What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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T. D.

Quote from: k a rl h e nn i ng on February 22, 2021, 09:37:43 AM
Enjoying this box richly

CD 3
de Victoria
Missa Gaudeamus a 6
Magnificat octavi toni a 4 (Antiphona: Hodie Maria
Vidi aquam — Antiphon a 4
Missa Ave Maris stella a 4

Ensemble Plus Ultra
Michael Noone


Cool.
I have a couple of Victoria recordings on other labels, seriously considered this box years ago when it was inexpensive, ultimately passed because it would've been a big fraction of my relatively small polyphony collection.
Good to see that you enjoy it.

Mirror Image

#34561
First-Listen Mondays!

Martin: Cantate pour le temps de Noël (Simone Stock, Karola Hausburg et. al.)

Absolutely exquisite! Breathtakingly beautiful. A must-listen for all Martin fans. Almost a hybrid of Szymanowski meets Britten, but still with Martin's unmistakable style.


MusicTurner

#34562
Quote from: André on February 22, 2021, 07:14:10 AM


Rachmaninov: symphony no 2. Svetlanov has recorded this work many times over, with different orchestras. This is from 1985 and is a live recording. It's thrilling, a red-blooded performance of great power. The disc is completed with Tchaikovsky's Francesca da Rimini from his 1968 studio integral. The sound here is more blended, even a bit muddy compared to the X-ray brilliance and edge of the Rachmaninov recording. Still, an exciting ride to hell.

I remember you thinking about this set. Did you buy from the dealer you mentioned, or elsewhere?

Karl Henning

Maiden-Listen Monday!

"Wolferl"
Pf Sonata №3 in Bb, K.281 (1775)
van Oort
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

kyjo

Quote from: Benji on February 16, 2021, 04:24:01 AM
Revisiting an old fave...
John Foulds - Three Mantras and other works.

The Mantras being the big draw - if you're a fan of Holst, Walton, Bliss... I.e. the 'epically cinematic with mystical leanings' genre of early 20th century British music you need to hear this disc. It is top tier stuff, promise! The middle movement is where all the mysticism is concentrated and it is wonderfully serene.

PS there was a follow up to disc to this with the composer's excellent Dynamic Triptych (essentially a piano concerto). I see that Warner have since released both discs as a twofer under their Apex label.

PPS... On listening again I remember now Foulds had a bit of a thing for micro tonality and that adds an extra bit of spice! Some of the sonorities here wouldn't sound out of place in a John Adams piece - I got a bit of the flavour of Naive and Sentimental Music.



Oh yes, the Three Mantras are a magnificent, imaginative work. Foulds was such a compelling and individual voice amongst British composers.
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

vandermolen

Quote from: kyjo on February 22, 2021, 11:06:36 AM
Oh yes, the Three Mantras are a magnificent, imaginative work. Foulds was such a compelling and individual voice amongst British composers.
Totally agree!
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Brahmsian

Quote from: k a rl h e nn i ng on February 22, 2021, 10:39:33 AM
Maiden-Listen Monday!

"Wolferl"
Pf Sonata №3 in Bb, K.281 (1775)
van Oort


I do enjoy Mozart's piano sonatas more than his piano concerti.

*Could probably post this in the "Unpopular Opinion" thread also.  :D

DavidW

Quote from: OrchestralNut on February 22, 2021, 12:25:09 PM
I do enjoy Mozart's piano sonatas more than his piano concerti.

*Could probably post this in the "Unpopular Opinion" thread also.  :D

I think that contradicts your handle!

I had to do great deal of driving today so I put on the complete string quartets of Beethoven.  Only made it through the first seven.


Karl Henning

Quote from: OrchestralNut on February 22, 2021, 12:25:09 PM
I do enjoy Mozart's piano sonatas more than his piano concerti.

*Could probably post this in the "Unpopular Opinion" thread also.  :D

Quote from: DavidW on February 22, 2021, 12:30:25 PM
I think that contradicts your handle!

(* chortle *) x 2
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brahmsian

Quote from: DavidW on February 22, 2021, 12:30:25 PM
I think that contradicts your handle!

True indeed, but I was formerly ChamberNut.  :laugh:

I feel the same way with Beethoven and the piano. I much prefer the sonatas to the concerti, like by A LOT.

Karl Henning

Quote from: OrchestralNut on February 22, 2021, 01:36:34 PM
I feel the same way with Beethoven and the piano. I much prefer the sonatas to the concerti, like by A LOT.

With you, there.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

First-Listen Mondays!

Roussel: Le marchand de sable qui passe (Mercier)


Karl Henning

Maiden-Listen Monday!

Martinů
Concertino for pf & orchestra H.269 (1938, Paris)
Emil Leichner
Cz Phil
Belohlavek
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: k a rl h e nn i ng on February 22, 2021, 01:46:38 PM
Maiden-Listen Monday!

Martinů
Concertino for pf & orchestra H.269 (1938, Paris)
Emil Leichner
Cz Phil
Belohlavek


Pounds the table!

Karl Henning

Quote from: Mirror Image on February 22, 2021, 01:48:26 PM
Pounds the table!

A charmer!

And now:

Prokofiev
String Quartet № 1 in b minor, Op. 50 (1930)

Pavel Haas Quartet
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Symphonic Addict

#34575
Quote from: not edward on February 22, 2021, 07:00:54 AM
This is a fantastic performance, and easily my favourite. Which do you prefer to it?

Gilbert/NYPO, Thomson/Scottish NO and Schmidt/LSO. Perhaps when I am in the mood for volcanic propulsion, I would opt for Martinon.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Revisiting the Bachianas Brasileiras. Today 1 to 6. I had forgot how romantic, almost in a Rachmaninovian way, some of them sound like. Music imbued with soulful and folk melodies, and what melodies!! I was particularly taken by the 3rd movement from the 4th one and the 1st movement from the 5th one. Just fabulous.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

prémont

Reality trumps our fantasy far beyond imagination.

Karl Henning

Martinů
Thunderbolt P-47, H.309 (1945 Cape Cod)
Brno Phil
Petr Vonsky
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Maiden-Listen Monday!
Martinů
Le Départ, H.175a
from the film-opera Les Trois Souhaits ou Les vicissitudes de la vie (Three Wishes or Inconstancy of Life), H 175 (1929 Paris)
National Orchestra of Belgium
Walter Weller
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot