What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Biffo

Quote from: vandermolen on May 21, 2018, 06:52:25 AM
I like both versions.

Having got to know the work in the chamber version, when I first encountered the orchestral version I found it too heavy, possibly even unnecessary. As a result I have rarely listened to it. Perhaps it deserves a re-visit.

Sergeant Rock

Quote from: k a rl h e nn i ng on May 21, 2018, 06:41:37 AM
I must say that if, when I was in the All-State Band as a high school student, we played a piece like this, I should immediately have formed a lifelong respect for and enthusiasm for Toch

Yes, a great symphony. I was prepared to be lectured but was disappointed in that respect ;)

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Mirror Image

#115082
Quote from: vandermolen on May 21, 2018, 06:51:56 AM
The other ones by Harris I think highly of are Nos 6 ( I find it very moving but partly for personal reasons - I discovered it not long after my dad died) also nos 1,5,7 and 11.

Very nice, Jeffrey. I'm sure I've got all of those symphonies somewhere --- probably in storage.

Thread duty -

Barber
Prayers of Kierkegaard
Various soloists
Schenck
Chicago SO & Chorus




Baron Scarpia

Quote from: San Antone on May 21, 2018, 03:59:02 AM
To be fair, I only noticed one member expressing displeasure with Toch's music ...      ;)

Two, actually. How many people have expressed any familiarity with Toch's music at all?  0:)

I will probably revisit at some point, now I have an allergic reaction to it.

Mirror Image

Quote from: vandermolen on May 21, 2018, 01:07:28 AM
I enjoy every work on this CD:
[asin]B0000006XS[/asin]
Now on to this:
A wonderful CD and my current favourite performance and recording of On Wenlock Edge - the opening deeply felt and taken slower and with more gravitas than on some other recordings:
[asin]B0015D20H2[/asin]
The last piece 'Clun' also taken more slowly and even more movingly eloquent.

The Piano Quintet from 1903-5 is an early work, subsequently withdrawn by the composer but Ursula Vaughan Williams lifted the ban on its performance. I'm so glad that she did as it is a beautiful work and, as the booklet says, VW never forgot it as he resurrected the theme of the finale in his late, craggy Violin Sonata fifty years later.

My biggest quibble with that Piston recording is the low-level volume. I really have to crank it up to hear everything. The other Piston Schwarz recordings don't suffer from this however, which makes me wonder what happened.

Maestro267

Lloyd: Symphony No. 1 in A major
Albany SO/Lloyd

Biffo

Quote from: Baron Scarpia on May 21, 2018, 07:42:50 AM
Two, actually. How many people have expressed any familiarity with Toch's music at all?  0:)

I will probably revisit at some point, now I have an allergic reaction to it.

For some reason, a few years ago the complete Toch symphonies appeared in my Amazon recommendations and I was mildly intrigued but the set seemed rather expensive so I didn't bother. Eventually I obtained Symphony No 3 in the Steinberg Icon box. I did listen to it but it didn't make a big impression or prompt me to explore further but then I didn't dislike it either. Perhaps it needs a re-visit but it is at the end of a long queue.

Baron Scarpia

Quote from: Biffo on May 21, 2018, 07:57:37 AM
For some reason, a few years ago the complete Toch symphonies appeared in my Amazon recommendations and I was mildly intrigued but the set seemed rather expensive so I didn't bother. Eventually I obtained Symphony No 3 in the Steinberg Icon box. I did listen to it but it didn't make a big impression or prompt me to explore further but then I didn't dislike it either. Perhaps it needs a re-visit but it is at the end of a long queue.

The Steinberg recording is the only Toch I really enjoyed. You've got the best of it, I think.

Karl Henning

Quote from: Baron Scarpia on May 21, 2018, 07:42:50 AM
Two, actually. How many people have expressed any familiarity with Toch's music at all?  0:)

I will probably revisit at some point, now I have an allergic reaction to it.

Take your time, of course.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Baron Scarpia

Quote from: k a rl h e nn i ng on May 21, 2018, 08:12:17 AM
Take your time, of course.

(Mental note, calculate life expectancy, add 5 years)  :D

Judith

Had a repertoirethon today.

Started with

Tchaikovsky Violin Concerto
Joshua Bell
Berlin Philharmonic Orchestra
Conducted byMichael Tilson Thomas

Beethoven Symphony no 5
Mahler Symphony no 1
(Separate CDs)
Riccardo Muti
Philadelphia Orchestra

Beethoven Piano Concerto no 1
Murray Perahia
Royal  Concertgebouw Orchestra
Conducted by Bernard Haitink

Walton Cello Concerto
Steven Isserlis
Philharmonic Orchestra
Conducted by Paarvo Jarvi

Saint Saens

Organ Concerto
Berlin Philharmonic
James Levine

Piano Concerto no 2 in G Minor
Stephen Hough
CBSO
Conducted by Sakari Oramo

Couple of symphonies but mainly concertos today

amw



Beethoven Op.132.

The slow movement is about as slow as possible without falling apart, but quite beautiful, if you don't mind small amounts of vibrato.

Traverso

Bach

English Suites  Bob van Asperen  Cembalo


Karl Henning

Игорь Фëдорович
Sonata for Two Pianos
Benjamin Frith & Peter Hill
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Moonfish

Vaughan Williams: 'Sinfonia Antartica'                  Ritchie/Gielgud/Boult/London PO

I always feel a chill listening to this symphony. Hot coffee, please! 
Marvelous playing by the London PO and Gielgud's voice certainly adds to the experience.

"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

Karl Henning

Игорь Фëдорович
Symphony in C
LSO
MTT
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mahlerian

Quote from: k a rl h e nn i ng on May 21, 2018, 09:29:31 AM
Игорь Фëдорович
Sonata for Two Pianos
Benjamin Frith & Peter Hill


素晴らしい。
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Baron Scarpia

Quote from: k a rl h e nn i ng on May 21, 2018, 09:54:20 AM
Игорь Фëдорович
Symphony in C
LSO
MTT


I see you've relapsed into giving only name and patronymic in Cyrillic.  ::)


Karl Henning

Stravinsky recidivism. It's my curse.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Baron Scarpia

My recollection the Cyrillic alphabet (particularly the letters stolen directly from Greek) is good enough to sound out Igor and Fedor-something-vich. But who the hell is Igor Fedor-something-vich? Do you think we all have time to look this stuff up in the Groves dictionary of music to decipher your posts?  ;D