What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Que

Quote from: North Star on April 20, 2017, 09:30:41 AM
First-listen Thursday
Saint-Saëns
Chamber music
The Nash Ensemble

[asin]B00095L8X4[/asin]

A really great set....  :)

Q

North Star

Quote from: Que on April 20, 2017, 09:37:45 AM
A really great set....  :)

Q
First impression certainly indicates that. :)
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Florestan

Quote from: Que on April 20, 2017, 09:37:45 AM
A really great set....  :)

Q

Undoubtedly. See my post on the last page.  :)
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

mc ukrneal

Quote from: Florestan on April 20, 2017, 09:23:05 AM
Have them, listened to them, love them.  :)



Should I really get yet another version?
I doubt it. The Naxos are excellent, but I've heard great things about that one too.
Be kind to your fellow posters!!

Brian

My new reference "Concerto for Orchestra"


Maestro267

Scharwenka: Piano Concerto No. 2 in C minor
Tanyel (piano)/Radio Philharmonie Hannover des NDR/Strugala

Lovely slow movement.

aligreto

Finishing my first run through of the Nash Ensemble Mozart String Quintet set with K 614....





For me the Nash Ensemble play with elegance and poise. Their tempi are always well judged. Interestingly I find the performances to be exquisite if impersonal [not emotional] yet very engaging. K516 and K593 are particular favourites of mine.

aligreto

Quote from: Mirror Image on April 20, 2017, 08:48:35 AM
Indeed. There are, however, a number of performances of this masterpiece that I don't enjoy. This is a difficult symphony to get right IMHO and I think the performance that comes closest is Bernstein's. Other favorites besides Blomstedt and Bernstein: Oramo, Chung, Gilbert, and Kubelik.

I must admit to not having heard any of those other than Blomstedt  :-[
My own particular favourite version of those that I have is probably that by Kondrashin.

Kontrapunctus

These performances are technically very clean, but I don't detect a lot of personality in his playing, a common problem with many young musicians. Very well recorded--he's practically in my listening room!


Brian


Dee Sharp

Obrecht: Missa Maria Zart. Phillips/Tallis Scholars. Replenishing. Excellent performance as usual from the Tallis Scholars.


TheGSMoeller

#89351
Steve Reich

Music For Mallet Instruments, Voices And Organ -Reich & Musicians
Six Pianos - Reich & Musicians

[asin]B000066I9C[/asin]

Madiel

Brahms Symphony No.1 again, this time for breakfast.
Nobody has to apologise for using their brain.

Todd




The Ensari & Schuch duo's first release.  The disc opens with a jumbled, incomplete set of Brahms' waltzes and Hindemith's eight waltzes in a well-judged mix and order that blends together nicely.  Next are two world premieres by Turkish composer Ozkan Manav (that's two sets of world premiere recordings by Turkish composers so far this year for me), and stylistically, they are very different.  More vital than the waltzes, and blending folk music and modernist tendencies expertly, Ensari and Schuch deliver.  The disc ends with the piano version of Rite, and even this duo can't make it as exciting as the proper version.  That written, some of the playing is absolutely fantastic, with hyper-virtuosic flourishes adding some oomph.  Sound is somewhat distant, but still quite good.  Now, when will the duo record some Schubert or Bartok?
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

Kontrapunctus

I think this is still the one to beat.


Dancing Divertimentian

Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Karl Henning

Quote from: Toccata&Fugue on April 20, 2017, 04:20:56 PM
I think this is still the one to beat.



It's not a horse race  8)  (least of all, with Mozart).

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Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: aligreto on April 19, 2017, 11:52:11 AM
Symphony No. 2 [Dausgaard]....



I like the way that the opening flurry transforms into the grand, sweeping theme. The musical language of the first movement is very engaging. There is a quiet, pensive passage just before the halfway mark which I think is very powerful. The beautiful second movement flows like a gentle summer breeze. The joyful, spirited music of the final movement is enhanced by the commentary of the soprano. A very fine work with wonderful, colourful orchestration throughout.

Thanks for reminding me to listen to this again!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

And thanks to cilgwyn for the reminder, also, to listen again to:

Piston
Symphony No. 2
BSO
MTT
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

André

Some Elgar (Enigma), Delius, Rossini/Respighi, Dohnanyi and Ibert.



A friend lent me that boxed set. I think I'm gonna buy it.

The Enigma Variations are disarmingly natural in flow and characterization. The sonics are astoundingly good (1959 vintage). I thought I knew that work inside out. This has more 'inside' than most performances. An unexpected stunner.

The Delius performances are magical. Also available in the big Delius EMI collection.

Elgar, Delius and Vaughan-Williams are three giants of a very different ilk, but they stand together at the top of the Brit podium. Sargent, like Barbirolli, championed all three. Beecham didn't care for Elgar, while Boult didn't touch Delius.