Pieces that have blown you away recently

Started by arpeggio, September 09, 2016, 02:36:58 PM

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Pohjolas Daughter

Quote from: Irons on December 05, 2023, 11:41:27 PMLKB, I think the second movement makes my point valid.





Thanks for posting this.  I enjoyed the movement.

PD

Irons

Quote from: AnotherSpin on December 06, 2023, 12:45:39 AMBesides, Lyatoshinsky was a 20th century composer.

Yes, it shows (compared with Tchaikovsky and Borodin).
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

LKB

Quote from: AnotherSpin on December 06, 2023, 12:45:39 AMI do not think mentioning Tchaikovsky or Borodin here has validity. Ukrainian music and Lyatoshinsky in particular is a part of Eastern European cultural tradition, closer to Polish or Czech music, imo.

Besides, Lyatoshinsky was a 20th century composer.

I was referring to Irons' opinion regarding the relative quality of the work. I was not comparing it stylistically, or as a Romantic work as such.  8)
Mit Flügeln, die ich mir errungen...

AnotherSpin

Quote from: LKB on December 06, 2023, 09:15:22 AMI was referring to Irons' opinion regarding the relative quality of the work. I was not comparing it stylistically, or as a Romantic work as such.  8)


True, it was Irons who put Lyatoshinsky in one line with Tchaikovsky and Borodin. Sorry.

LKB

Mit Flügeln, die ich mir errungen...

Symphonic Addict

A most fascinating disc. Even though Sallinen's style can be a little introspective and introverted at times, he manages to set an interesting narrative on the scores and they sometimes have an attractive psychological nature as in these three pieces. I was especially impressed by the Cello Sonata. Stunning music.




This disc contains music in a quite different fashion, namely late-Romantic, somewhat close to Strauss but not too much. Three absolutely enchanting, delectable, lyrical-to-the-core quartets (played by the Beethoven Quartet) by the Swiss composer-conductor Hermann Suter (1870-1926). The realm of string quartets is flooded by many hidden gems like these three remarkable instances that, whilst not lost masterpieces, do feature some gorgeous music.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

springrite

Quote from: Symphonic Addict on December 12, 2023, 04:47:38 PMA most fascinating disc. Even though Sallinen's style can be a little introspective and introverted at times, he manages to set an interesting narrative on the scores and they sometimes have an attractive psychological nature as in these three pieces. I was especially impressed by the Cello Sonata. Stunning music.




This disc contains music in a quite different fashion, namely late-Romantic, somewhat close to Strauss but not too much. Three absolutely enchanting, delectable, lyrical-to-the-core quartets (played by the Beethoven Quartet) by the Swiss composer-conductor Hermann Suter (1870-1926). The realm of string quartets is flooded by many hidden gems like these three remarkable instances that, whilst not lost masterpieces, do feature some gorgeous music.


Oh I love this disc! Both the cello sonata and the trio are stunning works!


Now: Strauss Alpine Symphony and Der Rosenkavalier Suite (Theilemann)
Do what I must do, and let what must happen happen.

Pohjolas Daughter

Quote from: Symphonic Addict on December 12, 2023, 04:47:38 PMA most fascinating disc. Even though Sallinen's style can be a little introspective and introverted at times, he manages to set an interesting narrative on the scores and they sometimes have an attractive psychological nature as in these three pieces. I was especially impressed by the Cello Sonata. Stunning music.



What I've heard of Sallinen's music, I've really enjoyed (chamber works only from what I recall).

PD

vandermolen

Harris - a revelation (I like the Adams as well)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Uhor

Been a while.

Oustading blend of Schoenberg, Ligeti and Boulez in his own voice.



Uhor

Also these two mashups, if you let me.

Extreme Beauty:



Extreme and seamless Darkness to Light journey:


kyjo

Freitas Branco: Vathek (Symphonic Poem in the form of variations on an Oriental Theme):



https://youtu.be/0JzXj50yl4E?si=DKPFh8nlhnaNUh2s

Incredibly, I just listened to this piece for the first time a few days ago - not sure why I had put it off for so long since I'd known about it for a while! It's undoubtedly Freitas Branco's masterpiece - nothing else I've heard by him approaches it in originality and striking level of inspiration (though the accompanying 4th Symphony - reminiscent in places of his student Braga Santos - is quite a fine work). Vathek is quite ahead of its time for 1913 - witness the mysterious, murky dissonances of the Introduction and - most remarkably - the creepy microtonal(?) ululations of the strings in Variation III, foreshadowing Ligeti and co. by 50-some years! And immediately following this in Variation IV is some of the most sensuously beautiful, voluptuously romantic music you're likely to hear. Simply a remarkable work full of fascinating contrasts and its neglect is incomprehensible! Interesting how Freitas Branco went on to compose in a much more conservative style starting in the 1920s - his Symphonies nos. 1-3, written in a quite Franckian style, are pretty good works but pale in comparison to the masterpiece that is Vathek.
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

Christo

Quote from: kyjo on December 23, 2023, 09:28:55 PMFreitas Branco: Vathek (Symphonic Poem in the form of variations on an Oriental Theme):



https://youtu.be/0JzXj50yl4E?si=DKPFh8nlhnaNUh2s

Incredibly, I just listened to this piece for the first time a few days ago - not sure why I had put it off for so long since I'd known about it for a while! It's undoubtedly Freitas Branco's masterpiece - nothing else I've heard by him approaches it in originality and striking level of inspiration (though the accompanying 4th Symphony - reminiscent in places of his student Braga Santos - is quite a fine work). Vathek is quite ahead of its time for 1913 - witness the mysterious, murky dissonances of the Introduction and - most remarkably - the creepy microtonal(?) ululations of the strings in Variation III, foreshadowing Ligeti and co. by 50-some years! And immediately following this in Variation IV is some of the most sensuously beautiful, voluptuously romantic music you're likely to hear. Simply a remarkable work full of fascinating contrasts and its neglect is incomprehensible! Interesting how Freitas Branco went on to compose in a much more conservative style starting in the 1920s - his Symphonies nos. 1-3, written in a quite Franckian style, are pretty good works but pale in comparison to the masterpiece that is Vathek.
Happy coincidence: I was listening to this CD today for the first time in years again - and absolutely agree with everything you write.  :)
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Maestro267

I listened to Vathek for the first time a few days ago as well, inspired by its appearance among a bunch of other little-known works in the Top Tone Poems thread on this forum.

Atriod

Messiaen's Preludes. I listen to Vingt Regards Sur l'enfant Jesus and Catalogue d'oiseaux with some regularity but often forget the Preludes exist.

DavidW

Quote from: Atriod on January 11, 2024, 02:08:49 PMMessiaen's Preludes. I listen to Vingt Regards Sur l'enfant Jesus and Catalogue d'oiseaux with some regularity but often forget the Preludes exist.

I've enjoyed his organ music for a long time, but only recently started listening to his piano music.  His preludes are wonderful!

pjme

#2376
"Die Soldaten" - in Hamburg - just stunning (shocking, moving, dazzling...wonderful).



https://fxroth.com/zimmermann-die-soldaten-on-tour-hamburg-and-paris/

"In »Die Soldaten«, Bernd-Alois Zimmermann processes his personal experiences during the  Second World War and the threats posed to the world by a potential nuclear disaster. His dazzling sound language is clearly inspired by the lucid colours of impressionism, and he created a dystopia that remains timeless and consequential. Despite its vehemence, the opera is an intimate play between human beings, a parable about love and its dark sister, violence, and about the abysses of brutality and self-destruction."

Die Soldaten / play

springrite

#2377
Quote from: pjme on February 01, 2024, 02:31:41 AM"Die Soldaten" - in Hamburg - just stunning (shocking, moving, dazzling...wonderful).



https://fxroth.com/zimmermann-die-soldaten-on-tour-hamburg-and-paris/

"In »Die Soldaten«, Bernd-Alois Zimmermann processes his personal experiences during the  Second World War and the threats posed to the world by a potential nuclear disaster. His dazzling sound language is clearly inspired by the lucid colours of impressionism, and he created a dystopia that remains timeless and consequential. Despite its vehemence, the opera is an intimate play between human beings, a parable about love and its dark sister, violence, and about the abysses of brutality and self-destruction."

Die Soldaten / play
What a stunning opera! The music, the multiple stages visible at the same time! Love it!!!

(Though not an opera, his Requiem for a Dead Young Poet is equally stunning!)
Do what I must do, and let what must happen happen.

ritter

Quote from: pjme on February 01, 2024, 02:31:41 AM"Die Soldaten" - in Hamburg - just stunning (shocking, moving, dazzling...wonderful).

...
Indeed, a stunning opera. I had the opportunity to see it live here in Madrid some years ago, and it is impressive...

brewski

Quote from: pjme on February 01, 2024, 02:31:41 AM"Die Soldaten" - in Hamburg - just stunning (shocking, moving, dazzling...wonderful).

So envious! But delighted that it's available online, and I will be checking it out soon.

I was lucky to see the Ruhrtriennale production in New York, with the audience in seats that moved (!). The whole thing was incredible.

-Bruce
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)