What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Symphonic Addict

Quote from: Lisztianwagner on May 21, 2024, 03:53:22 AMGood idea, I'll join with this recording:

Paul Hindemith
String Trio No.1

Arnold Schönberg
String Trio

Trio Zimmermann




The same recording but in different presentation I see.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Britten: Les Illuminations

This is vocal music I really like. A great marriage between human voice and strings.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Bachtoven

A new composer for me. She has her own sound, but broadly I'd say edgy neo-romanticism would cover it. Great playing and sound--lots of powerful bass drum whacks!

Dry Brett Kavanaugh

Ibert: Diane de Poitiers & La Licorne. Moscow Symphony Orchestra, Adriano.





Karl Henning

Quote from: Lisztianwagner on May 21, 2024, 01:52:12 PMBéla Bartók
The Miraculous Mandarin

Pierre Boulez & Chicago Symphony Orchestra



Superb!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Linz

C.P. E. Bach Oboe Concerto in E-Flat major, H. 468, Wq. 165, Sinfonia for winds, strings and basso continuo in F major, H. 656, Wq. 181, Oboe Concerto in B-Flat major, H. 466, Wq. 164 and Sinfonia for 2 oboes, 2 horns, strings and basso continuo in G major, H. 655, Wq. 180, Xenia Löffler, Akademie für Alte Musik Berlin, Georg Kallweit

foxandpeng

Quote from: Ian on May 21, 2024, 01:36:49 PMWhy is it peculiar? I mostly avoid them too. It's just a question of taste. I'm a big admirer of RVWs symphonies but I doubt I will ever listen to his first due to the vocals. In general I think it's because the singers sound more like they are yelling to compete with the instruments and the result is cacophonic. RVW's 7th with vocals is fine because they add to the atmosphere of the piece without overwhelming the music.
I have a ticket for a performance of Daphnis & Chloe on Friday, it was supposed to be the Planets but they changed for some reason... I'm not going to bother going despite the fact that I love Ravel's music. The suite No.2 is just so much more enjoyable for me.

I rarely reach for symphonies with vocal content. I appreciate that it is a personal preference or peculiarity, but like you, RVW #1 does little for me. Same with Pettersson, DSCH, Holmboe... I love their music, but I am less interested in choral/vocals styles.

Not always, just usually.
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

foxandpeng

Peter Maxwell Davies
Strathclyde Concertos 7 and 8
PMD
Scottish Chamber Orchestra
Naxos


Funny how multiple listening opens up works. I found all of these Strathclydes really hard going at first, but familiarity transforms them.
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

Le Buisson Ardent

#110748
Now playing a Shakespeare program of works based on Macbeth:

Strauss
Macbeth, Op. 23
SWR Sinfonieorchester Baden-Baden und Freiburg
François-Xavier Roth


Verdi
Macbeth
Sherrill Milnes, Fiorenza Cossotto, Ruggero Raimondi, José Carreras et. al.
New Philharmonia Orchestra
Ambrosian Opera Chorus
Riccardo Muti


From these sets -


Cato

Today Schubert's String Quartet #15 D. 877, whose last movement seems to be a massive theme and variations of Beethoven's Fate motif from the Fifth Symphony.

Then on to Martinu's aptly named "Incantations," the Piano Concerto #4.

Finally the experimental soundscapes of The Polish School c. 1950's-1960's: Kazimierz Serocki's Symphonic Frescoes.




"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Bachtoven

This is an excellent collection of Bach and Bach-inspired works played on the piano.

classicalgeek

Brahms
String Quartet, op. 67
*Piano Quintet
Prazak Quartet
*Ivan Klansky, piano

(on CD)



Outstanding performance as usual - though if I'm being honest, in the Piano Quintet, I much prefer the Takacs Quartet with Stephen Hough on Hyperion!
So much great music, so little time...

Karl Henning

Quote from: Cato on May 21, 2024, 04:42:25 PMToday Schubert's String Quartet #15 D. 877, whose last movement seems to be a massive theme and variations of Beethoven's Fate motif from the Fifth Symphony.

Then on to Martinu's aptly named "Incantations," the Piano Concerto #4.

Finally the experimental soundscapes of The Polish School c. 1950's-1960's: Kazimierz Serocki's Symphonic Frescoes.




The Martinů is brilliant, especially!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Symphonic Addict

Two Nordic symphonies very different each other:

von Koch: Symphony No. 2 'Sinfonia dalecarlica'
Soderlind: Symphony No. 4 'Sedimenti musicali'

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Other two works (in this case, string quartets) that offer an accented contrast:

Dutilleux: Ainsi la nuit
Fauré: String Quartet

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Le Buisson Ardent

NP:

Villa-Lobos
Piano Concerto No. 3
Cristina Ortiz, piano
Royal Philharmonic
Miguel Gómez Martinez


From this OOP 2-CD set -



It's been more than decade since I've listened to any of Villa-Lobos' PCs. I remember being disappointed initially, but I have say that time does wonders for one's perspective. This is gorgeous! You also won't find a better advocate of this repertoire than pianist Cristina Ortiz.

Symphonic Addict

Quote from: Mirror Image on May 21, 2024, 07:58:33 PMNP:

Villa-Lobos
Piano Concerto No. 3
Cristina Ortiz, piano
Royal Philharmonic
Miguel Gómez Martinez


From this OOP 2-CD set -



It's been more than decade since I've listened to any of Villa-Lobos' PCs. I remember being disappointed initially, but I have say that time does wonders for one's perspective. This is gorgeous! You also won't find a better advocate of this repertoire than pianist Cristina Ortiz.

I must admit that I've had these works in low esteem for whatever reason, so I should revisit them (after many years, actually).
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Le Buisson Ardent

#110757
Quote from: Symphonic Addict on May 21, 2024, 08:13:18 PMI must admit that I've had these works in low esteem for whatever reason, so I should revisit them (after many years, actually).

You and I were certainly in the same boat, but I must admit I'm enjoying his 3rd PC very much at the moment. I can't speak of the others. I'll get around to them at some point.

steve ridgway

R. Strauss: Vier Letzte Lieder

From a decent rip on archive.org 8) .


Le Buisson Ardent

I blame @Symphonic Addict for this... ;)

NP:

Braunfels
Piano Concerto
Victor Sangiorgio, piano
BBC Concert Orchestra
Johannes Wildner




As far as I know, this is the only recording of this PC. Thank goodness it's a great performance. A gorgeous work with a slow movement that really pulls on my heartstrings.