Innovative Composer Game (Selection Thread)

Started by Sammy, March 28, 2018, 08:36:10 AM

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Sammy

This game revolves around those composers who we consider the most innovative in the field of classical composition.  As for defining "innovative", that's for each of us to determine through our selections.

There is no interactive element to this particular game.  You make a selection, it goes immediately to the voting round.  I don't have any specific number of composers in mind; we'll just see how it plays out.  If needed, I'll go with multiple voting rounds followed by a finale.

My two selections for today:

Schoenberg
Wagner

Note:  Almost forgot to mention that you may make one or two selections daily.

San Antone


Baron Scarpia


Mahlerian

"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Jo498

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- Blaise Pascal


Gurn Blanston

Visit my Haydn blog: HaydnSeek

Haydn: that genius of vulgar music who induces an inordinate thirst for beer - Mily Balakirev (1860)

Cato

"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Sammy

Selected (15):
Beethoven
Berlioz
Cage
Debussy
Haydn (J.)
Martinu
Monteverdi
Partch
Schoenberg
Sibelius
Stravinsky
Vivaldi
Wagner
Webern
Wyschnegradsky

Sammy

This is a thread where I would expect to see a healthy amount of cordial conversation/discussion.  Innovation is a major classical music topic; just be sure to keep it friendly, and do not cast aspersions on the other selections of other members.

Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

SymphonicAddict


Sammy

Selected (19):
Bach (CPE)
Bartok
Beethoven
Berlioz
Cage
Debussy
Haydn (J.)
Ligeti
Liszt
Martinu
Monteverdi
Partch
Schoenberg
Sibelius
Stravinsky
Vivaldi
Wagner
Webern
Wyschnegradsky

North Star

"Everything has beauty, but not everyone sees it." - Confucius

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Sammy

Selected (23):
Bach (CPE)
Bach (JS)
Bartok
Beethoven
Berlioz
Biber
Cage
Chopin
Debussy
Haydn (J.)
Ligeti
Liszt
Martinu
Monteverdi
Partch
Schoenberg
Sibelius
Stravinsky
Sweelinck
Vivaldi
Wagner
Webern
Wyschnegradsky

Gurn Blanston

Quote from: Sammy on March 28, 2018, 09:24:42 AM
This is a thread where I would expect to see a healthy amount of cordial conversation/discussion.  Innovation is a major classical music topic; just be sure to keep it friendly, and do not cast aspersions on the other selections of other members.

I'm curious what people consider to be innovative. There are many composers whose music I enjoy, but I don't consider them innovative, merely great exponents of others' innovations. :)

8)
Visit my Haydn blog: HaydnSeek

Haydn: that genius of vulgar music who induces an inordinate thirst for beer - Mily Balakirev (1860)

Crudblud


Mahlerian

Quote from: Gurn Blanston on March 28, 2018, 12:06:52 PM
I'm curious what people consider to be innovative. There are many composers whose music I enjoy, but I don't consider them innovative, merely great exponents of others' innovations. :)

8)

For my two choices:

Berlioz, as one of the earliest exponents of the full Romantic style, was an innovator in many respects.  He invented a new kind of orchestration, created new musical forms nearly out of whole cloth, and his harmonic audacity presaged Wagner's later innovations in that regard.

Monteverdi created a new language based on harmony in contrast to the older modal system, used his new language to great dramatic effect, and through it crafted the first operatic masterpieces.
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Cato

Quote from: Gurn Blanston on March 28, 2018, 12:06:52 PM
I'm curious what people consider to be innovative. There are many composers whose music I enjoy, but I don't consider them innovative, merely great exponents of others' innovations. :)

8)

For me, you have Wyschnegradsky, who took Scriabin's late tendencies and married them to quarter-tone scales (along with other divisions).  Harry Partch invented microtonal scales and created his own instruments to produce the notes in a 43-tone scale!
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)