What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Linz

Shostakovich  Symphony No.4 in C minor, op.43, London Philharmonic Orchestra, Bernard Haitink

T. D.

Haydn, string quartets Op. 20 + Seven Last Words, Q. Mosaiques.

AnotherSpin

Quote from: vers la flamme on July 26, 2023, 10:41:15 AMI listened to the HK last night too, Rudolf Serkin's recording (Columbia, Sony) and was completely blown away.


Did you try Peter Serkin' Hammerklavier?

vers la flamme

Quote from: AnotherSpin on July 26, 2023, 04:32:35 PMDid you try Peter Serkin' Hammerklavier?

The one on a Graf? Yes! It's been some years since I've heard it but I do have the CD somewhere. Very interesting sounding instrument.

T. D.

Quote from: vers la flamme on July 26, 2023, 03:43:17 PM

Morton Feldman: Why Patterns? Eberhard Blum, Jan Williams, Morton Feldman

Well, this is about as authoritative a performance as it gets: the composer on piano, with the flutist and percussionist for whom he wrote all these late trio pieces. Feldman has an incredible touch on the piano. Makes me wish he recorded more of his own works.

Whoa. That looked unfamiliar, but I'd forgotten that New World reissued the old CRI "American Masters" CD, which I purchased back when CRI existed  ;) . Agreed that the performances are excellent, but I recall that the sound quality is not as good as on more recent recordings.

Also reminds me that I need to acquire this one on Editions RZ, even though I have recording of all the pieces by others (note the performers including Feldman, Tilbury, Cardew and Tudor!):

vers la flamme

Quote from: T. D. on July 26, 2023, 06:00:22 PMWhoa. That looked unfamiliar, but I'd forgotten that New World reissued the old CRI "American Masters" CD, which I purchased back when CRI existed  ;) . Agreed that the performances are excellent, but I recall that the sound quality is not as good as on more recent recordings.

Also reminds me that I need to acquire this one on Editions RZ, even though I have recording of all the pieces by others (note the performers including Feldman, Tilbury, Cardew and Tudor!):


Wow, those are some big names. I should see if I can find that too.

Dry Brett Kavanaugh

Quote from: Karl Henning on July 26, 2023, 03:47:31 PMHe was born Giuseppe Guttoveggio? And this is how I find out—on YouTube?!



Italian? The name is better than Paul Creston. I love the No.2 but not a fan of N. Jarvi! ;D

vers la flamme



Pierre Boulez: Le Marteau sans maître. Pierre Boulez, Ensemble Musique Vivante, with Yvonne Minton, mezzo soloist

Love the instrumental colors.

Dry Brett Kavanaugh

Etenraku (Japanese court music). Stokowski/Philadelphia.



Que


vandermolen

Arthur Bliss 'Melee Fantasque' - a fine work in an excellent performance:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Harry

Quote from: vandermolen on July 26, 2023, 11:54:19 PMArthur Bliss 'Melee Fantasque' - a fine work in an excellent performance:


A fine CD, both volumes. :)
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

vandermolen

Patrick Hadley: 'The Trees So High'
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

#95553
Quote from: Harry on July 27, 2023, 12:18:13 AMA fine CD, both volumes. :)
Good Morning Harry!
I agree. If anything I prefer Volume 2 - especially for the works by Bliss, Hadley, Howell, Fogg and Foulds.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Que


Irons

CD6 Saint-Saens: 3rd Symphony 'Organ'. Danse Macabre. Le Rouet d'Omphale.
Chausson: Poeme for Violin and Orchestra.



Not the deepest organ notes I have heard in Saint-Saens 3rd, however, struck by the quality of the strings. The string accompaniment to the opening organ entry for example possessed a strong tingle factor. Dare say Saint-Saens had something to do with that too.

I found Le Rouet d'Omphale more of interest then Danse Macabre. I have held the suspicion that some of the popularity of the latter is down to the title.

Chausson's Poeme is a blot on the landscape. Perlman is a brilliant violinist, one of the greatest of his generation, but he is badly let down by the recording. Notes with this set are extensive, for example the Saint-Saens pieces recorded 1970, Salle Wagram, Paris. For Chausson, nothing.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Iota



Mozart:
Piano Sonata No. 9 in D major, K311
Piano Sonata No. 12 in F major, K332
Gigue in G Major, K574
Mozart: Contredanses, K269b
Allegro K312
Adagio in B minor, K540
Ave verum corpus, K618


This really won me over, the music comes alive under her fingers, such freshness and variety. The sonatas seem peopled by breathing characters almost as much as the operas.

Traverso


Que


Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy