What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Todd




Technical perfection, to be sure, and enjoyable, but it lacks the spark of Grumiaux and Klien.  But then, so does everyone else.  Well worth the $5 I plunked down.
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People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Madiel

I decided it was time to go back to Bartok.

The Wooden Prince.

Every single post on the forum is unnecessary. Including the ones that are interesting or useful.


Karl Henning

CD 9
"Wolferl"

Pf Cto in c minor, K. 491
Pf Cto in C, K. 503
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Symphonic Addict

Quote from: André on January 30, 2022, 07:52:17 AM

Fine but only mildly interesting works. Vol 2 (with the Schmied Schmerz symphony) was much better than that.

One of those concertos is significantly more interesting than the others. If my memory serves, it is the one for violin. The Symphony Schmied Schmerz and the other orchestral and chamber pieces have a great significancy for me.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Quote from: Artem on January 30, 2022, 08:26:50 AM
One of my favourite disks of Debussy



Once I heard the Pelleas et Melisande Suite from this recording and I thought that both the performance and the work were rather flaccid and few dynamic. Not too interesting for my taste. Perhaps the DG recording will be more convincing.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

André

Quote from: Symphonic Addict on January 30, 2022, 03:57:12 PM
One of those concertos is significantly more interesting than the others. If my memory serves, it is the one for violin
. The Symphony Schmied Schmerz and the other orchestral and chamber pieces have a great significancy for me.

You have a good memory  ;).

Symphonic Addict

Quote from: kyjo on January 30, 2022, 01:16:00 PM
Uhhhh, I do! ;D It's my favorite Rossini overture, and one of my favorite overtures of all time. No Rossini overture collection is complete without it!

That is quite fun indeed. My personal choice is Semiramide like his most-symphonic and with themes less frivolous and more distinctive, as a whole.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Quote from: vandermolen on January 30, 2022, 02:20:44 PM
John Ireland: 'Legend for Piano and Orchestra'. Today I was walking on the South Downs in scenery which inspired Ireland, who lived, in his windmill, not so far away.


A stunning CD, Jeffrey!
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.


Daverz

#60690
Hendrik Andriessen: Symphony No. 4



Haydn: Symphony No. 103



and Beethoven Overtures (Egmont, Fidelio, Leonore 3, Coriolan, Nameday, and Consecration of the House)








Symphonic Addict

Speaking of Atterberg's ravishing slow movements:

Symphony No. 5

I don't doubt it is the best performance, even superior to Rasilanien on CPO. It's more bewitching than I had thought before. Masterpiece!

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

kyjo

Copland: Music for the Theatre and Piano Concerto



I'm realizing that I've taken Copland's music for granted in the past. He had an instantly recognizable compositional voice and his music is nothing if not really characterful and truly American in style. These two early works from the 1920s are characterized by an appealing blend of acerbic harmonies and popular/jazzy motives.


Saint-Saens: Symphony in A major



Not bad for a 15 year old! 8) Well, the first two movements are wonderful, fresh, and vibrant - the scherzo and finale much less so IMO.


The whole disc:



I've seen some mentions of this composer on GMG recently. The winners here are the brief, delightful Suite and the more harmonically advanced Piano Trio, op. 61 which contains a particularly memorable and intriguingly developed finale. Disappointingly, I was less enthralled by the works with the cool titles - the Kammermusikdichtung and the Theodor-Storm-Muisik.


The whole disc:



A fantastic disc of Nielsen orchestral "odds and ends", most of which I hadn't heard before. The Maskarade and Helios overtures were already great favorites of mine, and I was pleased to make acquaintances with works like the Prelude to Sir Oluf He Rides and the incredibly majestic Prelude to Act II of Saul og David. The two later tone poems - An Imaginary Journey to the Faroe Islands and Pan and Syrinx are Nielsen at his wierdest - complete with his characteristically wild writing for clarinet and snare drum. I'll need a few more listens to assimilate these two works!


Ludolf Nielsen: Symphony no. 2 (Frankfurt Radio SO/Ole Schmidt on CPO)

Time for the "other" Nielsen! It's not a masterpiece like his 3rd Symphony, but it contains some really enjoyable music. Interestingly, the first movement begins darkly with a slow introduction, has an uninhibitedly joyful main section that becomes increasingly dissonant towards its climax, ushering in the return of the dark opening material. A most compelling emotional trajectory! And the slow movement is just to die for, with a main melody that bears a resemblance to "Danny Boy/Londonderry Air". It receives a fantastic performance here.
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

Symphonic Addict

#60693
Quote from: kyjo on January 30, 2022, 07:03:58 PM
Copland: Music for the Theatre and Piano Concerto



I'm realizing that I've taken Copland's music for granted in the past. He had an instantly recognizable compositional voice and his music is nothing if not really characterful and truly American in style. These two early works from the 1920s are characterized by an appealing blend of acerbic harmonies and popular/jazzy motives.


Saint-Saens: Symphony in A major



Not bad for a 15 year old! 8) Well, the first two movements are wonderful, fresh, and vibrant - the scherzo and finale much less so IMO.


The whole disc:



I've seen some mentions of this composer on GMG recently. The winners here are the brief, delightful Suite and the more harmonically advanced Piano Trio, op. 61 which contains a particularly memorable and intriguingly developed finale. Disappointingly, I was less enthralled by the works with the cool titles - the Kammermusikdichtung and the Theodor-Storm-Muisik.


The whole disc:



A fantastic disc of Nielsen orchestral "odds and ends", most of which I hadn't heard before. The Maskarade and Helios overtures were already great favorites of mine, and I was pleased to make acquaintances with works like the Prelude to Sir Oluf He Rides and the incredibly majestic Prelude to Act II of Saul og David. The two later tone poems - An Imaginary Journey to the Faroe Islands and Pan and Syrinx are Nielsen at his wierdest - complete with his characteristically wild writing for clarinet and snare drum. I'll need a few more listens to assimilate these two works!


Ludolf Nielsen: Symphony no. 2 (Frankfurt Radio SO/Ole Schmidt on CPO)

Time for the "other" Nielsen! It's not a masterpiece like his 3rd Symphony, but it contains some really enjoyable music. Interestingly, the first movement begins darkly with a slow introduction, has an uninhibitedly joyful main section that becomes increasingly dissonant towards its climax, ushering in the return of the dark opening material. A most compelling emotional trajectory! And the slow movement is just to die for, with a main melody that bears a resemblance to "Danny Boy/Londonderry Air". It receives a fantastic performance here.

Were you reading my mind about/with Ludolf Nielsen? I was about to post this stirring and glorious work:

The Tower of Babel



The choral parts never lack depth and they're majestic, noble, even close to VW's style. The vocal solo parts are more academic, truth be told. I was less engaged by them, but when the chorus enters becomes an overwhelming creation. Even it has something of Langgaard's Antikrist. Quite a discovery, I must say!

And please, you do give a listen to his symphonies and other stuff!
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Dohnányi: Symphony No. 2

Stirring!

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Mirror Image

Last work for the night:

Honegger
Symphony No. 5, "Di tre re", H. 202
Czech PO
Baudo



Madiel

Dvorak, 7 interludes for small orchestra.



These are great. Early Dvorak without all the excess of length in many works. And this might be the only recording? They absolutely should be used more often as 'filler' for the larger scale works.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Madiel

Dvorak, Tragic/Dramatic Overture (which is the overture to his first opera, Alfred, revised as a separate concert piece)

Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Madiel

Dvorak, Romance for violin (orchestral version)

Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Que

Morning listening:



Muisc for lute consort doesn't seem very cool, but this sounds quite groovy... :D