What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

Previous topic - Next topic

0 Members and 172 Guests are viewing this topic.

T. D.

Haven't been listening to much classical lately (save some electronic/acousmatic works), but returned to the string quartets from this set:


Symphonic Addict

Sinfonietta No. 2 for clarinet and string orchestra

These Polish composers really have some particular feature that just bewitches me. The music is so haunting. Phenomenal performance too.




Dutilleux: L'arbre des songes

One thing leads to another. An incredible piece.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

classicalgeek

Quote from: Symphonic Addict on February 18, 2022, 04:26:40 PM
That Sinopoli set is a real wonder. The other day I was listening to the Webern in it. No surprise this is one of the most challenging composers I've come across with. There is something in that "austere" language that intrigues me, nonetheless.

It really is! I haven't listened to the Webern yet - one kind of has to be in the right frame of mind to enjoy Webern. ;D I'm sure when the mood strikes Sinopoli will be as enlightening as he is an Schoenberg and Berg!

TD: another Japanese composer.

Yasushi Akutagawa
Prima Sinfonia
Sinfonia Nipponica
Hidemi Suzuki



Rhapsody for orchestra
Ellora Symphony
Trinita Sinfonica
New Zealand Symphony Orchestra
Takuo Yuasa


(both on Spotify)

I greatly enjoyed the Prima Sinfonia and its homages to Shostakovich and Prokofiev - maybe it could be a little derivative at times, but the music was still thoroughly enjoyable. In the Rhapsody and Ellora Symphony I was reminded more of Bartok and Stravinsky (and in the Symphony, maybe Lutoslawski) - I really appreciated those works as well. Only the Trinita Sinfonica didn't really click for me - which isn't to say I didn't like it, more that I didn't understand what it was trying to do. I think that I need another listen to this particular piece.
So much great music, so little time...

Symphonic Addict

In Honour of the City for chorus and orchestra

Simply glorious! Dyson was a master in choral music, no doubts about it.

The Canterbury Pilgrims is quite worth your time as well.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Symphonic Addict

Quote from: classicalgeek on February 18, 2022, 05:02:58 PM
It really is! I haven't listened to the Webern yet - one kind of has to be in the right frame of mind to enjoy Webern. ;D I'm sure when the mood strikes Sinopoli will be as enlightening as he is an Schoenberg and Berg!

TD: another Japanese composer.

Yasushi Akutagawa
Prima Sinfonia
Sinfonia Nipponica
Hidemi Suzuki



Rhapsody for orchestra
Ellora Symphony
Trinita Sinfonica
New Zealand Symphony Orchestra
Takuo Yuasa


(both on Spotify)

I greatly enjoyed the Prima Sinfonia and its homages to Shostakovich and Prokofiev - maybe it could be a little derivative at times, but the music was still thoroughly enjoyable. In the Rhapsody and Ellora Symphony I was reminded more of Bartok and Stravinsky (and in the Symphony, maybe Lutoslawski) - I really appreciated those works as well. Only the Trinita Sinfonica didn't really click for me - which isn't to say I didn't like it, more that I didn't understand what it was trying to do. I think that I need another listen to this particular piece.

Enjoy the rest of the journey! It seems you've connected with all these composers relatively good positive.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Symphonic Addict

In the meantime:

Adams: John's Alleged Book of Dances

It always puts a big smile on my face. Adams explores the rhythmic and melodically material quite exhaustively satisfactory. Razor-sharp performing.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

JBS

Quote from: Symphonic Addict on February 18, 2022, 06:00:13 PM
In the meantime:

Adams: John's Alleged Book of Dances

It always puts a big smile on my face. Adams explores the rhythmic and melodically material quite exhaustively satisfactory. Razor-sharp performing.



I remember that work as the best one on the CD.

TD
Another Barbirolli binge.
CDs 38-40 of the Warner box.
CD 38
Wagner Overtures/Preludes to Tannhauser, Meistersinger, Flying Dutchman
Meistersinger Act III Suite [drawn mostly from the final scene]
Tristan und Isolde Prelude & Liebestod
CD 39
Tchaikovsky Symphony 5 and Marche Slav
CD 40
Tchaikovsky Symphony 6
Nielsen Symphony 4

All from B's Pye period.
Coupling the Pathetique and the Inextinguishable was certainly a novel idea on the part of Warner.

Hollywood Beach Broadwalk

Symphonic Addict

#62447
Symphonic Suite/Synthesis from Elektra

I'm aware it's better to hear the whole thing, but these symphonic fantasias contain some of the best music. Epic to the bone!




Symphonic Suite from Gloriana

The first movement reminds me of Harry Potter's Quidditch. If this is a suite, I can't imagine how the whole opera is! Great music.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Symphonic Addict

Quote from: JBS on February 18, 2022, 07:17:12 PM
I remember that work as the best one on the CD.

It's quite the piece, definitely. Adams has an outstanding voice for chamber compositions.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Mirror Image

NP:

Debussy
La Damoiselle élue, L 62
Frederica von Stade (mezzo-soprano), Susanne Mentzer (speaker)
Tanglewood Festival Chorus, Boston Symphony Orchestra
Seiji Ozawa


From this new acquisition -


Dry Brett Kavanaugh

Quote from: classicalgeek on February 18, 2022, 05:02:58 PM
It really is! I haven't listened to the Webern yet - one kind of has to be in the right frame of mind to enjoy Webern. ;D I'm sure when the mood strikes Sinopoli will be as enlightening as he is an Schoenberg and Berg!

TD: another Japanese composer.

Yasushi Akutagawa
Prima Sinfonia
Sinfonia Nipponica
Hidemi Suzuki



Rhapsody for orchestra
Ellora Symphony
Trinita Sinfonica
New Zealand Symphony Orchestra
Takuo Yuasa


(both on Spotify)

I greatly enjoyed the Prima Sinfonia and its homages to Shostakovich and Prokofiev - maybe it could be a little derivative at times, but the music was still thoroughly enjoyable. In the Rhapsody and Ellora Symphony I was reminded more of Bartok and Stravinsky (and in the Symphony, maybe Lutoslawski) - I really appreciated those works as well. Only the Trinita Sinfonica didn't really click for me - which isn't to say I didn't like it, more that I didn't understand what it was trying to do. I think that I need another listen to this particular piece.

I like the Akutagawa/Naxos disc. I need to get the other disc!

T. D.



Have owned these (+ the similarly packaged Chopin) for a long time, don't anticipate going for the mega-box.

JBS

Quote from: T. D. on February 18, 2022, 07:42:52 PM


Have owned these (+ the similarly packaged Chopin) for a long time, don't anticipate going for the mega-box.

Sensible. But I didn't have either*, so I got it as my Christmas present for myself.  But I have yet to play any of it--have to finish the Francois Samson box first.

*more precisely, I had three Cziffra CDs,  the Transcendental Etudes and the Hungarian Rhapsodies.

Hollywood Beach Broadwalk

Dry Brett Kavanaugh

Quote from: Mirror Image on February 18, 2022, 06:31:10 AM
8)

NP:

Stravinsky
Le sacre du printemps
MusicAeterna
Teodor Currentzis




Now I found that if you move the pic of cover art up and down, the letters of Currentzis Stravinsky show up. Probably you and other people already know.

Mirror Image

Quote from: Dry Brett Kavanaugh on February 18, 2022, 08:26:59 PM
Now I found that if you move the pic of cover art up and down, the letters of Currentzis Stravinsky show up. Probably you and other people already know.

Yep, a lovely little optical illusion. Illusions aside, this was a pretty terrific performance!

Karl Henning

Quote from: k a rl h e nn i ng on February 18, 2022, 03:02:55 PM
CD 1

Symphony № 6 in D, « Le Matin » Hob I:6
Symphony № 7 in C, « Le Midi » Hob I:7
Symphony № 8 in G, « Le Soir » Hob I:8


The temptation, of course, is to keep going with Marriner's "Papa" ... but I can pivot to Sir John, and still have me some "Papa":

CD 16

"Papa"
Symphony № 88 in G,  Hob I:88

Schubert
Symphony № 9 in C, « The Great » D. 944

Verdi
La traviata
Act 1: Prelude
Act 3: Prelude
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Symphonic Addict

Le Buisson ardent

Fascinating as ever.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Karl Henning

Quote from: JBS on February 18, 2022, 07:17:12 PM
I remember that work Jn's Bk of Alleged Dances as the best one on the CD.

I should give that a try later this year.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Que

Morning listening:



A gorgeous recording that focuses on the Southern Netherlands and its artistic ties with Italy, and the music at the Brussels court in the early 1600's.

https://earlymusicreview.com/the-ear-of-theodoor-van-loon/

https://www.gramophone.co.uk/review/the-ear-of-theodoor-van-loon

Harry

Quote from: Que on February 18, 2022, 11:55:20 PM
Morning listening:



A gorgeous recording that focuses on the Southern Netherlands and its artistic ties with Italy, and the music at the Brussels court in the early 1600's.

https://earlymusicreview.com/the-ear-of-theodoor-van-loon/

https://www.gramophone.co.uk/review/the-ear-of-theodoor-van-loon

That is indeed a wonderful recording, a treasure in my collection.
Hope you came well through the storm Que?
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"