What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Que

#140320
Quote from: Mandryka on August 17, 2019, 01:33:22 AM
Your expectations being?

High...  8)  But hélas...

Traverso

Quote from: Mandryka on August 17, 2019, 01:35:32 AM
Yes, that's what I've experienced too.

at this moment it goes very well

Mandryka

Quote from: Que on August 17, 2019, 01:47:54 AM
High...  8)  But hélas...

Yes but I'm not getting a sense of anything more than that you didn't enjoy it much, which could be as much to do with what you ate for lunch as anything in the performance!
Wovon man nicht sprechen kann, darüber muss man schweigen

vandermolen

Quote from: Mandryka on August 17, 2019, 01:35:32 AM
Yes, that's what I've experienced too.
+1 it seems ok for a while and then seems to get stuck while loading up. Ok for now.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Marc

Quote from: Mandryka on August 17, 2019, 01:35:32 AM
Yes, that's what I've experienced too.

Me, too.
Last 2 days were better though.

prémont

Quote from: vandermolen on August 17, 2019, 02:54:08 AM
+1 it seems ok for a while and then seems to get stuck while loading up. Ok for now.

Precisely.
Reality trumps our fantasy far beyond imagination.

Traverso


vers la flamme



Luciano Berio: Sequenza VII, and now Due Pezzi for violin and piano. Heinz Holliger, Romuald Tecco & Dennis Russell Davies.

aligreto

Mozart: Concertone K.190 [Perlman/Zukerman/Mehta]



Traverso

Quote from: vers la flamme on August 17, 2019, 05:09:26 AM


Luciano Berio: Sequenza VII, and now Due Pezzi for violin and piano. Heinz Holliger, Romuald Tecco & Dennis Russell Davies.

I listened to this recording a few weeks ago,fabulous Berberian ;)


Madiel

Shostakovich, Suite to Words by Michelangelo Buonarroti op.145



Mostly all the bleak starkness you would expect for late Shostakovich, which renders the final song a heck of a surprise when it borders on childlike and jolly.

I do want to hear the orchestral version now, especially as Shostakovich is reported to have considered it his 16th symphony. But also because the piano version is frankly hard work on a first listen and a spot of orchestral colour might not go amiss. In fact I might listen to the orchestral version on streaming as I get ready for bed.

And now I've reached the end of the whole Delos series of the songs. Which I won't claim has been a consistently top-level listening experience, but it's always been interesting. Just like Shostakovich's other output, there are some potboilers and some gems, including some comic songs that are hilarious.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Wakefield

Quote from: aligreto on August 17, 2019, 05:25:48 AM
A most enjoyable set.

[About Brendel]
A great pianist too. One of my favorites, indeed.  :)
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

Traverso

Quote from: aligreto on August 17, 2019, 05:25:48 AM
A most enjoyable set.

Yes it certainly is.I think Brendel is at his best in his Schubert recordings.I have recently listened to his Beethoven (analoque and digital) and he is not my ideal performer,it sounds artificial and academic.I love his Schubert and not to forget the Mozart pianoconcertos. ;)

aligreto

Quote from: Gordo on August 17, 2019, 05:35:46 AM
[About Brendel]
A great pianist too. One of my favorites, indeed.  :)


Quote from: Traverso on August 17, 2019, 05:41:25 AM
Yes it certainly is.I think Brendel is at his best in his Schubert recordings.I have recently listened to his Beethoven (analoque and digital) and he is not my ideal performer,it sounds artificial and academic.I love his Schubert and not to forget the Mozart pianoconcertos. ;)


I too like Brendel and also especially in Schubert for whom he seems to have a special affinity.

aligreto

Haydn: Flute Concerto [Meinert/Von Steibelt]




Traverso

Stravinsky

I enjoyed the previous so much that I stay a little longer with Stravinsky.






Que

Next:
[asin]B01DT8JVEA[/asin]
Second volume to listen to from a series of three volumes of Habsburg violin music from a manuscript with over a hundred sonatas in the Minoritenkonvent, Vienna. (Thanks, Harry  :) ) jpc had two volumes on sale, I've wishlisted the remaining one.

Q

vers la flamme

Quote from: Traverso on August 17, 2019, 05:41:25 AM
Yes it certainly is.I think Brendel is at his best in his Schubert recordings.I have recently listened to his Beethoven (analoque and digital) and he is not my ideal performer,it sounds artificial and academic.I love his Schubert and not to forget the Mozart pianoconcertos. ;)
I love Brendel's Beethoven, but I agree that it can veer toward the academic at times. He is best in the early sonatas. Yes, his Mozart piano concertos with Neville Marriner and the ASMF are fabulous.

Harry

Conrad Hoffler. !647-1705) Primitiae Chelicae (1695)
Suites for Viola da Gamba.


Guido Balestracci, Division bass viol.
Nicola Dal Moso, Violin.
Rafael Bonavita, Archlute.
Massimiliano Raschietti, Organ/Harpsichord.

There is much pleasure to be found in this recording. Superb music and performances, a combination that has convincing arguments. Third time around playing this and it has really grown on me. If you like the Viola da Gamba this is a disc to cherish.
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.