What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Mirror Image

Now onto Act III

Strauss
Der Rosenkavalier, Op. 59
Christa Ludwig, Lucia Popp, et. al.
Wiener Philharmoniker, Chor der Wiener Staatsoper
Bernstein



Papy Oli

Boulez - Le Marteau sans Maître

Olivier

Sergeant Rock

Roy Harris Symphony No. 11




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

not edward

A couple of my very favourite Nielsen recordings:

Bryden Thomson and the RSNO in the 6th:

[asin]B000000AP4[/asin]

Bernstein and the NYPO in the 5th:

[asin]B0000027N6[/asin]
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music


aligreto

Quote from: Mirror Image on May 12, 2021, 06:42:36 AM
Yes, I think so, too. I already listened to all of the orchesterlieder, so I'm definitely ready for the Vier Letzte Lieder. Some may complain about Schwarzkopf's vocal delivery, but I find rather unique and I never heard Strauss sung in this manner. It's as if she's able to channel the darker undertones within the music and bring them to the forefront. Szell is, of course, completely in his element and provides gorgeous accompaniment.

She has many detractors as you know, John, which I could never understand [but each to his/her own]. But for me, her rendition of the Four Last Songs has never been surpassed. I hope that you enjoy it  :)

Mirror Image

Quote from: aligreto on May 12, 2021, 07:33:32 AM
She has many detractors as you know, John, which I could never understand [but each to his/her own]. But for me, her rendition of the Four Last Songs has never been surpassed. I hope that you enjoy it  :)

Sure, every vocalist who has made a name for themselves has had their admirers/detractors. I try to use my own ears and if the performance moves me, then I suppose they did the music a great service.

Sergeant Rock

Atterberg Symphony No. 6 in C major (The Dollar Symphony)




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

aligreto

Quote from: Mirror Image on May 12, 2021, 07:39:46 AM
Sure, every vocalist who has made a name for themselves has had their admirers/detractors. I try to use my own ears and if the performance moves me, then I suppose they did the music a great service.

A sound philosophy; pardon the unintentional pun  ;D

Mirror Image


Mirror Image

First-Listen Wednesday

Scriabin
Fantasie in B minor, Op. 28
Lettberg



Harry

#40211
Johann Sebastian Bach,

Missa BWV 233/E 6 in F major, and BWV 236/E 4 in G major.

Agnes Mellon, Gerard Lesne, Christoph Pregardien, Peter Kooy.
Chorus and Orchestra Collegium Vocale, Ghent, Philippe Herreweghe.


After listening to these recordings made in 1990 and recorded by some excellent engineers by the likes of Mike Cements and Nicholas Parker, I must say that I am twice fold disappointed by the result. The sound is muddled, has some nasal upper range, and although there is spatial separation enough, the choir is a bit to much for my ears, especially in these driven performances by Herreweghe, and the solo voices are neither very attractively presented. Just take the third track "Domine Deus"  for Bass, from the F major missa, nasal, unpleasantly unfocused, and not enough control when he increases his volume. The recording is most to blame, for all solo voices sound of centre.
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Harry

Juan Crisostomo de Arriaga.

The String Quartets, 1-3.

Guarneri Quartet.


This beautiful recording from 1995 is a pearl in the crown of Philips. They are still my favourites if it comes to the SQ by Arriaga. The ease and flow of the Guarneri's does not have its equal, at least for me. I bought this recording in 1995, and I still as much impressed as I was when I put this disc for the first time in my player. Not on authentic instruments, but hugely musical and committed. I love it!
First the artwork of the original release, which I have, and then the later re-release
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Karl Henning

Quote from: not edward on May 12, 2021, 07:18:59 AM
A couple of my very favourite Nielsen recordings:

Bryden Thomson and the RSNO in the 6th:

[asin]B000000AP4[/asin]

Bernstein and the NYPO in the 5th:

[asin]B0000027N6[/asin]

Sweet!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Liszt
Pf Cto № 1 in Eb, S 124
André Watts
NY Phil
Lenny

Rakhmaninov
Rhapsody on a Theme of Paganini, Op. 43
Gary Graffman, pf
NY Phil
Lenny

Ravel, Cto in G
Columbia Symphony
Lenny, conductor & pianist

"Wolferl"
Pf Cto № 15 in Bb, K.450
Pf Cto № 17 in G, K.453
Columbia Symphony
Lenny, conductor & pianist
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mandryka



Ooooooh . . . Not sure about this one . .  . it's a bit of a challenge . . .
Wovon man nicht sprechen kann, darüber muss man schweigen

Karl Henning

To keep company with Ray:

Nielsen
Symphony № 2, « De fire Temperamenter » Op. 16, FS 29
Janáček Phil
Kuchar
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

vandermolen

Quote from: Sergeant Rock on May 12, 2021, 07:46:14 AM
Atterberg Symphony No. 6 in C major (The Dollar Symphony)




Sarge
Great CD!
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Brahmsian

Quote from: k a rl h e nn i ng on May 12, 2021, 09:19:57 AM
To keep company with Ray:

Nielsen
Symphony № 2, « De fire Temperamenter » Op. 16, FS 29
Janáček Phil
Kuchar


Very nice!  8)