulez.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Ataraxia

As a conductor, he makes a great pianist.  ;D

Opus106

#103493
He wasn't quite [booming voice] Beethoven [/booming voice] when he wrote it, but this Op. 3 serenade is simply delightful. Mozart's definitely present, especially in the variations last penultimate movement that's playing now, but why should that hinder the listening of beautiful music?
Regards,
Navneeth

Karl Henning

 Quote from: MN Dave on Today at 10:48:26 AM
As a conductor, he makes a great pianist.  ;D
 
Change that to cellist, and I've thought the same of Slava many a time and oft : )
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

TheGSMoeller

Quote from: mc ukrneal on March 07, 2012, 05:32:40 AM
One of my favorite piano discs...
Quote from: karlhenning on March 07, 2012, 05:36:00 AM
Oh, one of mine, as well . . . I've got it with a reissue cover.


Nice to hear, we have great taste.


Quote from: Sadko on March 07, 2012, 05:43:11 AM

...Not bad, but also not great for me, I'll stick to Martinon and Boulez.

Absolutely.  ;D

Ataraxia


Karl Henning

Mmm, nice outfit, especially for that rep, Dave.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

not edward

Boom!

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Even at basically 37 minutes of useful content (sorry, DG, two fragments from symphonies doesn't count), this is a superb disc. Blacher's once-popular(ish) Paganini Variations sounds fabulous here with huge dynamic range and a so appropriate swagger in the brass, while the two movements of what is perhaps Hartmann's magnum opus go from the agonized Expressionism of the first movement to the explosive, unstoppable momentum of the fugal finale. Fricsay and his band are on fire here--it's hard for me to imagine anyone matching this performance.

Then for a complete change of pace, a wide-ranging mix of Norgard both early and new:

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It's a well-made collection, with mature works and earlier post-Holmboe/Sibelius ones placed so as to avoid any predictability. (It still amuses me that the Bartok movement of Tributes sounds so like Lutoslawski, though.)
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

TheGSMoeller

Quote from: karlhenning on March 07, 2012, 06:00:02 AM
Quote from: MN Dave on Today at 10:48:26 AM
As a conductor, he makes a great pianist.  ;D
 
Change that to cellist, and I've thought the same of Slava many a time and oft : )


What about Barenboim? Conductor or pianist?