What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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ritter (+ 2 Hidden) and 29 Guests are viewing this topic.

pjme

#26460
"I needed musical therapy."

I recognize that.

first this:
https://youtu.be/-vR5O-96ZCU
Then

Stravinsky: Symphony of psalms / Bernstein





Mandryka

Quote from: Que on October 19, 2020, 02:58:05 AM
Agreed with your assessment of the recording.
I'm also not sure if the voice + accompaniment treatment works for Josquin.
Although I enjoyed listening to it, it's not a keeper.

Clearly we are in disagreement with Johan van Veen -- though I think he's right about the lute contribution.

http://www.musica-dei-donum.org/cd_reviews/Ricercar_RIC403.html
Wovon man nicht sprechen kann, darüber muss man schweigen

vandermolen

#26462
Rimsky-Korsakov 'The Invisible City of Kitezh' (Suite)
This is a fine double album of Rimsky's music, including Mlada, May Night and the charming Christmas Eve Suite:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Madiel

Nobody has to apologise for using their brain.

Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Madiel

#26465
Quote from: Florestan on October 21, 2020, 03:03:43 AM
Schubert or Schoenberg?  :D

Both parts of this album are equally wonderful. Truly.

EDIT: Though the primary reason for getting it was arguably the Schoenberg.
Nobody has to apologise for using their brain.

ritter

Quote from: Madiel on October 21, 2020, 01:30:46 AM
I needed musical therapy.



EDIT: I always think the 1st movement of op.89 is one of the most beautiful things ever... usually until a few seconds after the 2nd movement starts.
I don't have that specific recording, but will have to revisit op. 89 soon in light of your comment.

THREAD DUTY:

First listen to this new arrival: Françoise Choveux play piano muisc by Darius Milhaud.


I already knew the opening work on the CD (Printemps, Books 1 & 2) from the recording by Jacques Février in the priceless Milhaud "Une vie heuerese" box on Erato, but this time around it's sounding partcularly beguiling. Quite wonderful!

Madiel

Quote from: ritter on October 21, 2020, 03:21:58 AM
I don't have that specific recording, but will have to revisit op. 89 soon in light of your comment.

There's the obvious potential for bias given how I was introduced to the piece, but not all other recordings I've tried have recreated the magic. Hopefully you've got one that captures it.

Part of what fascinates me about it is that Faure struggled a great deal to finish the composition, far more than was usual for him. 15 years on and off. And he himself reflected on how the 1st movement sounded spontaneous, despite him knowing it was anything but.
Nobody has to apologise for using their brain.

Florestan

Quote from: Madiel on October 21, 2020, 03:12:16 AM
Both parts of this album are equally wonderful. Truly.

EDIT: Though the primary reason for getting it was arguably the Schoenberg.

That's what I thought, honestly.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Florestan

Quote from: Madiel on October 21, 2020, 01:30:46 AM



EDIT: I always think the 1st movement of op.89 is one of the most beautiful things ever... usually until a few seconds after the 2nd movement starts.

Indeed, the whole quintet is one of the most beautiful pieces of music ever penned. Desert island stuff.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Biffo

Dvorak: Symphony No 1 in C minor, Op 3 - Czech Philharmonic Orchestra conducted by Jiri Belohlavek

Traverso


Harry

Quote from: pjme on October 21, 2020, 01:59:16 AM
"I needed musical therapy."

I recognize that.

first this:
https://youtu.be/-vR5O-96ZCU


I have every CD of Divna, a most glorious voice with Orthodox music, all very near to my heart.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

André



Symphonies 7 and 8. Slightly less than excellent versions IMO. The main hindrance to my enjoyment of no 7 was the recessed balance of the violins. While winds and timpani have a firm and very well defined presence, the brass do not dominate as it should in the big moments (the end of the symphony) and the violins strain to make their presence felt. Also, the very end of the scherzo doesn't have the air of anger and defiance I expect. These furious chords should be spat out with a sense of revolt. Here they don't. Symphony no 8 is better recorded and I particularly like the swift tempo for the gorgeous third movement. It has lilt and joy aplenty. Too often it is bogged down with melancholy and mock sadness.

The glory of this set is the reading of the 6th symphony, but I didn't listen to it this time.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

ritter

Quote from: Madiel on October 21, 2020, 03:26:48 AM
There's the obvious potential for bias given how I was introduced to the piece, but not all other recordings I've tried have recreated the magic. Hopefully you've got one that captures it.

Part of what fascinates me about it is that Faure struggled a great deal to finish the composition, far more than was usual for him. 15 years on and off. And he himself reflected on how the 1st movement sounded spontaneous, despite him knowing it was anything but.
Well, here goes  :):

Gabriel Fauré: Piano Quintet No. 1, op. 89 - Michel Dalberto & the Quatuor Ebène.


CD 5.




Papy Oli

Olivier

MusicTurner

#26477
Some Respighi - the Concerto a Cinque, which gets perhaps a more beautiful performance here on Brilliant, than on Naxos - and whether I should keep the Karajan disc because of the classic Antiche Arie Suite III-recording; decided that it probably wasn't that necessary. Am assembling another pile of CDs for cheap selling.

Because of the Beethoven anniversary, some stunning documentaries on Swedish state TV, easily watched here in Copenhagen:

1) A programme about the Strindberg circle that celebrated Beethoven as a artistic ideal in special meetings and at various concerts; the programme ended with Roland Pöntinen playing Der Sturm, which was a nice surprise; what I've heard of his recordings was OK, but that live recording showed him as a matured pianist, especially in the last two movements - the command of details and the sense of line was superb. Judging from this, he deserved to be counted among the elite currently, IMHO.
https://www.svtplay.se/video/18188842/strindberg-och-beethovengubbarna (if you're able to watch, it''s from 32:50)

2) A BBC programme with Gardiner convincingly arguing for the 5th Symphony as a piece of politically influenced programme music, including deciphering the hidden quotations in it, etc. Very well done, and a catchy, more recent performance with his Orchestre Revolutionnaire ..., which, however, it seemed, wasn't extremely different from their earlier Archiv recording. 

3) on Danish TV, the young Danish String Quartet giving a very good live performance of the String Quartet op.131
https://www.youtube.com/watch?v=NdDNeMIvhIo
To me, it accentuated the contemporary relevance of the piece.


kyjo

"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

kyjo

Quote from: MusicTurner on October 21, 2020, 07:14:49 AM
Some Respighi - the Concerto a Cinque, which gets perhaps a more beautiful performance here on Brilliant, than on Naxos - and whether I should keep the Karajan disc because of the classic Antiche Arie Suite III-recording; decided that it probably wasn't that necessary. Am assembling another pile of CDs for cheap selling.

A fantastic work! I'll have to look out for the Brilliant recording.
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff