What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Symphonic Addict

Nielsen: Symphony No. 6
Bax: Symphony No. 2


A good performance of the 6th, perhaps a little urgent, but it worked very well.

This performance of the Bax is quite terrific and has great sound. The outer movements were especially striking.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Dry Brett Kavanaugh

Quote from: Mirror Image on June 25, 2021, 11:26:25 AM
Turning up the heat...

NP:

Falla
El amor brujo
Nati Mistral, soprano
New Philharmonia Orchestra
Rafael Frühbeck de Burgos




Nice recording. Have you listened to the Bernstein's recording? It's raw and wild.

VonStupp

Quote from: Roasted Swan on June 26, 2021, 02:15:33 PM
Leave the cultural appropriation thing behind.  The music is historical, the context not intended as mocking or offensive.  When do we then exclude the use of gamelan influences or pentatonic scales.  On this basis the Mikado is "on a little list" for sure.

I ask because I generally don't feel strongly about hot-button issues in music like this, but I am also not in the demographic to be personally offended.
All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Karl Henning

Quote from: Dry Brett Kavanaugh on June 26, 2021, 02:28:08 PM
I love both the vol.1 and 2. While I like Koukl's discs as well as the Ernst 3 discs set (Capriccio), I listen to the Koukl more. The Ernst is often slower, and sometimes more abstract. The Koukl recording is relatively/generally more well-structured, precise, and stable. Still, I like the both performances. Also, I like Koukl's Kapralova disc as well. I was thinking about buying more discs (mostly Central European and West Asian composers) from this label.
Have a great weekend, Karl!

You. too!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

CD 2

Dallapiccola
Commiato
Dorothy Dorow, soprano
Lucas Vis (7 Jan 79)

Bruckner
Symphony № 6 in A
Jochum (2 Nov 80)

The Dallapiccola is a first listen
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

foxandpeng

Quote from: Roasted Swan on June 26, 2021, 02:15:33 PM
Leave the cultural appropriation thing behind.  The music is historical, the context not intended as mocking or offensive.  When do we then exclude the use of gamelan influences or pentatonic scales.  On this basis the Mikado is "on a little list" for sure.

I love this release. Thank you for sharing.
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

vers la flamme



Alban Berg: Piano Sonata, op.1. Daniel Barenboim


T. D.

[Edited repost, original deleted]

New arrival, 1968 recording, uncut with dialogue.
Recently acquired my first G&S recordings, though I've attended a handful of live performances.
Wanted to compare this one with the Mackerras (operatic performance).
Both are good, but I became familiar with Pirates via a New York Gilbert & Sullivan Players live Savoy-style performance, enjoy the dialogue and overture, and prefer the 1968 D'Oyly Carte.
Nothing against the Mackerras, just a matter of taste. I also got Mackerras's Mikado, and that's good as well, better than his Pirates IMO. (I've only seen The Mikado in an operatic production, which might be a factor in my impression.)

André



This has to be the best played and best engineered version of these two works. The players are/were principals of their section with the Berliner Philharmoniker. I was particularly smitten by the gorgeous sound of viola player Wolfram Christ. The engineering, too, deserves high praise. It's like having a top quality string trio in your listening room. The Schönberg work is sometimes given grating playing and engineering. I don't think it's ever been done as well as here. The Mozart is of course one of his top 5 chamber works, a bona fide masterpiece. I've had many versions over the years and it's not as demanding to the ear and concentration as the Schönberg, so older performances are not necessarily upstaged. But what a boon it is to hear it in such a deluxe musical and technical presentation !

Daverz

#43189


Anyone else notice that Variations 27 and 28 seem to be quoting Sibelius?

Daverz

Quote from: VonStupp on June 26, 2021, 01:01:40 PM

The only problem is the culturally appropriated Native American music in the finale.

Oh no, wait until you discover the chinoiserie indulged in by so many 20th Century composers, even by my beloved Ernie Bloch!


T. D.


Thereof discs 7 and 6 (De Profundis and The People United).
RIP

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

TD:

A first listen

Taneyev
Piano Quintet in g minor, Op. 30 (1910-11)
The Taneyev Quartet and Tamara Fidler
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Symphonic Addict

Rachmaninov: Symphony No. 1
Strauss: Sinfonia Domestica


Thank this glorious performance, Rach's Sym. No. 1 has grown on me much more. Once again the outer movements strike me like more succesful overall, albeit I do admit that this time I found the inner movements more engaging.

Whilst the Strauss is not one of my favorite works by him and that is a bit dense to my taste, it never fails to cheer me up.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Karl Henning

Quote from: Symphonic Addict on June 26, 2021, 06:10:28 PM
Rachmaninov: Symphony No. 1
Strauss: Sinfonia Domestica


Thank this glorious performance, Rach's Sym. No. 1 has grown on me much more. Once again the outer movements strike me like more succesful overall, albeit I do admit that this time I found the inner movements more engaging.

Whilst the Strauss is not one of my favorite works by him and that is a bit dense to my taste, it never fails to cheer me up.



Good Rachmaninoff news!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: Dry Brett Kavanaugh on June 26, 2021, 02:30:26 PM
Nice recording. Have you listened to the Bernstein's recording? It's raw and wild.

Yeah, I've got it somewhere. I should dig it out. 8)

Symphonic Addict

In the entire cycle, the composer stamped a very lyrical and melancholy eloquence. The presence of harshness or violence is rather absent, and, actually, you don't miss those features, or at least that was my experience. Six quartets containing beautiful and wistful music. My favorites are 1, 3 and 5.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

kyjo

Quote from: Brewski on June 25, 2021, 03:06:14 PM
Recorded just last night, the Chamber Music Society of Lincoln Center uploaded this fascinating program called "Bohemian Masters," with a stellar group of musicians.

Martinů: Nonet for Winds and Strings (1959)
Suk: Elegie for Piano, Violin, and Cello, Op. 23 (1902)
Suk: Quartet in A minor for Piano, Violin, Viola, and Cello, Op. 1 (1891)

Artists:
Ransom Wilson, flute; James Austin Smith, oboe; David Shifrin, clarinet; Bram van Sambeek, bassoon; Radovan Vlatkovic, horn; Wu Han, piano; Juho Pohjonen, piano; Adam Barnett-Hart, violin; Daniel Hope, violin; Sean Lee, violin; Mark Holloway, viola; Paul Neubauer, viola; David Finckel, cello; Mihai Marica, cello; Jan Vogler, cello; Kurt Muroki, double bass

https://www.youtube.com/watch?v=4aQGLTRr9EE

--Bruce

I don't believe I know the Martinu, but the two Suk works are just lovely, particularly the wonderfully melodic Piano Quartet. A most impressive Op. 1!
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff