What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Que

#82000
This just arrived, so I popped it in the CD player:



Note at medieval.org:

A program of French music for the Good Friday liturgy, with polyphony drawn from the tenth motet collection printed in Paris by Pierre Attaingnant (1534). In terms of performance practice, this recording represents a very welcome experiment in applying Eastern-style vocal techniques to western polyphony, apparently inspired by Marcel Pérès.

Spineur

This ensemble has a sound (very nice) of its own.  Very little vibrato, and great recording quality

[asin]B01K68918C[/asin]

Harry

Quote from: Que on January 14, 2017, 01:30:02 AM
This just arrived, so I popped it in the CD player:



Note at medieval.org:

A program of French music for the Good Friday liturgy, with polyphony drawn from the tenth motet collection printed in Paris by Pierre Attaingnant (1534). In terms of performance practice, this recording represents a very welcome experiment in applying Eastern-style vocal techniques to western polyphony, apparently inspired by Marcel Pérès.

Well of course I am very curious after your impression. :)
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

ComposerOfAvantGarde

I haven't heard 1898 yet so I will start with this


aligreto

Haydn: Symphony No. 76 [Goodman]....



Que

#82005
Quote from: Harry's corner on January 14, 2017, 01:42:13 AM
Well of course I am very curious after your impression. :)

Morning Harry:)

Well sung and well recorded. The Eastern/Byzantine style is applied in moderation.
As a whole - with the music from the Attaignant publication - it doesn't quite win me over right a way. I reserve my judgement for another run.

Q

Que

#82006
This set arrived as well. And since I'm already familiar with Belder's Soler cycle, I went immediately for the bonus disc:



[asin]B00SKER31C[/asin]

Which turns out to be a rather tepid affair most of the time, with musically and emotionally measured playing.....

I have these concerti in a version for two harpsichords by Marju Vatsel and Jordi Reguant (La Mà de Guido).
Now, those performances are joyous, virtuosic and exuberant...
Pieter van Dijk's Sweelinck is excellent, but Soler obviously requires something else.

Q

aligreto

Faure: Violin Sonata in A, Op. 13 [Grumiaux/Crossley]....





A wonderful, exciting work given a suitably impressive performance here.

André

Quote from: Spineur on January 13, 2017, 06:05:21 PM
This album contains six pieces for violin and orchestra

[asin] B01E06Q8H8[/asin]

All are very atmospheric and evocative, with some sadness in the expression

One of my "albums of the year" in 2016 !

I haven't heard the companion disc with the cello pieces, though. IIRC you recommended that as well.



André

Quote from: Que on January 14, 2017, 03:05:06 AM
This set arrived as well. And since I'm already familiar with Belder's Soler cycle, I went immediately for the bonus disc:



[asin]B00SKER31C[/asin]

Which turns out to be a rather tepid affair most of the time, with musically and emotionally measured playing.....

I have these concerti in a version for two harpsichords by Marju Vatsel and Jordi Reguant (La Mà de Guido).
Now, those performances are joyous, virtuosic and exuberant...
Pieter van Dijk's Sweelinck is excellent, but Soler obviously requires something else.

Q

I have 2 versions of these concerti, one for 2 organs, the other for 2 harpsichords. Neither does anything for me. Dull almost throughout, which is not the experience I get when listening to the sonatas. Do you redommend Belder's set ?

André



Patrick Hadley: his big cantata The Hills. Strong influences of Delius (Mass of Life, Song of the High Hills). Impressive and often very touching music.

SurprisedByBeauty


Mahlerian

Stravinsky: Duo Concertant
Isabelle van Keulen, Olli Mustonen


Stravinsky: Persephone
Stephanie Cosserat, Stuart Neill, San Francisco Symphony and Choruses, cond. Tilson Thomas


The Duo Concertant is one of the beautiful hidden gems in Stravinsky's output, lively and lyrical.  Persephone is hidden, and also lyrical, but its prettiness almost drifts into monotony at times.  That said, it's worth the occasional listen, as it features many wonderful colors in the orchestra which are uncommon in Stravinsky's work.
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Mirror Image

Quote from: The new erato on January 13, 2017, 10:32:23 PM
Thanks to Karl:



The Hindemith operas are really very fine.

Quote from: The new erato on January 14, 2017, 12:10:46 AM
This, from the Bashmet box:



The viola concerto is a very fine work.

Pounds the table twice!

Mirror Image

Quote from: Mahlerian on January 14, 2017, 05:40:14 AM
Stravinsky: Duo Concertant
Isabelle van Keulen, Olli Mustonen


Stravinsky: Persephone
Stephanie Cosserat, Stuart Neill, San Francisco Symphony and Choruses, cond. Tilson Thomas


The Duo Concertant is one of the beautiful hidden gems in Stravinsky's output, lively and lyrical.  Persephone is hidden, and also lyrical, but its prettiness almost drifts into monotony at times.  That said, it's worth the occasional listen, as it features many wonderful colors in the orchestra which are uncommon in Stravinsky's work.

I agree with you about Duo Concertant. A fine work. I'm not too familiar with Persephone or at least well enough to make a comment on it. I should revisit this one soon.

Spineur

Quote from: André on January 14, 2017, 04:28:36 AM
One of my "albums of the year" in 2016 !

I haven't heard the companion disc with the cello pieces, though. IIRC you recommended that as well.
After one listen, my preference goes to the 2014 album "Harmonie du soir".  This is the title of the Op 31, a very unusual piece for string quartet and orchestra.
I havent recieved yet the Ysaye trios nor the solo violin sonatas.  I love the depth of his music.
:-*

Mirror Image

Quote from: Spineur on January 14, 2017, 06:18:06 AM
After one listen, my preference goes to the 2014 album "Harmonie du soir".  This is the title of the Op 31, a very unusual piece for string quartet and orchestra.
I havent recieved yet the Ysaye trios nor the solo violin sonatas.  I love the depth of his music.
:-*

I've been reading all of your feedback for these Ysaye recordings and based on your enthusiasm, they're now on my shopping list.

Now playing:



Listening to Dance Panels. Quite an underrated work amongst Copland's oeuvre IMHO. Lovely performance from Davies/St. Luke's.

Que

#82017
Quote from: André on January 14, 2017, 04:30:24 AM
I have 2 versions of these concerti, one for 2 organs, the other for 2 harpsichords. Neither does anything for me. Dull almost throughout, which is not the experience I get when listening to the sonatas. Do you redommend Belder's set ?

Oh, yes....Belder's Soler is excellent IMO.  :)

Q

andolink

Ralph Vaughan Williams: Symphony No. 5 in D major

Stereo: PS Audio DirectStream Memory Player>>PS Audio DirectStream DAC >>Dynaudio 9S subwoofer>>Merrill Audio Thor Mono Blocks>>Dynaudio Confidence C1 II's (w/ Brick Wall Series Mode Power Conditioner)

aligreto

Balakirev: Symphony No. 1 [Svetlanov]....





Thrilling treatment is given by Svetlanov to this wonderful, exciting work.