What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Operafreak





Telemann: Quatuors Parisiens Volume 1

John Holloway (violin), Linde Brunmayr (transverse flute), Lorenz Duftschmid (viola da gamba), Ulrike Becker (violoncello) & Lars-Ulrik Mortensen (harpsichord)
The true adversary will inspire you with boundless courage.

Madiel

Haydn op.76/2, the 'Fifths' quartet in D minor.



There's a more driving feel in the 1st and 3rd movements compared to the Kodaly Qt performance, whereas the 2nd movement is taken a bit slower. Not better, just different, though I have to admit I was particularly taken with the Mosaiques' approach in the Witches' Menuet which felt suitably witchy. It's a marvellous piece in either performance.
Nobody has to apologise for using their brain.

Que

Quote from: Traverso on July 08, 2022, 01:00:19 PM
This is a fine one  :)

[Haitink/ Bruckner 6/ Dresden]

It is. And I finally got it on disc.  What are your thoughts on it? :)

Que

Morning listening:



But it seems time for some Telemann later....   ;)

Madiel

Dvorak. Directly comparing 4 songs from Cypresses (1865) with their revised versions in 1881-2.



And hoo boy, are there some changes! Not just music but words, or word order. And one of the songs is scarcely the same composition. There's a central section that is similar, but on either side of it the music is just completely different. And better.

There's a piano intro and postlude in another song that gets cut out which I rather miss. I'm glad to have both versions.
Nobody has to apologise for using their brain.

vandermolen

An interesting release featuring Bernstein's Symphony No.2 'The Age of Anxiety' and Shostakovich's 5th Symphony from the Salzburg Festival of 1959. Both fine and deeply felt performances:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Que

On Spotify:



Odhecaton in Franco-Flemish repertoire is not a perfect fit, and the forces are rather large (11 singers).

Still, the programming of music from 15th-16th century Picardie, including a mass by Nicolas de Marle, is pretty special.

Interesting reviews on Amazon by Gio and E.L. Wisty HERE.

Valentino

The revised revision, with gut strings and Moog. I like it better than the first he did, and I like that one a lot.



Never in my life have I paid so much for 40 minutes of music. A coffee table album sort of.
I love music. Sadly, I'm an audiophile too.
Audio-Technica | Bokrand | Thorens | Yamaha | MiniDSP | WiiM | Topping | Hypex | ICEpower | Mundorf | SEAS | Beyma

Traverso

Quote from: Que on July 08, 2022, 11:08:43 PM
[Haitink/ Bruckner 6/ Dresden]

It is. And I finally got it on disc.  What are your thoughts on it? :)

First of all, Haitink is of course a first-class Bruckner conductor and that too can be heard clearly in this recording. Radiant energy that is not a goal in itself but is nicely balanced with regard to the quiet parts. In my opinion, slightly more convincing than the also beautifully performed  recording with the orchestra from Bavaria. It is compelling and irresistible and makes my appreciation for Haitink as an acclaimed Bruckner conductor audible. Tempos are well chosen and the playing of the orchestra is a joy to hear  :)


Que

Quote from: Traverso on July 09, 2022, 01:01:46 AM
First of all, Haitink is of course a first-class Bruckner conductor and that too can be heard clearly in this recording. Radiant energy that is not a goal in itself but is nicely balanced with regard to the quiet parts. In my opinion, slightly more convincing than the also beautifully performed  recording with the orchestra from Bavaria. It is compelling and irresistible and makes my appreciation for Haitink as an acclaimed Bruckner conductor audible. Tempos are well chosen and the playing of the orchestra is a joy to hear  :)

I also prefer it slightly over the Bavarian performance, which has a more drive to it but is less delicately balanced and not as translucent as the Dresden. It's a rather special recording

Traverso

Quote from: Que on July 09, 2022, 01:25:28 AM
I also prefer it slightly over the Bavarian performance, which has a more drive to it but is less delicately balanced and not as translucent as the Dresden. It's a rather special recording


Indeed,well put,enjoy your Bruckner... :)

Lisztianwagner

Witold Lutoslawski
Concerto for Orchestra


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Traverso

Trauerkantaten / Funeral Cantatas


 






Operafreak






Beethoven: Complete Piano Concertos

Nos 3 and 4- Krystian Zimerman (piano), London Symphony Orchestra, Sir Simon Rattle

The true adversary will inspire you with boundless courage.

Madiel

Medtner

Two Skazki, op.14



And then streaming what might be the only complete recording of the Goethelieder, op.15, though the Brilliant Classics series of songs ought to change that.

Nobody has to apologise for using their brain.

Iota

Quote from: k a rl h e nn i ng on July 08, 2022, 05:24:21 PM
Brilliant disc!

+2


Here:



Ravel: Miroirs
Beatrice Rana (piano)



I've followed BR with interest ever since I first heard her in an impressive live recital from Perth on the radio many years ago, but I've never heard her reach these heights, this is quite brilliant playing. Kaleidoscopic contrasts of tone and mood, an imagination on fire, hypnotic phrasing and an Olympian technique. It goes straight into the top tier of great Miroirs recordings for me, piano playing really doesn't get much more vivid or evocative.


vandermolen

Bartok/Lutoslawski concertos for orchestra.
I enjoyed both of these performances (Andrew Davis, Royal Stockholm Philharmonic Orchestra)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Papy Oli

Nielsen
Symphony no.3
(Dausgaard)
Olivier

Que

I promised myself some Telemann!  :)