What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

Previous topic - Next topic

0 Members and 39 Guests are viewing this topic.

Madiel

#9500
Bits and bobs of Faure.

Of which the most notable, given recent conversations are Barcarolle No.8 (op.96) and Impromptu No.4 (op.91), both written in 1906.



The Barcarolle is a good example of all the twists and turns I was talking about. There's a sense of key, but it's constantly mucked about with by modal harmonies. It's not modulation as such, it's more a case of "we'll wander over here and have a peek but then we'll head back to that home tonic".

The Impromptu is somewhat similar, but with even more chromatic sliding.  ;D This is the first time I've listened to it for quite a few years, and... gosh, actually it kind of feels like a cooler-tempered version of Scriabin!
Nobody has to apologise for using their brain.

San Antone

Quote from: Madiel on February 04, 2020, 02:30:29 AM
I loved that one when I tried it on streaming.

I am just starting to listen to the orchestral music of some of composers whose chamber works I've liked.

TD

Rautavaara : Symphony No. 9 " Vincentiana"
Helsinki Phil



aligreto

Rheinberger: Concerto for Organ, String Orchestra, Two Trumpets, Two Horns and Timpani [E Power Briggs/Peress]





This is an interesting work with something of a unique musical language and sound world.

aligreto

Quote from: vandermolen on February 04, 2020, 02:56:15 AM
I really like the First Symphony by Daniel Jones - a pity that cilgwyn is no longer here to discuss it with as he was a great Daniel Jones admirer.

A great mystery and sadness.

Madiel

If I could pinpoint one thing that turned me into the raving Faure nut that I am today...

It would be this aching, yearning recording of Piano Quintet No.1.



The piece gave Faure more trouble than most, but boy was it worth it.
Nobody has to apologise for using their brain.

Harry

Gustav Holst.
Orchestral Works.


London PO and the London SO, Adrian Boult.

This is the second CD I bought with Adrian Boult as the conductor, and both experiences were most favourable. Like this CD filled with fine works by Holst.
I especially liked the Fugal Overture, A Somerset Rhapsody, and the Japanese Suite. That does not mean that I like the other compositions less, but the mentioned ones made an instant impression on me. I found Beni Mora and Hammersmith a bit heavy handed in comparison, but only because they were such a contrast. I am sure if listening more often it will prove its worth in the end.
The performance is first rate, and is the remarkable sound.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Traverso

Franz Liszt

Les Année de Pèlerinage  (rec.1954)
La Suisse
L'Italie


Karl Henning

Quote from: deprofundis on February 03, 2020, 04:35:37 PM
Dear Gurn and folks outhere, I was surprise, Listening to Roland de Lassus By Bo Holten and is Musica Ficta, whit his St Matthew passion, well at first when I purchase it, I was not thrill because it was highly Liturgical, religious music, now I find it amazing, there nothing wrong whit it and it's an incredible Naxos release.

Liturgical music, sometime is harder to get into, but sit and listen, empty your mind, it's sung whit devotion & heart, it's beautiful, what made me change my mind well Jachet de Mantoue ensemble Lamentations of prophet Jeremiah, there is a lecture before each signing and it's  interesting in a detached way, I don't know...

Since than I love Liturgical music, too bad, it scare people away tonight I will attack another Naxos I left out and did not listen, Pierre de la rue double CD thee Magnificats.

See Liturgical music is like learning to love something that  good for karma I guess in a non religious sense, just like eating Shitaki Mushrooms at first I hated mushroom, but eventually I got hook on these.

Give a decent effort in listening to liturgical work, they may be a reward in the end...

I know some people HATE
(in caps lock) everything liturgical, but have few listen be patient, after few listen it may grow on you.

There nothing wrong whit religious theme or religious music, music is music for everyone it does not discriminate.

Have a good night ladies & gentlemen, I know I will...


This is a piece of mine, I hope you may enjoy it: https://www.youtube.com/watch?v=r2vn2PB_-9g
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Harry

Anton Urspruch.

Piano concert, opus 9.


Nordwestdeutsche Philharmonie, Georg Fritzsch,
Olivier Triendl, Piano.


Urspruch is a forgotten composer these days, but that does not mean that it is deserved, on the contrary, the Piano concert on this disc is a gem. It has the lyrical touch of Schumann, the melodiousness of Mendelssohn, and some weight by Brahms. This cocktail delivers a highly original drink. Full of energy, melodic niceties, and thematically very strong. There is never a moment of boredom, it bubbles with enthusiasm, and discovery. A nice find!
The performance is good, and the recording will do.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

aligreto

Mahler: Das Lied Von Der Erde [Kletzki]





This is a powerful, high voltage performance that is packed with drama and intensity in the first movement. The Second movement is somewhat plaintive, forlorn but serene. I find the third and fourth movements to be delicately meditative and pensive. The fifth movement is earnest and assertive in its presentation. Der Abschied is intense but I feel that it lacks any real sense of passion or soul. I unapologetically prefer a contralto voice in this work. The playing and direction throughout are superlative.

Traverso

Sibelius

Symphony No.7
Cantata Oma maa, Op.92
Tulen synty, Op.32


San Antone

Vox Clamantis singing Durufle and others


vandermolen

Quote from: San Antone on February 04, 2020, 03:08:25 AM
I am just starting to listen to the orchestral music of some of composers whose chamber works I've liked.

TD

Rautavaara : Symphony No. 9 " Vincentiana"
Helsinki Phil



I think that's No.6. He only got to 8. 7 'Angel of Light' and 8 'The Journey' are my favourites.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: "Harry" on February 04, 2020, 03:39:38 AM
Gustav Holst.
Orchestral Works.


London PO and the London SO, Adrian Boult.

This is the second CD I bought with Adrian Boult as the conductor, and both experiences were most favourable. Like this CD filled with fine works by Holst.
I especially liked the Fugal Overture, A Somerset Rhapsody, and the Japanese Suite. That does not mean that I like the other compositions less, but the mentioned ones made an instant impression on me. I found Beni Mora and Hammersmith a bit heavy handed in comparison, but only because they were such a contrast. I am sure if listening more often it will prove its worth in the end.
The performance is first rate, and is the remarkable sound.
That's my favourite of the Lyrita Holst discs Harry. My favourites are Somerset Rhapsody, Beni Mora and Hammersmith. I also admire the 'First Choral Symphony' (actually the only one) and the 'Cloud Messenger' with its haunting proto-minimalist section.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

San Antone

Quote from: vandermolen on February 04, 2020, 05:04:37 AM
I think that's No.6. He only got to 8. 7 'Angel of Light' and 8 'The Journey' are my favourites.

You're right, it was an inexplicable typo.   ???

Traverso

Shostakovich

Symphony No.11

st Petersburg Philharmonic orchestra


Karl Henning

Shostakovich
Quartets 3/5-9
Mandelring Quartet
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Papy Oli

Good afternoon all,

Received this one today. Listening to No.2.

[asin]B000002ZPQ[/asin]
Olivier

vandermolen

Quote from: Papy Oli on February 04, 2020, 06:12:22 AM
Good afternoon all,

Received this one today. Listening to No.2.

[asin]B000002ZPQ[/asin]

Let us know what you think Olivier. That's one of the Simpson CDs that I own but I hardly know either symphony.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).