What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Linz

Bohuslav Martinů Sinfonietta La Jolla, Toccata, Concerto Grosso, Prague Chamber Orchestra & Prague Chamber Orchestra; Prague Chamber Orchestra, Josef Hála & Petr Jirikovsky, piano, Ondřej Kukal

Dry Brett Kavanaugh

Quote from: Florestan on October 08, 2024, 10:22:47 AMThe booklet says:

Cover: Chateau de Fontainebleau Interior by Gaspard Walter (Dreamstime.com)


Thank you!

Dry Brett Kavanaugh

Bokyung Byun: Live at the Rosette.



Linz

Anton Bruckner Symphony No. 7 in E Major, 1885 Original Version. Ed. Robert Haas,  Rundfunk-Sinfonieorchester Berlin, Vladimir Jurowski

VonStupp

Wilhelm Stenhammar
Piano Concerto 1 in B-flat minor
     Love Derwinger, piano
     Malmö SO - Paavo Järvi
Piano Concerto 2 in D minor
     Cristina Ortiz, piano (2)
     Gothenburg SO - Neeme Järvi

Love the dialog between piano and orchestra in PC2.
VS

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Karl Henning

#117805
JS Bach

BWV 134, « Ein Herz, das seinen Jesum lebend weiß »
BWV 135, « Ach Herr, mich armen Sünder »
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: steve ridgway on October 07, 2024, 09:23:54 PMStravinsky: The Rite Of Spring



A cleaned up but still delightfully primitive recording from 1929 I found somewhere on archive.org . It's like a magical window to the distant past 8) .
Who are the forces?
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Linz on October 08, 2024, 12:19:02 PMBohuslav Martinů Sinfonietta La Jolla, Toccata, Concerto Grosso, Prague Chamber Orchestra & Prague Chamber Orchestra; Prague Chamber Orchestra, Josef Hála & Petr Jirikovsky, piano, Ondřej Kukal
Love that disc!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Symphonic Addict

What is the most spectacular recording of anything by Rouse and why this CD?

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

André

Quote from: steve ridgway on October 07, 2024, 08:02:40 PMIsang Yun: String Quartet 5




A great disc and an excellent introduction to Yun's art !

André

Quote from: AnotherSpin on October 07, 2024, 10:05:27 PMUnexpectedly liked it.



Gilbert's set of the Nielsen symphonies is easily my first choice. Mahler 7, his quirkiest work, must be right down his alley.

André

Quote from: Karl Henning on October 08, 2024, 02:20:37 PMWho are the forces?

Stravinsky conducts the Straram Concerts orchestra.

Check this article: interesting stuff, interesting character, too:

https://en.wikipedia.org/wiki/Walther_Straram

Bachtoven

Quote from: Bachtoven on October 06, 2024, 01:08:05 PM
After listening to that again, I far prefer this one--much more dramatic. (And there are any number of recordings of Brahms' late solo works that I prefer.)

Symphonic Addict

Mozart: String Quartets 19 and 20

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

JBS

Quote from: André on October 08, 2024, 03:17:59 PMStravinsky conducts the Straram Concerts orchestra.

Check this article: interesting stuff, interesting character, too:

https://en.wikipedia.org/wiki/Walther_Straram

It's among the "Historical Recordings" in this set


TD

Hollywood Beach Broadwalk

JBS

Quote from: Symphonic Addict on October 08, 2024, 11:26:34 AMBoth of us have the 1st and 7th in high regard.

My ranking would be something like this:

2, 7, 1, 3, 6, 5, 4 and 8.

Having listened to the Second and Fourth earlier today, I'd rank them
7
3
2,5,4
1
8

Six isn't in this set, so I will listen to it via YouTube in the next day or so.

Hollywood Beach Broadwalk

SimonNZ


steve ridgway

Quote from: André on October 08, 2024, 03:17:59 PMStravinsky conducts the Straram Concerts orchestra.

Check this article: interesting stuff, interesting character, too:

https://en.wikipedia.org/wiki/Walther_Straram

Here's the recording. I don't know if the album art I used was a release of this particular transfer.

STRAVINSKY: Le Sacre du Printemps (1929)

Walther Straram Concerts Orchestra
Igor Stravinsky, conductor

COLUMBIA 78rpm Set 129
67703-D - 67707-D (LX1027 - LX1038)
Recorded in 1929

I. Adoration of the Earth
II. The Sacrifice
Digital transfer by F. Reeder

https://archive.org/details/STRAVINSKYLeSacreDuPrintemps1929-NEWTRANSFER/01I.AdorationOfTheEarth.mp3

Harry

#117818
Leçons de Ténèbres.
Marin Marais, Michel Richard Delalande, Robert de Visée, François Couperin.

Isabelle Desrochers, (Soprano), Mauricio Buraglia, (Theorbo),  Nima Ben David, Viole da Gamba, Pierre Trocellier, (Organ)
See back cover for details.
Recorded: February 1996,  T. Varga Auditorium, Sion, Switzerland.


Beautiful, gentle introvert sacred music played with great grace and style by an intimate band of musicians. Could only fail to appeal to the most cold-hearted. A Soprano without unnatural vibrato, that's quite a feat, and sadly from the past, alas. For me this voice is a touch of heaven.  Satisfying, stimulating and somehow unpretentiously genuine music making . There are other versions available of most of the material here. But this can safely be recommended.
Well recorded and performed. What a treat.
 
"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

steve ridgway

Crumb: Unto The Hills



I feel these folk songs with eerie, exotic percussion and amplified piano could have been a big hit if marketed outside the classical pigeonhole. The approach reminds me somewhat of Nico albums. Maybe a bit will get used on TV one day.