What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

Previous topic - Next topic

0 Members and 20 Guests are viewing this topic.

Karl Henning

Quote from: Roasted Swan on June 08, 2023, 04:17:35 AM(such a strange description for a work allegedly being musical portraits of the composer's 3 children!)
Maybe the composer was really cranky that day, and those darn kids ....
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Harry

#92921
William Alwyn.
Symphony No.5 "Hydriotaphia"
Sinfonietta for Strings.
London SO, Richard Hickox.


Short but a powerful fifth symphony, one of my favourites, and well performed it is, and those bells in the last movement, "Tempo di Marcia Funebre", gave me pleasant shudders. But then again all the movements are impressive, so I also have to mention the third movement "Allegro con Fuoco", how Alwyn's art has grown into perfection. Stunning and amazing.
Actually the Sinfonietta strikes me as the sixth symphony, for it has all the musical requirements. It is also a work which keeps the mind captured in a web of musical bliss. I am really pleased with the performances.
 
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

SonicMan46

Quote from: SonicMan46 on June 07, 2023, 01:58:17 PMRobert de Visée (c. 1655-1732/3) - Chamber Music on 4 discs w/ a wide assortment of period instruments (mostly reproductions); Maneul Staropoli on recorders/Baroque flute, Massimo Marchese on theorbo, and others on viola da gamba and harpsichord - for me the music is well recorded and pleasant, but the 'authenticity' of the instruments used has been debated (see review attachment, if interested). Decent bio of de Visée HERE - Dave :)


More Robert de Visée today - my remaining collection are the first 4 recordings below (Smith as a MP3 CD-R) - a combination of suites and solo theorbo - looking at the Baroque lute CD w/ Toyohiko Satoh - anyone know this recording?  Also, de Visée was considered the best French guitar virtuoso of his time - curious if there are any recommendations?  Dave :)

 

 



Mandryka

#92924
Quote from: SonicMan46 on June 08, 2023, 08:27:36 AMMore Robert de Visée

A friend of mine who can play this music really rates Xavier Díaz-Latorre. I haven't heard it myself but seeing your post has reminded me that I intended to.

Actually you can see him in action here -- I couldn't play it but I really want one of those theorbos to hang on the wall!

https://www.youtube.com/watch?v=G5W9YlQkNwY&ab_channel=XavierD%C3%ADaz-Latorre
Wovon man nicht sprechen kann, darüber muss man schweigen

Linz

Bruckner Symphony No. 3 in D Minor, 1873 Original Version Ed. Leopold Nowak, Staatskapelle Dresden, Yannick Nézet-Séguin

Spotted Horses

Pettersson, Symphony No 6 (cpo)



Actually only the first half (finding an uninterrupted hour is not feasible).

Vivid music, much more interesting than the recently listened to Symphony No 3. Everyone goes on about how anguished it is, so yes, anguish. But I like it for the sound of the orchestra.

Lisztianwagner

On youtube:
Gustav Mahler
Symphony No.6

Rafael Kubelik & BRSO


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy


Florestan

Quote from: ritter on June 08, 2023, 11:46:27 AMHydrio...this (I presume): https://en.wikipedia.org/wiki/Hydriotaphia,_Urn_Burial

Thanks. Very interesting. Never heard about it before.

QuoteGood evening, Andrei!

Servus, Rafael!
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

classicalgeek

Mahler
Symphony no. 1
Bamberg Symphony Orchestra
Jonathan Nott

(on Spotify)



All in all, a very enjoyable performance. Thrilling climaxes to the first movement and finale, a suitably vigorous scherzo, appropriate schmaltziness in the 'Klezmer' episodes of the third movement.
So much great music, so little time...

vers la flamme

Quote from: Lisztianwagner on June 08, 2023, 10:44:21 AMOn youtube:
Gustav Mahler
Symphony No.6

Rafael Kubelik & BRSO




I haven't heard Kubelík's Mahler 6th, but I'd be very curious to. (Though I have a few others on the backlog right now to hear for the first time, so it may be a while.) I've been loving the Boulez and Karajan recordings of this symphony, which has skyrocketed in my estimation over the past month or so.

Quote from: Spotted Horses on June 08, 2023, 10:31:18 AMPettersson, Symphony No 6 (cpo)



Actually only the first half (finding an uninterrupted hour is not feasible).

Vivid music, much more interesting than the recently listened to Symphony No 3. Everyone goes on about how anguished it is, so yes, anguish. But I like it for the sound of the orchestra.

Nice! I might listen to this recording of the 6th later.

Now playing:



Ralph Vaughan Williams: Fantasia on a Theme of Thomas Tallis. Eugene Ormandy, Philadelphia Orchestra

For some reason the Tallis Fantasia was playing in my head on the drive home, so it is the first thing I'm listening to after work. This CD was sent to me by accident once, several years ago, but I'm glad it was because I've grown to like it far more than whatever it was I was supposed to get in its stead ;D Definitely the best disc of English music by American forces in my collection.

Lisztianwagner

Quote from: vers la flamme on June 08, 2023, 12:41:40 PMI haven't heard Kubelík's Mahler 6th, but I'd be very curious to. (Though I have a few others on the backlog right now to hear for the first time, so it may be a while.) I've been loving the Boulez and Karajan recordings of this symphony, which has skyrocketed in my estimation over the past month or so.
I was very curious too since I saw posts about Kubelik's Mahler symphonies many times. Kubelik's recording was really fine, I enjoyed it, though I often found the tempi of the first two movements a bit too rushed, especially in the more vigorous sections, which of course reflected a great energy, but also lost a little that haunting atmosphere, ghostly that they should evoke in my opinion; instead the quieter sections, despite the fast pace, worked well, sounding lyrical and nostalgic. The conductor was excellent in handling the orchestra anyway, so in the end the performance resulted very moving and compelling. Karajan's recording remains my favourite along with DG Bernstein, while I've never been particularly struck by Boulez.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Harry

Quote from: Florestan on June 08, 2023, 11:38:46 AMHydrio... what?  ???

A book written by Thomas Browne, Hydriotaphia, Urn Burial, Alwyn Admired this man enormously,

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

vers la flamme



Allan Pettersson: Symphony No.6. Manfred Trojahn, Deutsches Symphonie-Orchester Berlin

Killer performance, the DSO sounds amazing. I'm still in an early stage of understanding this music; right now I only know it as the Pettersson symphony with the massive coda, but on this listen I'm charmed by the beginning of the symphony, which seems like an epic buildup to something.

Lisztianwagner

Edward Elgar
Cockaigne Overture
In the South

Georg Solti & London Philharmonic Orchestra


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Symphonic Addict

A widely lyrical, optimistic and exotic-sounding work, I found pleasure on it. But somehow it didn't succeed my expectations. I think it lacked more drama and agitation to be more gripping to my tastes.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Symphonic Addict

Quote from: classicalgeek on June 07, 2023, 02:06:19 PMLouise Farrenc
Symphony no. 1
Symphony no. 3
North German Radio Symphony
Johannes Goritzki

(on Spotify)



Really good, solid early Romantic symphonies!

Indeed, fine works. Among her chamber music, the two Piano Quintets, the Piano Trio No. 1 and the Sextet for piano and winds are also quite compelling.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Lisztianwagner

Quote from: Symphonic Addict on June 08, 2023, 02:29:56 PMA widely lyrical, optimistic and exotic-sounding work, I found pleasure on it. But somehow it didn't succeed my expectations. I think it lacked more drama and agitation to be more gripping to my tastes.


I've seen this recording is on youtube; I would like to have a listen to it, at least to get an idea of how Atterberg's opera sounds.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg