What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Mister Sharpe, Linz, Brian, ritter (+ 1 Hidden) and 72 Guests are viewing this topic.

steve ridgway

Respighi: Fontane Di Roma


steve ridgway

R. Strauss: Aus Italien


Que



Quote from: Que on May 03, 2024, 10:51:59 PMIt's fortunate that an important gap in my Franco-Flemish collection is suddenly filled. I have a wonderful Manchicourt recording by the Huelgas Ensemble, but that has a crosssection of Manchicourt's secular and sacred repertoire - no complete masses. The music is very impressive, marked by continuous organic shifts. Performed at unaltered (lower) pitch my a small group of male singers, it creates a wonderful mood.

Mandryka

#111403
Quote from: Karl Henning on June 02, 2024, 12:06:25 PMIt's been too long since I listened to this, so I'm in! The Schnittke Third Quartet was brilliant, BTW.

It's the fourth quartet that I really like - there's a live performance by the Kapralova Quartet which really got under my skin - streaming if you fancy trying it.

https://open.spotify.com/album/40sPglvoGyxZ6HsU5HnWoT?highlight=spotify:track:6O556Diaxsr2w2P95pGcz0
Wovon man nicht sprechen kann, darüber muss man schweigen

Spotted Horses

Quote from: Madiel on June 02, 2024, 02:27:21 PMI think 6 and 7 are maybe his greatest piano works.

Though I always find myself playing number 7 then number 6. It works that way because of how number 7 ends in major.

I usually conclude that Faure's best work is the one I just listened to, particularly the late works. The longer form individual movements, Nocturnes, Barcarolles, Impromptus, Valse-Caprices, are equally impressive to me, as opposed to the variation sets and smaller pieces.

AnotherSpin


Mandryka

Quote from: Spotted Horses on June 02, 2024, 08:35:03 AMNocturnes No 6, and 7. Le Sage



Now we are getting to Faure's middle period, where his style becomes more distinct from his traditional influences. No 6 contains some impressive pianistic pyrotechnics. No 7 is very familiar, since it is the one that I used to develop an impression of the various pianists with significant (to me) Faure discographies. I am enjoying Le Sage's efforts.

Next is No 8, which Mandryka pointed out is part of the Opus 84, pieces breves. Probably I will go to one of the complete sets to hear it in context. Maybe an excuse to listen to a little Pennetier.

7 is a bit Chopin-y I think -- just in the sense that it's made up of quite diverse sections which somehow, God knows how, hold together and flow into each other inevitably. Some of the Chopin nocturnes seem like that.
Wovon man nicht sprechen kann, darüber muss man schweigen

Que


Harry

François Dufaut.
Pièces de Luth.
See back cover for details.
André Henrich, Lute.
Recording, 2004, Bolland Belgium, Eglise Saint-Apollinaire.



Almost nothing is known about François Dufaut. Neither do we know when and where he was born, nor do we know the time and place of his death. But his reputation as a lutenist has been maintained over the centuries. I would call him one of the finests Lute composers I know. The Suite in D minor is especially wonderful, just listen at the Fifth movement "Sarabande Diminution", almost out of the realm of earthly context. Henrich has a lively touch, and finely fits all the movements in an all encompassing warmth. SOTA sound.
"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

AnotherSpin


Linz

Bruckner Symphony in D Minor, 1869 Ed. David Chapman, Altomonte Orchester St. Florian, Rémy Ballot

Harry

Bridge, Butterworth, Bantock.
Orchestral Works.
See back cover for details.
Recorded: 1979.
No PDF file.


A wonderful recording. I have good memories of it. So after so many years its good to come back to it.! Excellent Chandos sound.
"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

vandermolen

Quote from: Harry on June 03, 2024, 06:34:54 AMBridge, Butterworth, Bantock.
Orchestral Works.
See back cover for details.
Recorded: 1979.
No PDF file.


A wonderful recording. I have good memories of it. So after so many years its good to come back to it.! Excellent Chandos sound.
Coincidentally I was listening to 'There is a Willow...' earlier today (Hickox recording on Chandos) and think that it is one of Bridge's finest scores.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Dry Brett Kavanaugh

Fractales. Pacho Flores, Arctic Philharmonic/Christian Lindberg.




Harry

Quote from: vandermolen on June 03, 2024, 06:44:29 AMCoincidentally I was listening to 'There is a Willow...' earlier today (Hickox recording on Chandos) and think that it is one of Bridge's finest scores.

Agreed!
"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

Linz

Johann Sebastian Bach Goldbreg Variations BWV 988 Gustav Leonhardt CD3

Brian

Wow, people have been listening to a lot of interesting stuff over the past 2-3 pages, I want to go through and take notes!

I am currently being inspired by Mark Anstendig to listen for the "dolce"...although I have not equalized my headphones properly so it will probably be inaudible  ;D


DavidW


DavidW

Quote from: Brian on June 03, 2024, 08:38:48 AMI am currently being inspired by Mark Anstendig to listen for the "dolce"...although I have not equalized my headphones properly so it will probably be inaudible  ;D

Oh didn't know you know... you can't hear the dolce unless you listen to the only true audiophile format: reel to reel tape! ;)

Wait was that Mark or someone else? ???

DavidW

Thread duty: marvelous Haydn, great way to start the day.