What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Florestan

"Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory." — Thomas Beecham

Papy Oli

#80621
Good morning all,

Last night and concluding now:

Pierné - Orchestral Works No.2



Étude de concert
Fantaisie-Ballet in B flat major Op. 6
Les Cathédrales
Nocturne en forme de valse No. 2
Paysages Franciscains
Poëme symphonique in D minor Op. 37
Scherzo-Caprice in D major Op. 25
Olivier

Pohjolas Daughter

Quote from: JBS on October 30, 2022, 07:02:27 PM


CDs 1 and 2, the first 28 songs from this unique manuscript, now in the Bibliotheque Nationale in Paris, about an hour and forty minutes worth of music.

From a website selling a full scale facsimile (yours for only €3480!)
https://www.omifacsimiles.com/brochures/montchen.html


Are you pondering whether or not to purchase one for your sweetie?  ;)

But, seriously, for that kind of price, the gold mentioned in the description had better be gold leaf!

PD

Wanderer


Harry

Quote from: Wanderer on October 31, 2022, 03:24:51 AM


Symphonies Nos. 3 & 7

Not one of the best recordings Jarvi made for Chandos, often muddy sound and plodding tempos.
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

vandermolen

Walton: Symphony No.1
LSO/Sir Hamilton Harty
First recording (1935) - a riveting performance:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Karl Henning

Quote from: absolutelybaching on October 31, 2022, 03:17:54 AM
Benjamin Britten's
The Holy Sonnets of John Donne

Eric Rieger (tenor), J.J. Penna (piano)

Ghastly. Simply ghastly. A strangulated tenor-sound with a vibrato more than a mile wide. Sorry, Dr. Rieger: your voice is probably appropriate to a lot of music, but definitely not this.
And as Lady Bracknell might have said, "To ruin one song cycle might be regard a misfortune; to ruin three looks like carelessness".

I'm always keen to hear 'Peter Pears' vocal works done by a different voice, but this one is about to be deleted from the hard disk, frankly.

That's a shame. The Ančerl/Stravinsky is a good palate-cleanser.

TD:

"Wolferl"
Viola Quintet in C, K. 515
Viola Quintet in g minor, K. 516
Juilliard String Quartet & Jn Graham, va
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Traverso


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Linz

Tippet Symphony No.1 and Piano Concerto

Traverso


Wanderer

Quote from: Harry on October 31, 2022, 04:25:02 AM
Not one of the best recordings Jarvi made for Chandos, often muddy sound and plodding tempos.

I do like these renditions very much. This cycle has one of the most convincing Thirds (for some reason, many conductors don't seem to get it  - the first movement in particular - quite right) and one of my most favourite Sevenths - dark and menacing! As for the sound, I think it's in line with the typical Chandos sound of the era, well blended and somewhat reverberant - which I like in orchestral music. Certainly not super-detailed (which in many modern recordings can also be a detriment, when tinkered-with and unnaturally-mixed orchestral details jump in your face the way they never do at the concert hall), but certainly not muddy, either.

I hope the Uhlig Schumann set continues to satisfy? Have a great day, my friend! 😎

Wanderer


Harry

Quote from: Wanderer on October 31, 2022, 05:40:43 AM
I do like these renditions very much. This cycle has one of the most convincing Thirds (for some reason, many conductors don't seem to get it  - the first movement in particular - quite right) and one of my most favourite Sevenths - dark and menacing! As for the sound, I think it's in line with the typical Chandos sound of the era, well blended and somewhat reverberant - which I like in orchestral music. Certainly not super-detailed (which in many modern recordings can also be a detriment, when tinkered-with and unnaturally-mixed orchestral details jump in your face the way they never do at the concert hall), but certainly not muddy, either.

I hope the Uhlig Schumann set continues to satisfy? Have a great day, my friend! 😎

There you have it, my equipment tells me something different, but I am glad you like them.
And yes Tasos, the Uhlig Schumann set is a constant joy, and I am very happy with Uhlig' s approach.
And let your day and all the days to come be great too.
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Linz

Shostakovictch Symphony No. 4 Eugene Ormandy CD1

Traverso

#80635
Stravinsky


Returning to this very fine performance of the Pulcinella Ballet.....Concertgebouw Orchestra






vandermolen

Quote from: Linz on October 31, 2022, 06:58:32 AM
Shostakovictch Symphony No. 4 Eugene Ormandy CD1
Still a very fine performance - it's how I discovered the work on LP.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Dry Brett Kavanaugh

Quote from: vandermolen on October 31, 2022, 04:30:27 AM
Walton: Symphony No.1
LSO/Sir Hamilton Harty
First recording (1935) - a riveting performance:


The LSO is phenomenal in the recording. I like the performance of Viola Concerto as well.

Dry Brett Kavanaugh

Joseph Jongen: Tableaux pittoresques, Op.56. Liege/Haeck.




j winter

Starting the day with Beethoven 2 & 4, followed by some Mendelssohn....

The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils.
The motions of his spirit are dull as night,
And his affections dark as Erebus.
Let no such man be trusted.

-- William Shakespeare, The Merchant of Venice