What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Madiel

Nobody has to apologise for using their brain.

Madiel

Quote from: Florestan on June 09, 2018, 02:57:42 AM


One thing about Chopin which is usually overlooked is that he was a child prodigy, having written his first Polonaises at the tender age of 7. Until he reached 17, his catalogue comprised also mazurkas, rondos, variations, nocturnes, ecossaises and a waltz. They might not be just as good as his mature works, but they already display unmistakable Chopinesque traits and by the very first bars one can tell the composer. El Bacha plays with panache and commitment and brings forth convincingly the youthful freshness and the blossoming poetry of these charming works. My only quibble is with the sound which, although by no means bad, doesn't seem to do full justice to El Bacha's tone.

This is the first in a 10-cd series of Chopin's complete solo piano works recorded by El Bacha in chronological order of their writing. It promises to be a fascinating, hugely rewarding journey.



This, on the other hand, has spectacular sound and might be a strong contender for the best recording of anything by anyone. Fialkowska is completely at home in Chopin's soundworld and idiom and her music-making is superlative. I look forward to hearing the other two volumes.

Interesting that someone is going chronological. It won't surprise you to know I've done my own chronological excursion.

The early works have all the glitter and brilliance very quickly. What they don't quite have, it feels to me, is the power.
Nobody has to apologise for using their brain.

Florestan

Quote from: Madiel on June 09, 2018, 04:19:35 AM
Interesting that someone is going chronological. It won't surprise you to know I've done my own chronological excursion.

It's precisely you whom I thought about when embarking on this project.  :D

QuoteThe early works have all the glitter and brilliance very quickly. What they don't quite have, it feels to me, is the power.

Agreed.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

king ubu



First listen ... Jaroussky is amazing, but possibly still not an ideal choice for Orfeo, not quite as much of a seducer and enticer as should be, a bit too acidic in tone and not sumptuous enough (Janet Baker anyone?) ... but his singing per se is first rate as usual. Amanda Forstythe (Euridice) and Emöke Baráth (L'amore) are both great in their short-ish appearances ... and so is the performance by I Barocchisti under the baton of Diego Fasolis.
Es wollt ein meydlein grasen gan:
Fick mich, lieber Peter!
Und do die roten röslein stan:
Fick mich, lieber Peter!
Fick mich mehr, du hast dein ehr.
Kannstu nit, ich wills dich lern.
Fick mich, lieber Peter!

http://ubus-notizen.blogspot.ch/

Madiel

Quote from: Florestan on June 09, 2018, 05:03:46 AM
It's precisely you whom I thought about when embarking on this project.  :D

We might be the only two people here who think this is an interesting way to go. We're certainly two of the people who talk about it the most.  :D
Nobody has to apologise for using their brain.

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

Florestan

Quote from: Madiel on June 09, 2018, 05:40:51 AM
We might be the only two people here who think this is an interesting way to go. We're certainly two of the people who talk about it the most.  :D

:D

TD

Halep and Stephens moaning and groaning at the French Open. Go, Simona:laugh:
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

vandermolen

Quote from: North Star on June 09, 2018, 03:01:12 AM
Some very enjoyable first listens so far this Saturday

Charpentier
Motets pour le Grand Dauphin (Splendeurs de Versailles CD 5)
Anne Magouët (dessus), Sarah Breton (bas-dessus), Edwin Crossley-Mercer (basse)
Ensemble Pierre Robert
Frédéric Desenclos

[asin]B001MUJSTQ[/asin]
[asin]B01M0QREWR[/asin]

Holmboe
Symphony No. 1 for chamber orchestra, Op. 4 (1935)
Aarhus Symphony Orchestra
Owain Arwel Hughes

[asin]B000027DT8[/asin]

Tubin
Symphony No. 5 in B minor (1946)
Bamberg Symphony
Neeme Järvi

[asin]B000079AZT[/asin]

Tubin's 5th Symphony is the last of my favourites until we get to No.10.
I like them all but 1-5 and 10 are the ones I especially like. I'm aware that some consider No.6 to be the greatest, as with Bax's 6th Symphony which I do not like as much as symphonies 1-5 and 7. Tubin's No.5 has a very moving slow movement, especially the ending.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Traverso


Mahlerian

Schumann: Kreisleriana
Alfred Brendel

No pic this time; I picked this CD up for a few hundred yen in Japan and it's a bare bones cheap disc, about as stripped down as those old Laserlight CDs (but with better sound and performance, of course).
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Christo

Quote from: North Star on June 09, 2018, 03:01:12 AM
Some very enjoyable first listens so far this Saturday

Holmboe
Symphony No. 1 for chamber orchestra, Op. 4 (1935)
Aarhus Symphony Orchestra
Owain Arwel Hughes

[asin]B000027DT8[/asin]
Tubin
Symphony No. 5 in B minor (1946)
Bamberg Symphony
Neeme Järvi

[asin]B000079AZT[/asin]
Both symphonic cycles are among my absolute favourites, as often stated before. I was lucky enough to 'discover' them both from the very beginning and vividly recall the sensation of playing each new installment of the series (and the large amount of money they would cost). Tubin came first, and made me travel to Estonia and visit one of his old friends in Stockholm. During the same trip, I payed Holmboe a visit in his country house in the north of Sjaelland (made use of the tape for a radio documentary). Sweet memories.  :D
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

SonicMan46

Coming up soon - the two new arrivals below - BUT, have to listen to NPR's 'Wait, Wait.....Don't Tell Me' - wife & I love the show - :)  Dave

 

Mahlerian

Schmidt: Quintet for piano and strings in G
Reiner Keuschnig, Josef Hell, Perter Wachter, Peter Pecha, Gerhard Iberer
[asin]B000028B1W[/asin]
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

North Star

Quote from: vandermolen on June 09, 2018, 06:43:30 AM
Tubin's 5th Symphony is the last of my favourites until we get to No.10.
I like them all but 1-5 and 10 are the ones I especially like. I'm aware that some consider No.6 to be the greatest, as with Bax's 6th Symphony which I do not like as much as symphonies 1-5 and 7. Tubin's No.5 has a very moving slow movement, especially the ending.
I'll keep that in mind if I enjoy the alter ones less  0:)

Quote from: Christo on June 09, 2018, 07:35:25 AM
Both symphonic cycles are among my absolute favourites, as often stated before. I was lucky enough to 'discover' them both from the very beginning and vividly recall the sensation of playing each new installment of the series (and the large amount of money they would cost). Tubin came first, and made me travel to Estonia and visit one of his old friends in Stockholm. During the same trip, I payed Holmboe a visit in his country house in the north of Sjaelland (made use of the tape for a radio documentary). Sweet memories.  :D
I'm sure there are a few members here who would have liked to meet Holmboe. ;) I like the String Quartets and Chamber Symphonies, and the Chamber Concertos I've heard so far, very much indeed, and I've no doubt I'll enjoy the symphonies too. I'm enjoying the Tubin too, but he's a composer I wasn't really familiar with before.
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Traverso


prémont

#116356
Quote from: SurprisedByBeauty on June 08, 2018, 02:50:14 PM
Oh gosh... I realized only now that there are about 20 (!) Buxtehude Organ cycles, not five or six, as I thought.

Yes, there are a lot complete sets. The ones I know are:

Alain (only LP)
Rogg (LP and only partially on CD)
Kraft
Saorgin
Vernet
Spang-Hanssen
Bryndorf
Herrick
Vogel
Rübsam
Koopman
Stella
Naxos set
Foccroulle
Lebrun
Chapuis
Stender
Schauerte
Bønnerup

I wonder if Bouchard made a set long time ago.

Maybe you can find more? Maybe some obscure Dutch release?


As far as I know, neither Finn Viderø, Alf Linder nor Jørgen-Ernst Hansen made anything approaching complete sets, and this was BTW in the days of vinyl.



Reality trumps our fantasy far beyond imagination.

Wanderer


André



Unfavourable reviews from french quarters, 10/10 on Classicstoday. How stimulating! This generous disc (81 minutes) offers a full symphonic programme. In addition the the symphony, we get the 24 minute tone poem Ce qu'on entend sur la montagne, based on a poem by Victor Hugo, as well as a 5 movement orchestral selection of from his opera Hulda, itself based on another literary source, a play by norwegian writer Bjørnstjerne Bjørnson. So, kudos to Arming and the enterprising Fuga Libera label for logical yet imaginative programming.

My own response toward this release is squarely congruent with David Hurwitz' laudatory review. Superb music, splendid execution, warmly spacious sound and exciting conducting. The only fly in the ointment is that the works should have been presented in reverse order (ending with the symphony) just as would be the case in a real concert. Other than that, this is a strong candidate for Purchase of the Year !

Wanderer

.[asin]B0083FRA4S[/asin]

Symphony No.3