What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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SonicMan46

Stamitz, Carl (1745-1801) - Clarinet Concertos & Quartets - the composer was prolific as shown in the quote but not much has been recorded in perusing Amazon - I own just 10 CDs of his works; would likely buy more if available?  Dave :)

QuoteSymphonies
50 symphonies (usually in three movements omitting the minuet)
Concertos
11 clarinet concertos (at least one jointly composed with Johann Joseph Beer (1744–1811)
3 cello concertos
40 concertos for flute, bassoon, basset horn, violin, viola, viola d'amore and different combinations of some of these instruments
Viola concerto no. 1 in D major
38 symphonies concertantes
Chamber music
Duos, trios, quartets for various instruments, with a prevalence of strings; the unaccompanied duos for violin and viola are particularly notable.
6 orchestral quartets, op.1
6 orchestral quartets, op.14
Operas - both are considered lost. (Source)

 

71 dB

Matthias Weckmann - Complete Organ Works - Friedhelm Flamme - SACD 1.

Recently I have been able to "connect" with classical music better. Somehow I have got rid of anxiety. I just don't care if the World burns around me as long as my immediate surroundings are ok.
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW Jan. 2024 "Harpeggiator"

VonStupp

Antonín Dvořák
Slavonic Dances, op. 46

Cleveland Orchestra - Christoph von Dohnányi

VS

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

aligreto

Beethoven: String Quartet No. 15 Op. 132 [The Hungarian Quartet]





The performance of the opening movement has the requisite lyricism, with a touch of poignancy to it, and assertiveness in the relevant passages. There is a questioning conversation going on here between the players which I quite like.
The second movement has much the same tone and atmosphere as the opening movement. One, however, feels a greater sense of tension or nervous energy.
The slow movement is played gracefully and delicately and with great sensitivity. To my ear there is a great sense of peace and solace emanating from this very intense performance. 
The gay tones of the opening of the final movement are in stark contrast to the tone of the third movement. As the movement progresses the tone of the music becomes more sober and intense. The movement, however, finishes on a positive note.

aligreto


vandermolen

Quote from: aligreto on March 07, 2023, 11:23:24 AMGreat disc.
Yes, I agree Fergus. The 'Ouverture' is new to me and I was so impressed with the performance of 'Chant Funebre' (better than the fine Plasson recording I think) that I have played it several times already.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Karl Henning

Well, @aligreto & @vandermolen ... my curiosity is piqued:

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

vandermolen

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

ritter

Prompted by @Løvfald recent comment in the composer's thread, revisiting Florent Schmitt's superb String Trio, op. 105 (in its only modern recording, by the Prisma String Trio).


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

aligreto

Quote from: vandermolen on March 07, 2023, 12:01:21 PMYes, I agree Fergus. The 'Ouverture' is new to me and I was so impressed with the performance of 'Chant Funebre' (better than the fine Plasson recording I think) that I have played it several times already.

I am not overly familiar with the music of Magnard, Jeffrey, but I do think that Bollon has the measure of his music.


Linz

Robert Schumann Symphony No. 1 in Bflat op. 38 "Spring", Symphony No. 4 in D minor Op. 120 and Overture, Scherzo and Finale Op. 52, Staatskapelle Dresden, Wolfgang sawalliisch

Peter Power Pop

#87513

Papy Oli

A few nocturnes to wrap up the evening:

Olivier

Dry Brett Kavanaugh

Quote from: Traverso on March 07, 2023, 04:41:39 AMBach

CD 1

I live in a country that is littered with beautiful organs and people who know how to play them (to my liking) . I have three complete sets with Dutch organists and this one with Wiersma is unfortunately  not complete (almost) due to the premature death of the organist. Unfortunately, the recordings with Bram Beekman, Ewald Kooiman (corona) and Wiersma are no longer available.

Then only the Ton Koopman set remains as the only available set that  is still available of the ones I have.
From all the sets I have these  recordings of my native country are the most dear to me and I have many others to choose from.







Wonderful recording!

Mapman

Alwyn: Piano Concerto #2
Shelley; Hickox: LSO

I enjoyed this quite a bit. Parts of the first movement reminded me a bit of La Mer (although more modern).


ritter

And now, chamber music by the birthday boy: Ravel's String Quartet (Melos Quartet), Introduction et allegro (Osian Ellis and the Melos Ensemble), and the Piano Trio (Beaux Arts Trio).

CD 5 of this set:


aligreto

Barry: First Sorrow [Crash Ensemble]



Bachtoven

He's one of my favorites: Jaw-dropping technique, wonderful phrasing, and superb tone.