What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Traverso

Quote from: Que on June 21, 2020, 10:28:42 PM
Morning listening:



Q

I'm waiting for this one  :),I have the feeling that it is close to the Richafort requiem,is that right?

ritter

Quote from: kyjo on June 21, 2020, 12:59:50 PM
Don't know the other works, but the Bassoon Concerto is great fun! A very imaginative work.
Indeed it is. But the whole CD is quite attractive: the Ritual Dances are one of the composer's most ambitious works, and the Liturgical Suite (for children's chorus and ensemble) is charming. IMHO, this CD 4 is the highlight of the whole Erato set.


Maestro267

Jones: Symphony No. 9
BBC Welsh SO/Thomson

Prokofiev: Piano Concerto No. 1
Kun Woo Paik (piano)/Polish NRSO/Wit

Traverso


Papy Oli

Good morning all,

Continuing the Holmboe symphonies with No.9.

Olivier

Daverz

JS Bach, Harpsichord Concerto in D minor, BWV1052

[asin]B01MXYDDWP[/asin]

Was led to this by a Hurwitz video on a Leonhardt disc with BWV1052 and CPE Bach's Harpsichord Concerto in D minor, Wq. 23:

https://www.youtube.com/v/nmeRjVHWiMY&t=303s

The only other disc with this combo on harpsichord is Rondeau's (you also get BWV1056, a JC Bach concerto, and some WF Bach bits).  Be warned this is a 1-to-a-part chamber approach, but I think it works well.  Rondeau also sounds like he had a lot of espresso before recording BWV1052, his playing is quite exhilarating.

Madiel

Act 2. Quite enjoyed Act 1 the other day.

Nobody has to apologise for using their brain.

Papy Oli

Never listened to anything conducted by Dohnanyi, so here goes with Dvorak's Sixth :

Olivier

vers la flamme



Sergei Rachmaninov: Piano Concerto No.3 in D minor, op.30. Martha Argerich, Riccardo Chailly, Berlin RSO

Killer performance. I can feel a Russian romantic/piano kick coming on. I've also been enjoying some Tchaikovsky lately, who has never really been a favorite of mine.

Madiel

#19509
Mozart, op.3

(Violin* sonatas numbers 5 to 10, K10-15)



*Not truly violin sonatas as we think of them, as they can be played by either violin or flute and have a cello part.

This recording certainly gets off to a very appealing start. Was this ever on CD, or only LP and download/streaming?

EDIT: This really is excellent.
Nobody has to apologise for using their brain.

Harry

New arrival, first listen.

Pirro Capacelli Albergati.
Corona Dei Pregi di Maria, Cantate a solo voci, opus 13, Bologna 1717-Antifono e Motetti di Tomas Luis da Victoria.

Ensemble La Flora


This is the first Tactus recording from the 22 CD'S I bought, that is not up to scratch. The music by Albergati is fine, no quibbles there, but the primary soprano Alida  Oliva is a nightmare, with a voice that will serve as a amateur, but as a professional she fails. The ensemble as such is adequate, but not really worth to play again. Recording is also sub par.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Papy Oli

Quote from: Madiel on June 15, 2020, 07:43:31 AM
That is bizarre. I found the same thing on Deezer - Adagio available, other tracks of the album not. Why on earth would an album be only partially available like that?

EDIT: I've emailed Dutton to ask them. Because it makes zero sense.

Madiel,
Did you ever get a response from Dutton on the above please by any chance ?  I have come across another of their CD's with the reverse case. 1st track (a single track Violin Cto, lasting 20 min) only available as a sample, all other 16 tracks available in full. Very peculiar.
Olivier

Papy Oli

Olivier

Harry

First and last listen. New Arrival.

Camillo Cortellini.

The Masses-Complete Edition. (3 CD's)


12 different choirs all doing one mass, and frankly several things are going wrong here apart from uninspiring performances of fine music. All the choirs have intonation problems, several singers are of a questionable quality, interrupting the flow by a semitone off key or even more. Choir balance is amateurish at times, choir discipline is inadequate, due to the indifferent singing and a choir director who doesn't seem to hear all these faults, or really don't care. The recordings are at best mediocre, so a dud, but thats okay, I can live with that. :laugh:
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Karl Henning

Quote from: kyjo on June 21, 2020, 03:43:39 PM
Whatever the case, it's an accessible and colorful work to my ears!

It's a beauty!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: vandermolen on June 21, 2020, 09:38:55 PM
I like that Crystal series of Hovhannes recordings, often featuring London based orchestras. My favourites are the discs featuring the 'Odysseus' and 'Celestial Gate' symphonies and Symphony 11 'All Men are Brothers' but I like the St Vartan Symphony and other issues as well.

Very nice, Jeffrey. I love all of those works. Yes, the Crystal Records recordings are top-notch and essential, IMHO, to any Hovhaness collection. I've got almost all of them.

Karl Henning

Quote from: JBS on June 21, 2020, 05:55:08 PM
A second helping of the Ninth for Gurnsday, this time from this set


The MTT Op. 125 I have is with the SFSO, but I'll bet yours is nice, too.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image



Karl Henning

Dvořák
First & Second String Quartets
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot